shiny lacquered wood plaque bearing a portrait of Lenin created by different coloured wood stains. His face is rendered in high contrast as if there was a strong light shining from the left hand side. Label afixed to back. It was produced in Lutsk, Ukraine. It is named "Portrait of V. I. Lenin."

Small statue, composed of a metal alloy, shows the figure of Vladimir Ilyich Lenin seated on what appears to be a tree stump. He holds a rolled paper in his left hand. A piece of paper, probably the manufacturer's stamp, is adhered to the bottom of one of the statues. The second statue has glue residue in the same location, indicating a similar paper was adhered but removed. The cast was created in 1986. It cost 17 rubles.

Cast bronze sculpture in low-relief of Vladimir Illyich Lenin's face. Hollow on the verso. A piece of paper is adhered on verso at the top, with inscription. The object appears to have been produced by a Lithuanian artist's co-operative.

Metal alloy sculpture in low-relief of side profile of Vladimir Illyich Lenin's face. Hollow on verso, with a screw for hanging. Small sticker adhered on verso at the top, with inscription.

Small cast bronze bust of Vladimir Illyich Lenin's head with dark finish, on a green granite base. Markings in the metal on verso of bust.

Circular metal alloy with heavy metal rim and hook on back to hang. Gold plated relief of Vladimir Illyich Lenin. The hook reads: ZNAR.

Bust of Lenin, cast in bronze, showing head and top of torso, dressed in waistcoat, jacket and tie, but with shoulders cropped off.

Small bronze bust of Lenin mounted on tall, square cast iron pedastal with a two-stepped base.

Triangular clear glass paperweight with etching on one edge of a stylized profile of Lenin's head.

Bust of Lenin in ceramic, showing full length of chest, hollow interior.

Rectangular glass with impression on one side depicting the face of Lenin in profile. A reproduction of his signature is molded into the glass below the portrait.

Bust of Lenin in ceramic-coated porcelain, showing full length of chest, hollow interior. Two words in Russian etched into the back of the figure: Bogolyubov Ingll.

Sculpture moulded in plaster of Lenin's head, mounted on a wooden base with a velvet backing.

Wooden plaque ornament with graphic drawing of Lenin in profile applied with lacquer. There are 2 pegs inserted at the base of the plaque, which are inserted into the base to allow the plaque to stand upright on a desk or other flat surface. Lenin is drawn with Soviet era army cap now commonly identified with him as a 'Lenin style cap'.

Wooden plaque with yellow and amber-coloured plastic resin arranged in a mosaic to resemble the face of Lenin in profile. Mouted to a wooden base with an inscription in pen on the back, which reads: Jonos Liukaitis Palanga 1975.

Wooden wall plaque, rectangle in shape, with relief carving depicting Lenin in profile, wearing a Soviet era army cap now commonly known as 'Lenin's cap style'. On verso, a faint purple stamp filled out by hand with pencil. It reads: Ukrainian SSR. Lenin. July '70.

Series consists of sculptures and reliefs of Lenin, as well as a piece of marble from Lenin's mausoleum. Media include metal, wood, bronze, plaster, stone, plastic, glass, porcelain, and clay.

