Percy Wyndham Lewis was born on November 18, 1882 near Nova Scotia. He moved to London with his mother in the 1890s, attending the Slade School of Fine Art, leaving before graduating to move to Paris. There he painted and attended lectures at the Sorbonne. He returned to London in 1908 and began authoring satirical stories and painting - inventing the Vorticism style. In 1914 he began publishing the journal "Blast: review of the great English vortex". The publication took aim a Victorian values. In World War I, Lewis served at the front as an artillery officer and then, commissioned as a war artist, he produced some memorable paintings and drawings of battle scenes. He wrote his first novel, "Tarr", in 1915 (published in 1918). After the war Lewis became better known for his writing than for his visual art, although he continued to paint portraits and abstract watercolours. He worked in seclusion until 1926, when he began to publish a remarkable series of books: "The Art of Being Ruled"; "Time and Western Man"; "The Lion and the Fox; and "The Wild Body". In the 1930s he produced some of his most noted paintings, such as The Surrender of Barcelona (1936) and a portrait of the poet T.S. Eliot (1938), and wrote some of his finest books—including Men Without Art (literary criticism; 1934), Blasting and Bombardiering (memoirs; 1937), and The Revenge for Love (a novel; 1937). In 1939 Lewis and his wife journeyed to the United States, where he hoped to recoup his finances with a lecture tour and with portrait commissions. The outbreak of World War II made their return impossible; after a brief, unsuccessful stay in New York City, the couple went to Canada, where they lived in poverty for three years in a dilapidated Toronto hotel. Lewis’s 1954 novel, "Self-Condemned", is a fictionalized account of those years.
Lewis and his wife returned to London after the end of the war and he became art critic for The Listener, a publication of the British Broadcasting Corporation. Lewis wrote a second volume of memoirs (Rude Assignment, 1950), satirical short stories (Rotting Hill, 1951), and the continuation of a multivolume allegorical fantasy begun in 1928 (The Human Age, 1955–56). A year before his death he was honoured with a retrospective exhibition of his art at London’s Tate Gallery. He died in 1957.