Interior views of red carpeted office hallways, meeting rooms and reception areas.

Views of the exterior of the building and the entrance. Les Terrasses was a shopping mall that operated from 1975-1983. Centre Eaton de Montréal opened on the site in 1991. A stamp on verso gives the project name as "Les Terrasses," the Architectural firm as Webb, Zerafa, Menkès, Housden, and the Proprietors as Rose Quebec Ltd. & First Quebec Corporation, D.W.S. Holdings & Gerald D. Hines & Interests.

Photographs of the Wellington Square tower located at 26 Wellington Street East, a high-rise glass and concrete office building.

Photographs of the interior of a technical school showing students in classrooms and the gymnasium, as well as hallways with wood-panneled walls. Two exterior views of the brick building, one showing a raised concrete walkway at the second storey.

Photographs of a design for an office tower with stepped garden roof and a bank branch on the main level.

Photograph of the exterior of an industrial building, with flagpole in foreground.

Architectural elevation, showing 100 Yonge Street and neighbouring skyscrapers. Central structure is designed as a 17-storey tower with granite clad pre-cast concrete panels.

Architect's model, showing a clocktower, elevated square and surrounding educational buildings. Located at 3700 Keele Street in North York.

Exterior views of the recreation centre and classrooms.

Renovations to the pool and gymnasium in the West End YMCA located at 931 College Street in Toronto. Brick, 3 storey exterior with rooftop play area.

Exterior view of a large brick building with arched windows and pedestrian arcade. The original structure was built in 1874 for Christie, Brown & Co.

Interior and exterior views.

Exterior views of the townhouse complex, showing yards and patios, parking and courtyards.

Interior views of exhibition space, library and reception areas located at 401 Richmond Street in Toronto.

Exterior views of the shopping arcade and central courtyard located at 148 Yorkville Avenue in Toronto, with details of staircases, windows, brickwork, enclosed and rooftop café areas, shops signs such as: J.W. Shoe Designs, The Albertine, Just Jane and The Book Cellar. This complex was a finalist for a Massey Medal for Architecture in 1970.

Exterior view of house.

Illustration of a bridge, with various other sketches of bridges around the borders of the image and the text: "(Colour illustration from the cover of the forthcoming issue of Architectural Monographs: 5 Michael Graves.)" The original drawing is graphite and crayon on yellow paper, done in 1978, in the collection of the Museum of Modern Art in New York. The bridge was designed as a replacement for a vehicular bridge spanning the Red River, connecting Minnesota and North Dakota.

View of construction.

Aerial view and details of the Pavillion Roger-Gaudry.

erial views of the Exposition grounds during construction. The site after construction of new land. The site of Expo then and ow. One photograph (2009. 00.1303.001) is site just before work began on enlarging in July 1963 and the exhibition grounds after.

Photographs of the exterior of the pavilion.

La Place d'Accueil is the main gate for Expo 67. A huge plaza of 2½ acres is on a middle level, above a bus station which is also used by taxis and the terminals of the Expo-Express and the Trailer Train which connects to Ci du Havre points.On the middle level, and on a third level, are information booths, travel offices, accommodation bureaux, shops, banks, a liquor store, restaurants, snack bars, lounges and a day hotel. There is a direct footway from the plaza to the International Broadcasting Centre. A striking architectural feature of the place is its roof -- in the shape of a huge umbrella. It is made up of seven plexiglass hexagons.

Photographs of the station from front and back.

Photographs of the exhibition installation as well as images of the architectural plans and finished buildings featured in the exhibition. This exhibition focused on Eisnman's drawings and models for four key works: submission to the International Design Seminar in Cannaregio Venice, Italy (1978); the submission to the South Friedrichstadt housing competition of the Intrernationale Bauausstellung, Berlin (1980-81); the project for the University Art Museum for California State University in Long Beach (1986); the submission Choral L. Works for the Parc de La Villette, Paris (1985-86).The exhibition was curated by Jean Francois Bédard and ran from March 2 - June 19, 1994.

Elevations, maps and construction photographs showing the Centre and surrounding area.

Images in the exhbition featured the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by confronting the surfaces of the wooden beams, he has photographed the attic in such a way that it becomes a new reality, marked by the corrosive signs of passing time. Photographs of images in the exhibition: No. 3, 5 and 14 from the sequence Bethanien, 1984-91.