Front section of Soviet Russian newspaper containing 6 pages of text and halftone images. Identified as issue no. 313 (21282). Newspaper title is flanked by crests of Lenin and a military star type crest. The images include that of a press conference at Lenin's mausoleum, a large protest or march with crowd members holding banners depicting Lenin, military excercizes and parades, and entertainer playing the accordion. On the front page, the main story's title reads: Under the banner of Lenin - dear October! Reporting about the parade and demonstration of workers on Red Square. The title of the story below it reads: Holiday reception at the Kremlin's Palace of Congresses. The last story is titled: A Speech by Comrade L. I. Brezhnev. It is on the occasion of the 60th anniversary of the October Revolution. On page 2, the main story from the front page is continued. Pictures of the parade depict soldiers marching and war technology. The story on the right-hand side is about the parade march to the palace. On page 3, the title reads: Unity, Brotherhood, Cohesion: Holiday Celebrations in the Capitals of Union Republics. The cities featured are Kyiv (Kiev), Minsk, Tashkent, Alma-Ata, Tbilisi, Baku, Vilnius, Chisinau (Kishinev), Riga, Frunze, Dushanbe, Yerevan, Ashgabat and Tallinn. On the top left of page 4, the title reads: We talk about the new winners: Calling the foremost example. The story below it is titled: Domestic-talent and skill. The bottom left-hand story is titled: Bridges for Baikal-Amur Mainline, and a picture of foreign parade-goers in Moscow is to its right. The story on the right-hand side is titled: Congratulating Countries of the Union. Page 5 includes various international news stories and a political cartoon about the October Revolution and negative international sentiments toward the USSR. The last page includes article titles including Conviction, News: Holiday Mosaic, Sport, From the Poetry Notebook, Inquiries. Publisher and publishing information is also included at the bottom of the page. At the top of the page, there are two pictures: two young people preparing to celebrate the October Revolution are in one picture and the other shows a sporting event at a stadium.

Various paper bookplates, printed with black ink using a woodblock process. They bear imagery of Lenin or Soviet symbolism and sometimes Russian text.

Painted wooden nesting or Matrioshkas dolls of Russian Communist leaders. Mikhail Gorbachev is the first and largest doll, inside which in succession are the leaders: Leonid Ilyich Brezhnev, Nikita Sergeyevich Khrushchev, Joseph Stalin, Vladimir Ilyich Lenin, Semyon Budyonny, Lavrentiy Beria, Sverdlov and Sailor Zeleznyak, leaders potentially of the Russian Revolution. The bottom of the Gorbachev doll has an inscription. Nine dolls in total. The Gorbachev doll has writing in Russian and English with the following messages: "Perestroika! Democracy! Glasnost! Gorbachev, the Father of the Region! USSR + USA = Love! I love Gorbi!" He is holding a set of papers entitled "New Thinking" and Gorbachev is listed as the author. The Brezhnev has Russian and English writing that reads: "Glory to the CPSU! Dear Leonid Ilyich! Party mind, honour and conscience! The party and the people are united! Russkaya Russian Vodka." The Khrushchev doll depicts him at a United Nations podium and he is holding a shoe. The writing around him reads: "Corn! Socialism! Cosmos! Accommodations!" The Stalin doll is holding a pipe and it reads: "Great VOKD! Father of the People!" The Lenin doll depicts him wearing a red ribbon and writing on the doll reads: "Peace to the People! Revolution!" The Beria doll depicts him holding a newspaper with the word "Business" on it and he's wearing a red armband with the letters TsK, which stand for Central Committee.

Commemorative plate of Vladimir Illyich Lenin standing with one arm raised to the sky, with the other at his chest. At the top of plate are the dates 1917-1957, marking 40 years since the Great October Socialist Revolution. City scape and water in background, with a glowing star in the sky. There are laurels and a hammer and sickle beneath his feet. Done in relief.

Watch resting in plastic case, on foam. Red letters (CCCP) on the watch face, with a red star at the 12 o'clock position. CCCP is the Russian abbreviation which translates in English to Union of Soviet Socialist Republics (USSR). "Perestroika" is also written on the watch face. Verso of watch face is engraved with "CCCP," a star and the numbers 140836. Plastic box is pink and grey tortoise shell. Recto of box reads "Glory" in Russian. Paper tag tied by string to watch with the letter C on it. Fake wrist band around watch made of paper. Sticker adhesive on top of plastic box with the numbers 11.50. Inside box are folded paper receipts or certificates or warranties.

Commemorative white porcelain plate with gold trim and writing, with image of Vladimir Illyich Lenin and the sickle and hammer, and a boat. The writing is in Old Russian, which reads: 70 decree of peace, adopted unanimously at the All-Russian Congress of Workers', Soldiers' and Peasants' Deputies 26 October 1917. It was created in the German Democratic Republic by Weimar.

