Affichage de 2649 résultats

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Toronto Theatre programs
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Jerker, or, The Helping Hand: A Pornographic Elegy with Redeeming Social Value, and a Hymn to the Queer Men of San Francisco in Twenty Telephone Calls, Some of them Dirty, at the Theatre Centre Studio

Item consists of a program for a play called Jerker, or, The Helping Hand: A Pornographic Elegy with Redeeming Social Value, and a Hymn to the Queer Men of San Francisco in Twenty Telephone Calls, Some of them Dirty, by Robert Chesley, at the Theatre Centre Studio between April 27 and May 21 1989.

The Tempest at Skylight Theatre

Item consists of a program for a play called The Tempest, by William Shakespeare, presented by Skylight Theatre at the Amphitheatre in Earl Bates Park, from June 22-July 23, 1989, Item includes two newspaper clippings of the performance.

Rigoletto at the Theatre Passe Muraille

Item consists of a program for a musical called Rigoletto by Michael Hollingsworth and Deanne Taylor, presented by Theatre Passe Muraille, Videocabaret, and the National Arts Centre, attended on October 19 or 20, 1989. Item includes a brochure for the production.

Acadia at Canadian Stage

Item consists of a program for Acadia by Tom Stoppard and presented by The Canadian Stage Company. The performance was shown at the Bluma Appel Theatre, St. Lawrence Centre for the Arts between September 30 and November 2, 1996.

Gross Indecency at Canadian Stage

Item consists of a program for a play called Gross Indecency: The Three Trials of Oscar Wilde by Moises Kaufman presented by Canadian Stage at the Berkeley Street Theatre, in July-August, 1998. Item includes a clipping from this production.

Preview at Canadian Stage

Item consists of a program for a preview event of plays in progress at Canadian Stage, including Welcome to Hemingway, Pelagie, and Outrageous - A Musical, presented at Berkeley Street Theatre on October 3, 1998.

Hair at Ryerson Theatre School

Item consists of a program for a musical called Hair at Ryerson Theatre School, attended October 24, 1998. Item includes a long letter from Paul Christie to the chair of Ryerson Theatre School, with opinions on the production.

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