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Theatre programs
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Rigoletto at the Theatre Passe Muraille

Item consists of a program for a musical called Rigoletto by Michael Hollingsworth and Deanne Taylor, presented by Theatre Passe Muraille, Videocabaret, and the National Arts Centre, attended on October 19 or 20, 1989. Item includes a brochure for the production.

Acadia at Canadian Stage

Item consists of a program for Acadia by Tom Stoppard and presented by The Canadian Stage Company. The performance was shown at the Bluma Appel Theatre, St. Lawrence Centre for the Arts between September 30 and November 2, 1996.

A Delicate Balance at Canadian Stage

Item consists of a theatre program for a play called A Delicate Balance, by Edward Albee, presented by Canadian Stage at the Bluma Appel Theatre between 5 January-7 February 1998. Item includes clippings from this production.

Fosse at the Walter Carsen Centre

Item consists of a theatre program for a dance presentation called Fosse, presented by Livent at the Walter Carson Centre, attended on February 27 1998. Item includes a clipping and ticket stub from this production.

Gross Indecency at Canadian Stage

Item consists of a program for a play called Gross Indecency: The Three Trials of Oscar Wilde by Moises Kaufman presented by Canadian Stage at the Berkeley Street Theatre, in July-August, 1998. Item includes a clipping from this production.

War Brides at Theatre Orangeville

Item consists of a program for a musical called War Brides at Theatre Orangeville, attended September 27, 1998. Item includes a clipping from this production and a long letter from Paul Christie to the artistic director of Theatre Orangeville, with opinions on the production.

Preview at Canadian Stage

Item consists of a program for a preview event of plays in progress at Canadian Stage, including Welcome to Hemingway, Pelagie, and Outrageous - A Musical, presented at Berkeley Street Theatre on October 3, 1998.

Hair at Ryerson Theatre School

Item consists of a program for a musical called Hair at Ryerson Theatre School, attended October 24, 1998. Item includes a long letter from Paul Christie to the chair of Ryerson Theatre School, with opinions on the production.

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