Large white t-shirt with red writing on it, and coat of arms, laurel, sickle and hammer. On verso, wreath of laurels with star, globe with hammer and sickle and rising sun. More writing. Recto reads: KGB USSR. Verso reads in the different languages of the USSR: Proletariat of all countries, unite!

Folder with a metal clip inside for holding pages with pinch holes. The title page reads: Chants. First part of folder contains printed song text. In the second part are drawings with short hand written poems. Some have glued pictures. Most of the text is Lithuanian, but there is also some Russian.

Folder with a metal clip inside and photograph of Lenin on the cover page. Inside 10 loose pages with glued photographs of Lenin, Krupskaya, Soviet children, pioneers, Red Square. Some photos have hand written comments. The title page features a quote by Lithuanian Soviet poet Vytautas Montvila: Geniuses come and disappear again, Lenin came forever.

Scrapbook with hand written text, compositioned with glued photographs of Lenin and printed text. There is a separate letter written in Russian by a pioneer dated May 20, 1970. It was written in Gera, Germany. The pioneer is grateful for the parcel and letter that they had received. They also describes their participation in the concert for Lenin's 100 anniversary, which included folk dancing, music, gymnastics and Russian poetry reciting about Lenin and the USSR. Most of the text is in German, with some Russian. The FDJ (Free German Youth) logo is featured on the last page along with Soviet and German flags.

Item consists of a colour postcard depicting a 1924 portrait of Lenin by Nikolay Andreyevich Andreyev.

Brown cardboard album is bound with string. Affixed to the front cover is a watercolour of a man and a camel at the base of the Pyramids. Inserted into the 12 paper pages are photographs of wartime Egypt. There are two loose prints: one of a guard tower, and the other of a shield that reads "Patience!! NOUS te PLUMERONS." Also included are 2 postcards: one is of the H.M.H.S. Asturias, and is addressed to Mrs. Wm. Lawler, of Vancouver, B.C.; the other is a group portrait of soldiers, and is addressed to Mrs. E. Shaw, also of Vancouver.

"Photographs" is embossed in black ink on the tan clothe-bound album cover. There are 50 spaces for photographs on the 26 pages, and the 38 extant images are of people at work and play in rural and urban areas. A sticker on the last, empty page reads “Eastman’s Squeegee Album, for 3 ½ x 3 ½ pictures, style A, manufactured by Eastman Kodak Co., Rochester, NY.”

Green clothe-bound cover is embossed with “Scovill’s Photographic Series" and gold letterpress "The American Annual of Photography and Photographic Times Almanac for 1895.” This 438 p. book contains photomechanical reproductions of Alfred Stieglitz' "Outward Bound", p. 27, and "A Young Garibaldi", p. 254. Unpaginated appendices include vendor lists and advertisements.

Black leather album, lined with satin, bound with black string. "Photographs" is embossed on the front cover, and "Royal Albums" and "Made in USA" are in gold letterpress inside the back cover. Snapshots are glued to 40 black construction paper pages. Primarily vernacular images of weddings, soldiers, and vacations. Only Dick Gossett, Alan Pride, Bill McMillan, Duncan Wallace, and Minnie (Wallace) Owens are identified. One photograph of young men is entitled "Bolsover Flirts."

154 photographs affixed to 24 black paper pages, 11 loose prints--the album cover itself is absent. The photographs have primarily vernacular images: snapshots of individuals and small groups, individual and group portraits, vacation scenes. Captions and dates are in white pencil: "1929," "Pt. Stanley 1937," "Wingham 1937," "Cub Camp 1939," "Churchill 1940-1," "Lake Joseph," and "Natural Park." On the verso of one photograph is partially written "Dear Gertrude,-This is a picture...of our new home...Mildr(ed?)" A truck is shown painted with "...S TAXI CABS, 2400 CHATHAM." A boat is shown painted with "The 100 Mile Cruiser To NATURAL PARK, SAGAMO." A park entrance gate made of tree branches spells out "CAMP TINAWATAWA, YWCA, YMCA." On a page entitled "Camp 1921" the prints have been typed on "Lake Couchiching." One loose print is written on verso "May 1963."