The American Lawn is the fifth and final exhibition in the series The American Century, which seeks to cast a fresh eye on critical aspects of modern America’s architectural culture – its promises and disappointments, its roots and offshoots, its unparalleled worldwide impact. Other exhibitions include Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960 (1995); Frank Lloyd Wright: Designs for an American Landscape, 1922–1932 (1996); Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James (1996); and The Architecture of Reassurance: Designing the Disney Theme Parks (1997). Among the objects and documents displayed in the exhibition are Space Age lawnmowers, lawn ornaments, stereoscopic photographs of the “border crossings” between lawns, excerpts from the cinema of the lawn (such as Blue Velvet), vintage television footage of protests on the Washington Mall, sports shoes with high-tech cleats and patented grass. Photographs in the file include College Station, Texas; Grounds of Mrs. Harold W. Hacks, Short Hills, New Jersey and Weyerhauser Corporate Headquarters. The exhibition ran from June 16 - November 8, 1998 and was curated by Beatriz Colomina, Elizabeth Diller, Alessandra Ponte, Ricardo Scofidio, Georges Teyssot and Mark Wigley with Mark Wasiuta and Gwynne Keathly.

4 photographs of design work by Jacques Rousseau (Canadian, born Saint-Hyacinthe, QC, 1948), and 1 unidentified photograph of a barn, partially destroyed.

Aerial view of the apartment tower, showing Humber river and nearby Old Mill Inn. A stamp on the back of the photograph gives the architect as Raymond Mandel, and the photographer as Jack Mitchell.

Aerial views of Toronto.

Exterior views of a concrete footbridge with the letters "C N I B" attached to the side. Located near Sunnybrook Hospital, over Bayview Avenue in Toronto.

Exterior and aerial views of an office and retail building. Construction lasted from 1981-1985.

Aerial views of the St. Lawrence neighbourhood, a group of townhouses clustered around interior loop roads buffered from adjacent traffic arteries by higher density apartments containing street level retail arcades and with a linear promenade park strip along its entire length. The images were reproduced in an article on the St. Lawrence neighbourhood in the June 1981 issue of Canadian Architect magazine.

View of a bridge in the park. Photograph is stamped on the back: "This is the property of Raymond Moriyama, Architect." E. T. Seton Park is located in the Central Don area of the West Don River valley, south of Eglinton Avenue East. The parkland was acquired from the Flemingdon Development Corporation in the 1960's for the Metropolitan Toronto Zoo, which was eventually built in the Rouge Valley. Beginning July 1, 1965, the Province of Ontario leased the north-east corner of the park from the former Metropolitan Toronto for ninety-nine years to operate the Ontario Science Centre.

Small photograph adhered to clear plastic showing exterior of a skyscraper, sometimes referred to as the "Inside-Out Building" because many of its pipes and conduits are exterior to the building. The building was the topic of a critique of office buildings with exposed structures in the February 1987 issue of Canadian Architect magazine titled "Exposing High Tech". The Llyod's building is sometimes

Project binder describing the construction of Minton Hill House, a private residence for a single occupant in Quebec's Eastern Townships. The binder contains information on the architect, client, and consultants as well as a brief description of the landscape and the design influences. Floorplans and elevations are included as well as photographs of the finished residence.

Project binder describing the construction of the Côte Saint Luc Sports and Recreation Center in Quebec. The binder contains information on the architect, client, and consultants as well as a brief description of the landscape and the design influences, including the architects' incorporation of an existing pool pavilion adjacent to the building site. Floorplans and elevations are included as well as photographs of the finished building.

Photograph of two black and purple upholstered armchairs, front and back. These chairs were a part of the exhibitions at SIDIM: Salon International du Design Intérieur de Montréal (Montreal International Interior Design Show).

Exterior photographs of a multi-storey concrete building with observatory towers.

Photograph of the entrance to the building, showing terraced steps.

Exterior view of brick dormitory, and one view from across courtyard with central sculpture and partial view of McLaughlin College behind.

Interior views of the atrium and stack floors.

Exterior views of mid-rise concrete building, partially open at ground level to act as an event podium, supported by large concrete pillars. One view, taken at a distance, shows a statue in foreground.

Photographs of the interior and exterior of the pink brick building, designed as a series of 5 separate buildings. Views include a theatre with hardwood and granite floors, hallways, stairwells, an indoor pool area with coffered ceiling, outdoor track, and aerial views of the building.

Interior and exterior photographs of the Koffler Student Centre including, library, skylight, pillars and ceiling.

Exterior view of the building.

Interior view of a living room with a fireplace.

Photoprint of model buildings. 1 photograph is airview of the constructed buildings. Verso: The Canadian Architect Magazine 1985 Award of Exellence to James A. Murray, Norman Hotson, Alfred C. Roberts. B&W. photograph of the buildings and York Quay Park at lake Ontario.

Folder contains 2 b&w photographs of the the exterior of the Milner/Centennial Library in Edmonton, Alberta.