Ficheiro 2005.001.07.05.03 - At Kodak Heights / Canadian Kodak Co.

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Título próprio

At Kodak Heights / Canadian Kodak Co.

Designação geral do material

  • Documento textual

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Ficheiro

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Código de referência

2005.001.07.05.03

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Menção de edição

Menção de responsabilidade da edição

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Menção da escala (cartográfica)

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Autoridade emissora e denominação (filatélica)

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Data(s)

  • 1921-1932 (Produção)
    Produtor
    Kodak Canada Inc.

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Descrição física

10 v. of bound periodicals + 12.5 cm of published materials

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Título próprio do recurso continuado

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Zona da descrição do arquivo

Nome do produtor

(1900-)

História administrativa

Canadian Kodak Ltd., which became Kodak Canada Inc. in 1979, manufactured photographic films, papers and equipment for over a century in Toronto, Ontario. The company formed the Canadian branch of the successful Eastman Kodak Company, and officially opened its doors in 1900 at 41 Colborne Street under the direction of John G. Palmer. The company expanded and moved to 588 King Street West in 1908, but already plans were underway for an expansive complex to the north of the city. In 1912, Canadian Kodak purchased 25 acres of farmland near Weston Road and Eglinton Avenue to build a major manufacturing facility known as Kodak Heights. By 1925, there were over 900 employees working in seven buildings at Kodak Heights. Over the years, the company earned a reputation for having a cooperative and supportive relationship with its employees, adopting many of the successful practices in place at Eastman Kodak in Rochester, New York. In 1940, an Employee's Building was constructed to accommodate the activities of the flourishing Recreation Club, the Department Mangers' Club, and the Kodak Heights Camera Club. During the 1990s, the rise of digital media began to have a serious impact on manufacturing programs at Kodak facilities around the world, causing the Eastman Kodak Company to reduce its production of traditional print photography by one third globally. The company chose to focus on digital products, which did not require the extensive facilities used in the production of traditional photographic materials. On December 9, 2004, Kodak Canada Ltd. informed its employees that manufacturing operations in traditional film products would cease entirely at Kodak Heights. The company's facility faced the same fate as many of its foreign counterparts in England, Australia and France, being completely abandoned and demolished shortly after closure in 2005. Kodak Canada still maintains a sales and support office in downtown Toronto, while the manufacture of traditional photographic chemistry has returned to Rochester.

História custodial

Âmbito e conteúdo

At Kodak Heights was a bimonthly magazine, first published in January 1921, intended to foster communication among employees of Canadian Kodak Co. Ltd.

The full lineage of internal publications for Kodak Canada employees ran as follows: At Kodak Heights was succeeded by Kodak in 1936. In 1955, the name was changed to Canadian Kodakery. In 1975, the name was changed again to Kodak Canada News. In 1986, this publication was succeeded by In Focus; and in 1994, the name changed to its final title, Kodakery Canada.

Zona das notas

Condição física

Fair to Good. Bindings on some bound periodicals are fragile.

Fonte imediata de aquisição

One set of At Kodak Heights donated by Lloyd Dodson.

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Restrições de acesso

Open. Records are available for consultation without restriction.

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Ingressos adicionais

Nota geral

Published by and for the employees of Canadian Kodak Co., Limited.

Nota geral

The April 1923 edition of “At Kodak Heights” contains a photograph of the “Mount Department Minstrels at ‘Girls Night’ Frolic” where 8 women are in blackface, dressed as men wearing white overalls, straw field hats and handkerchiefs. One women is dressed as a male interlocutor sitting on a chair in front of them, not in blackface, wearing a suit and a top hat.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.

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