Print is captioned "Motherhood." It depicts a woman in a white fur-trimmed robe holding an infant in a white blanket. On verso, the work is identified as a Glaxo Baby Book advertisement. The envelope is addressed, Canadian-stamped, and cancelled.

Tan envelopes are printed in black with "B. Frank Stewart, Kodaks and Amateur Supplies, Orillia, Ontario." Most of the photographs are undated snapshots of unidentified individuals and groups posed indoors and out, and images of farm animals, buildings, Niagara Falls and landscapes. Two photographs are dated on verso as "Sept. 1919", and "Jan. 1921." Four photographs are written in ink on verso "Jim Ross and Watson Matheson", "Catherine Ann (McFayden) Wallace", "Bolsover Sunday School Picnic", "Hugh McIntyre and family members."

These photographs share few similarities in image content besides all being taken out-of-doors. Four images show a barn raising, and sixteen images are of boats, including the "Stoney Lake" and the "Modello." One photograph is of a man in a wheatfield--written on verso is "What do you think of this for Western Wheat 10 mi.'s from Regina?" The other photograph written on verso is of a man and an airplane--"Douglas Lindsay out on the Sask. River Jan. 15 / 36 at Prince Albert where the fish bask from Leechee (sp?) Rouge is situated."

Three of these photographs are stamped on verso by the photography studio of H. R. Niebel, Orillia, Ont., and four are written on verso: "Peggy Grant and Muray infant", "Muray Grant, July / 26 - 17 mos.", "Florence Grant, Muray Grant, and Chris Wallace in Orilia", and "Cameron Grant and fella."

Of these family photos, one is written in ink on verso "- at Jessie (Wallace) Stanley's wedding."

Two pairs of photographs originally grouped together. Two photographs are of a girl seated on a miniature chaise longue in front of garden wall, and two photographs are of the interior of Canterbury Cathedral. The cathedral photographs have both been written on verso in pencil "Canterbury Cathedral," and individually in ink, "Presbytery and Archbishop Bourchier's Tomb" and "Effigy of the Black Prince from his Tomb."

Photographic image is of a two-horse team standing on a dirt road with cart and driver in front of residential buildings. The card mount is taupe and dark gray.

The image is of two men, identified from their name tags as Tony Miller and Bill Hastings, discussing a Suzuki motorcycle.

Photograph is of a woman sitting in front of a fireplace, with Redbook magazine open on her lap. The support for the image is a neon-red paper. On the lower right of the tan card mount is embossed the studio logo. On the verso is inscribed in green ink: "To Jessie, Wishing you many happy returns of the day. Violet. Jan. 1 1912."

The photograph envelope is printed for the Owl Drug Store, of 336 Bloor St. West, and noted that the customer is "Mrs. Atwood, 23 Spadina." The negatives are of a woman wearing a white ensemble.

Images are of a gathering on a farm, with one group portrait and four snapshots of children. There is an illegible word inked on the envelope.

This yellow paper photo album, "Mercury deluxe Album Snapshots", is printed in blue, and held by a blue plastic binder. The photographs show examples of early-20th century residential architecture, and are captioned "Santos (Brasil) 1950 new suburb" and "2nd house we lived in, in Cuba."

The card-mounted photographs are all studio portraits of unidentified individuals. The first of two cabinet cards is embossed with "Quartley", and the second is embossed with "Morton." Two Cartes de visites are printed on verso with "J.F. Rowe. A fifth card is identified as a "Gem" photo card, printed on verso with "R.W. Knorr" and an advertisement for the tiny Gem format.

