Title and statement of responsibility area
Title proper
Canada album
General material designation
- Graphic material
Parallel title
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- Attributions and conjectures: Descriptive title
Level of description
Item
Repository
Reference code
2008.001.2.007
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
-
[1859-1887] (Creation)
- Creator
- Shields, Lorne
Physical description area
Physical description
1 album (25 pages, 82 b&w photographs): 14.7 x 21 x 7.5 cm + 5 tintypes
Publisher's series area
Title proper of publisher's series
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Archival description area
Name of creator
Biographical history
Lorne Shields has been an avid collector of bicycles and bicycle ephemera since 1967, and was employed for many years as a bicycle wholesaler. His passion for bicycles led him to collect photographs on the subject as well as books, magazines, and bicycle memorabilia. He soon began collecting photography as its own pursuit, and joined the Photographic Historical Society of Canada in 1994. He has lectured widely on the history of bicycle photography, often showcasing his own collection of images. His photographic collection contains much more than bicycle imagery, however and the resulting collection represents a variety of photographic types.
In 1980 he donated much of his Cycling Collection to the Canada Museum of Science and Technology in Ottawa, Ontario. In 2007, Lorne Shields donated a part of his photographic collection (mainly those images not pertaining to bicycles) to Special Collections at Ryerson University Library. Many of his bicycle photographs remain in his possession and he continues to actively collect.
Lorne Shield's collection of bicycle photography was featured in the exhibition From Scorchers to Alley Cat Scrambles at The Market Gallery, Toronto, Ontario, from May 20 to October 1, 2006 and in a lecture by Donald Zaldin entitled ?Getting it in Gear: The Revolutionary Impact of the Bicycle on 19th Century Culture? in the Ephemera Society of America?s March 2007 conference Ephemera/27.
Custodial history
Scope and content
Item consists of a brown album with gold embossing and darker brown detailing. Item has part of a metal clasp on right of cover. Pages are white with gold embossing and sleeves with cutouts to insert the photographs into. Spine is torn and in very poor condition.
Photographs are all carte de visite size, and there are 5 tintypes in paper mats spread throughout the album. Some are hand-coloured. They are all portraits, some are labeled in pencil or black ink on the back of or below the photograph with the subject's name and sometimes a date. The photographs were taken accross Canada in Charlottetown, Montreal, Halifax, Pictou, Ottawa, and others as well as Boston, Washington D.C., New York and Auckland New Zealand. Some of the studios that made the photographs in this album are the Notman Studio, Brady's National Portrait Galleries, James Inglis, and J.W. Black. Photographers include C.S. Lewis and Tanton.
Loose materials include: photographs, tintypes in individual envelopes.
Notes area
Physical condition
Many sleeves have more than 2 photographs. Album is in very delicate condition, spine is torn and no longer in tact. There are many rips and tears on the pages. Photographs are in fair condition, some with yellowing, fading, and dirt. Handle with care.
Immediate source of acquisition
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Open. Records are available for consultation without restriction.
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Alternative identifier(s)
Standard number area
Standard number
Access points
Subject access points
Place access points
Name access points
- Shields, Lorne (Subject)