The cabinet card has an image of an un-named industrial building and streetscape; the envelope is printed with "The Barrie Glove & Knitting Co. Limited, Kitchener, Ont., Canada" and a rendering of the "Home of "Barrie" Products."

Six companies manufactured these stereocard image pairs: one child and tricycle by E. & H. T. Anthony & Co.; eight landscapes by B. W. Kilburn; one landscape by Keystone View Company; one hand-coloured greenhouse view by Underwood & Underwood, Publishers; two hand-coloured garden views by Webster & Albee, Publishers; and one hand-coloured half-tone seascape, uncredited.

Photographic print of three women is trimmed into a tiny circle and set into a button assembly. The unsmiling women are shown wearing white blouses and darker neck bows. The button is black metal, with a gold metal pin.

Image is of a hillside garden in summer--treetops, smokestacks, and rooftops stretch to the horizon. The thin frame is gold-painted wood, with glass, and on the back a sticker reads "Stedman's Book Store Limited, Brantford, Picture Framing and Fine Stationary."

Item is a group portrait of a minstrel show. 42 performers, including children and adults, are posed seated or standing on a stage. Six of the performers appear in blackface, wearing makeup and wigs.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.

A two-page hand-written eulogy was found with the photograph that begins "Ella Roberts age 85 years of Galena, Ohio died November 28, 1949..."

Blue and green cardboard mailer has a die-cut opening revealing souvenir photographs of Mount Vernon, Va. The mailer is addressed to Miss Lenore Parkinson, c/o Auditor of Disbursements Office, Bell Telephone Co., Elgin Bldg., Toronto, Ont., Canada, Room 902. The mailer is U.S. stamped, and cancelled.

Football team portrait. The well-ordered players are standing on stone steps. Hand-lettered on the front of the grey card mount is "Central High / 1927." Written in black ink on verso of card mount is "Left to Right, Front row: Clyde Clancy, Harold Pollack, Jim Connolly, Johnny Wright, Harlan Haulman, Gilbert Edwards; Middle Row: Parley Hyde, Moorhead Tukey, Peter Sawerbrey, 'Auroea' Nelson, Clary Johnson, Les Huff, Graham Cooksey; Back Row: John Epplen, Mgr., Elmo Pace, Roscoe Haynie, Bud Levin, Glenn Cackley, J. G. Schmidt, coach." A faded grey studio stamp reads "Dewell, commercial photographer, (...) 321 (...) Omaha."

Class portrait of co-eds and rabbi of the "Cleveland Jewish Center, Confirmation -- Class of 1946 .. 5706" is a photomontage of 51 captioned portrait ovals arranged alphabetically.

Item is a photographic enlarger consisting of nine parts; a metal base, two shafts, one bellows/negative holder assembly with red filter, lens assembly, lamp with cord, and three cardbooard negative guides. Cast into the vertical assembly are the words: "Fotolarger, Testrite, N.Y." On the negative holder, there is a metal plate printed with the CSA logo, and "Fotolarger, use #211 lamp 75 W 110-115 V, Testrite Instrument Co., Inc., New York, N. Y. -- made in U.S.A."

Possibly a pyramidal enlarger. Repeatedly written on the object in pencil are variations of the phrase "4 x 5 Bopeep."

Book-shaped contraption resembles a mono version of a stereoviewer. It has a green leather cover with the word "MICROPHORE" in gold letterpress on the spine. A two-part metal clasp releases a lid. When opened, a spring-loaded lens is aimed at an assembly of cotton loops that could attach to small photographs.

Chromatrope devices consist of a wood frame, a metal winding mechanism, a tiny wood crank handle, and colour-patterned layers of glass that, when turned, resemble the optical effects of a kaleidoscope. Used for projection.

Binocular viewer is brown plastic, with black metal slide at the bottom for reel advancement. The eye pieces are fitted with transparent lenses for viewing images against translucent plastic backs--these allow ambient light to illuminate the images from behind. Molded into the body of the viewer is "TRU-VUE, ROCK ISLAND ILL, MADE IN U.S.A., U.S. PAT. 90564", and "INSERT FILM THIS END" (left side). The two-piece cardboard box has a silver top printed with the Tru-Vue logo in black, and a black bottom printed with "Tru-Vue Inc., Pictures With Depth, Rock Island, Illinois, printed and made in U.S.A." in silver.

Wood box has sliding lid and is covered with patterned brown paper. Nine of the glass slides are painted with scenes of children engaged in play and work, and one includes the phrase "Good Night." Three slides have been painted with four vignetted cityscapes each. All of the slides are edged with orange tape.

Black leather case with flap and metal snap is stamped "JAPAN" and contains a black leather strapwith metal snaps.

Blue and clear plastic case contains a self-timer, an adaptor, and instructions. The self-timer is metal, and has "MOD. ll" in red, and a red and ivory painted plate with the words "KOPIL, MADE IN JAPAN." The instructions are on blue vellum.

Black clothe-covered wire and metal cable release.

Black metal light meter snaps open to reveal sensor and guides.

Black bakelite light meter with transparent plastic dial guides for shooting conditions: "DULL, BRT., SNOW, BEACH." Made by "PIERCE FILM."

Yellow filter metal holder is printed with "KODAK SERIES V ADAPTER RING1 1/16 IN. - 27 mm. MADE IN USA", and the filter metal ring is printed with "SERIES V WRATTEN FILTER K2 MADE IN USA." "KODAK" is molded into the top of the yellow and black plastic screw-top filter case.

The yellow filter is in a metal holder.

Imprinted on the red filter metal holder is "Rolleifilter - hellrot, 999283." Imprinted on the front of the brown plastic case is "OMAG" and on the back is "3459, SWITZERLAND."

Brown leather case has a metal snap and is stamped on the front with "Rollei F&H", and on the back with "GERMANY." The small clear glass filter is printed with "Carl Zeiss Jena, Proxar 1, Nr. 585040." The large clear glass lens is printed with "Carl Zeiss Jena, Proxar 1, Nr. 573601." A card identifies the lenses by name and number in German, French, and English: "These Proxars are so adjusted to each other that, when attached to objectives having exactly the same foci, they again give uniform foci and thus also bring about the same alterations in extension for focusing to various distances."

Handblown cylindrical clear glass bottle with cork, empty. Browned paper label with text reads: "ACETIC ACID, WARRANTED PURE, D.H. HOGG & CO., Wholesale Dealers in, Photographic Supplies, 128 Bay Street, TORONTO." Price sticker: "$125."

Orange cardboard tubes have grey labels printed with black ink: "M - Q DEVELOPER TUBES, Adapted to any make of Dry Plates, Films, Developing and Bromide Papers. PAPER, FILMS AND PLATES -- Dissolve thoroughly in Five ounces of water the contents of red end of tube. Then add and dissolve remainder."

Brown paper-wrapped photographic papers. Sticker printed in burgundy and brown ink: "EASTMAN'S, SOLIO PAPER, 2 1/2 x 4 1/4, FOR SALE BY ALL STOCK DEALERS, FULL DIRECTIONS INSIDE." Price sticker: "Very old, $5.00."

Watercolour outfit for hand-colouring photographic prints. The tan cardboard box has a tan label printed with black ink: "VELOX TRANPARENT WATERCOLOR STAMP OUTFIT." Included in the box is a plastic palette and an instruction booklet with colour stamps separated by vellum sheets labeled: "LIGHT YELLOW, FOLIAGE GREEN, DEEP YELLOW, DEEP GREEN, FLESH TINT, LIGHT BLUE, BRILLIANT RED, DARK BLUE, SCARLET, VIOLET, WARM BROWN, STONE GRAY." There is an empty tray for brushes.

Camera is made of wood: a two-part hinged frame supports a hinged lens assembly and hinged contact frame. The lens assembly includes a leather and felt lens cap. There is also a metal-ringed glass lens and a small metal key loose inside the camera body.

This folder contains photographic prints of people associated with or featured in Canadian Architect magazine between the mid-1950's and 1980. It includes portraits, candid and group photographs. The majority of the photographs are not dated, but appear to have been taken during the early 1950's to 1980. Architects pictured include Eberhard H. Zeidler, Senior partner of Zeidler Roberts Partnership, as well as Bruno Zevi, Boris Zerafa, and Young & Might. The file also contains biographical information on Eberhard H. Zeidler.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1987-1993. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects Joe Lobko, David Lieberman, Jean Louis Lalonde, Fred Lebensold, Phyllis Lambert, Alison Mackenzie, Alex Leman, and B. Ledger, as well of an architectural photograph of the Patterson grain elevators in Culross, Manitoba, taken by Lettinsky. The file also contains a slide of an unnamed architectural slide. Textual records in the file consist of an article written about Andy Lynch and Bill Lydon, two architects from Halifax, Nova Scotia, as well as biographical notes on Phyllis Lambert, a notable Canadian architect.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1958-1997. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects Roger Kemble, Carl A. Knipfel, Michael Kirkland, Alexander Kira, Louis A. Kahn, Ron Thom, and a group picture of Them Kuwabara Payne Mckenna Blumberg Architects firm's Providence Centre Team, as well as architectural photographs of Wellington Wood,the interior of the Chemetics House in Vancouver, B.C., and of a house on the St. Laurence.
Textual records in the file consist of Roger Kemble's C.V. and biographical notes on Kathleen Kurtin.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1958-1997. The file includes portraits, candid, and architectural photographs. Photos include pictures of architects Edward Jones, Russell Johnson, Dan H. Jenkins, Barry Johns, as well as an architectural photo of the exterior of the Royal Trust Company building renovation in Vancouver. Textual records in the file consist of Barry John's C.V. and short bios on Michael Kirkland, Edward Jones, and Dan H. Jenkins.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1958-1997. The file includes candid portraits, and architectural photographs. Photos include pictures of architect W. Randle Iredale, as well as 2 negatives of the Steamboat House in Vancouver. Textual records in the file consist of W. Randle Iredale's C.V.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1985-1997. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects John Hix, Norman Hotson, Alan Hodgson, Rick Hulbert, Odile Henault, Henry Hawthorn, Peter Hemingway, Zaha Hadid, Carme Pinos, Jeremy Sturgess, Fred Hollingsworth, and Francine Houben, as well as two architectural photographs of the exterior of a house designed by Barry Downs of Fred Thornton Hollingsworth Barry Vance Downs, who won the Award of Excellence in 1965 for the design. Textual records in the file consist of biographical notes on John Hix, Richard E. Hulbert, Richard G. Henriquez, the C.V.'s of Peter Hemingway, Michael Hough, Gustavo Da Roza, Michael Cox, Hilda Symonds, and John Fox.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1960-1990. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects Robert Gretton, Michael Graves, Doug GiIlmor, Irving Grossman, Frank O. Gehry, and Bernard Gillespie, as well as two architectural photographs of the exterior of a house designed by Papineau Jerin-Lajoire, one of the interior of an apartment designed by Irving Grossman, and the exterior of town homes on Brae Glen Lane in Calgary. The file also includes a photographic slide of wooden furniture, copyright proofs of the Etienne Gaboury residence in Winnipeg, and four photographic negatives of portraits. Textual records in the file consist of Douglas Gilmor's C.V. and biographical notes on Raymond Griffon, as well as the artists statement about Griffon's work, Birdhouse for a Robin.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1960-1990. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects Arthur Erickson, Charles Eames, Glenn Edwards, and Ralph Erskine, as well as architectural photographs of interiors and exteriors of the Bayles Residence and Roy Thompson Hall, both designed by Arthur Erickson. The poster in the file is a sketch of Erickson outside his Bayles Residence. Textual records in the file consist of a statement on Wolf Foundation Prize for Architecture winner, Ralph Erskine, and a note on the Charles Eames Furniture exhibition at the Museum of Modern Art in 1973.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1960-1990. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects Bruno Freschi, Robert S. Ferguson, Mark Franklin, Buckminster Fuller, Sir Norman Foster and Hassan Fathy, as well as architectural photographs of the exterior of The Towne apartments designed by Henry Fliess, and two interior photographs of the Albert Campbell Library, designed by Fairfield and Dubois. The file also contains a photographic slide of Norman Foster with the Benedictus Award his firm, SIr Norman Foster and Partners, won in 1993. Textual records in the file consist of a statement on the photograph of Sir Norman Foster accepting the Benedict award and a photo caption about Hassan Fathy.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1966-1987. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects Barry Downs, Gus Da Roza, A.J. Diamond, Guillaume Jullian De La Fuente, John Disher, Michael Dixon, Macy DuBois, John M. Dayton, Jin Dow, Roger du Toit, Pierre Daoust, and Peter Dobbruig, as well as architectural photographs of the interior of The Loussier Residence , the exterior corner of Beth David Synagogue , and the interior of an office building designed by Guy Desbonet. Textual records in the file consist of the C.V.'s of Gerald L. Forseth, Gustavo Da Roza, and Roger du Toit, correspondence from Roger du Toit in regard to annual news from his firm, biographical notes on A.J. Diamond and his partner, Donald Schmitt, as well as notes and facts about their firm, and biographical notes on Barry V. Downs along with an artists statement on his work, "Avipomorphic House for a Family of Chestnut Backed Chickadees".

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1970-1994. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects Peter J. Webb, Frank Lloyd Wright, Al Waisman, Michael Wong, Richard J. Neutra, Clifford Wiens, and Peter Webb, as well as photographs and slides of drawings , plans , and structures designed by Frank Lloyd Wright used in the, "Frank Lloyd Wright: Architect" exhibit, which took place at the Museum of Modern Art from February 20- May 10, 1994. Textual records in the file consist of Clifford Wiens' C.V.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1970-1994. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects Douglas Cardinal, Peter Cardew, Ruth Cawker, Philip Carter, Andrew Clarke, Jennifer Corson, Melvin Charney, Bill Cluff, Jim Crang, George Boake, Julius Olson, Alfred CHatwin, Eric Pelletier, Marie-Chantal Croft, and Fred Collins. File also contains one negative of Douglas Cardinal. Textual records in the file consist of the C.V.'s of Phillip H. Carter, E. H. Cavanagh, and Douglas Cardinal.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1967-1993. The file includes portraits, candid, group, and architectural photographs. Photos include pictures of architects and writers, Ned Baldwin, Paul Budgen, W.H. Birmingham, Lance Berelowitz, James Brock Bell, William Barnet, Sidney Bregman, Morley Blankstein, John Bird, Essy Baniassad, George Baird, Phillip R. Brook, Trevor Boddy, Robert Burgers, and Wilfred Buttjes, and a number of photographs of three unnamed architects. File also contains three architectural photographs of exteriors of buildings designed by Joseph Baker, Boigon & Heinonen, and Toby Russell & Buckwell. Textual records in the file consist of the C.V.'s of Peter L.A.C. Buchanan and Trevor Duncan Boddy.

This folder contains photographic slides of the Centre for Architectural Structures and Technology (C.A.S.T.) building, at the University of Manitoba, which Mark West was the founding director of.

This folder contains photographic prints of people and places associated with or featured in Canadian Architect magazine between 1972-1996. The file includes portrait, candid, and architectural photographs. Photos include pictures of architects Paul-Andre Tetreault, Ray Leonard Toby, Quinlan Terry, and Harold Tanner, as well as one aerial photograph of downtown Toronto in 1974. File also contains illustrated poster of Canadian architect, Ronald Thom.