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Shields, Lorne landscape
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[Covered Bridge]

gelatin silver print with white border and scalloped edges. Depicts a covered bridge, river, road and brush landscape. Sign at left of bridge entrance reads "speed 10 miles, load limit 2 tons." Verso inscription, blue ink: "Longest Hartford Covered Bridge N.S."

Cutting the Wheat 1909, Prince Albert Sask.

Postcard with no border depicting a man driving a team of horses with a plow through a field of wheat. Recto caption in white: "Cutting the wheat 1909 Prince Albert Sask." Verso caption, top centre, "Postcard"; top right, "AZO place one-cent stamp here"; left, "For inland postage only this space may be used for communications"; right, "The address only to be written here." Verso blue rubber stamp, bottom left, "The Waterworth Series."

The Old Mission, Santa Barbara Calif.

Geatin silver dop postcard depicting a spanish-style church and surroiunding landscape including palm trees. Recto caption in white, bottom edge: "The Old Mission, Santa Barbara, Calif." Verso has a green 1 cent U.S. stamp and postmark stamped "Yreka, Calif. Apr. 22 1230pm 1931." Verso caption, top middle: "Post card"; left: "correspondence"; right: "address." Verso inscription in pencil, left side: "Darling Babe, We'll soon be home now and it will be wonderful to see you. Will you sace this card for me as it is the only one I have of Santa Barbara. Helen." right side: "Miss Marian Macgowan c/o Miss E. Hurst, 1235 12th St. New West Minster BC Canada."

[Mormon family, Utah.]

albumen prints mounted on cabinet card with gold border. Depicts 6 women, 1 man, 4 children in front of small log cabin in dry landscape. Verso has a crest with birds and "H". Verso caption: "G.S. Smith's Gallery, Fanny Hoyt, Artist, Salt Lake City, Negatives Retained." Verso purple ink stamp: "Low Bros. News Agents, Ogden Utah." Verso ink inscription: "Picture of a Mormon family grandfather Kirkpatrick saw on a trip to Utah." Verso pencil inscription: "$100."

[Landscape view]

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 62 in the series. The number 99-183 is scratched into slide, BRC. Black paper around glass edges. Heavily painted with pinks and blues. Image is of a landscape view of a canyon or pit.

[Man holding boy in his arms]

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 51 in the series. Black paper around glass edges. Heavily painted. Image is of a man holding a young boy in his arms. The boy's eyes are closed and the man is looking up to the sky.

[Man, woman, machine]

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 45 in the series. Black paper around glass edges. Heavily painted. Image is of a man and woman. They are next to a machine, possibly a grain grinder. The man looks to be turning a crank on the machine. The woman is sitting behind him, on a fence, with her arms around his shoulders.

[Three men standing by fence post]

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 33 in the series. Black paper around glass edges. Heavily painted. Image is of three men standing by a fence post, looking off to one side. They don't look happy.

[Man painting at an easel outside]

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 22 in the series.Black paper around glass edges. Heavily painted. Image is of a man sitting at an easel, that's been set up outdoors, and he's painting a woman standing in nature. The colours are very vivid.

[Woman crouching by water]

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 18 in the series. Printed in BRC of slide "99-68." Black paper around glass edges. Heavily painted. Image is of a young woman with blond hair, crouching by a creek with a bucket. You can see her reflection in the water. She is the same woman from slide 16, 2008.001.1311.

[Couple standing on cliff]

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 16 in the series. Black paper around glass edges. Heavily painted. Image is of a young couple holding hands standing on the side of a mountain (?), with more moutains in the distance.

[Little boy kneeling next to deer]

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 13 in the series. Heavily painted. Image is of a young boy kneeling next to a deer, with a dog next to him, outside the house. He's next to three tree stumps. There are two other unidentified animals in the scene.

[Two men talking by gate]

Lantern slide, glass slide. Handpainted over B&W image. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 5. Perhaps the fifth one in a series, because the man in the slide is the same man from 2008.001.1303. Image of two men talking by a gate, at what looks to be a ranch. The one man is the dressed in a black suit, holding a briefcase or suitcase, perhaps a doctor. The second man is holding a cowboy hat, and has a beard. The image is handpainted over a B&W slide.

[Procession of covered wagons through the moutains]

Lantern slide, glass slide. Handpainted over B&W image. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 2. No wood frame. Image of covered wagons making their way through the mountains, sky is painted blue and pink. The image is handpainted over a B&W slide.

[Man standing in nature]

Lantern slide, glass slide. Handpainted over B&W image. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 1. No wood frame. Image is handpainted, but looks like a B&W photograph underneath. It is of a man standing alone in the middle of nature, on the side of a mountain on a cliff, looking up at the sky. There's mountains around him, trees towering over him. The sky is blue with some clouds. Date based on research that shows Edward Van Altena's studio was active during 1890s-1910s. This series part of Life Model Slides. "The most popular slides in Victorian times were 'life model slides', which depicted popular sentimental stories of the day.The slides were produced by arranging actors in costume in front of a painted back drop. Stage props were placed in front of the actors and the scenes from the story were photographed. The slides were often hand tinted with colour and sold in boxes, along with a text to be used as a reading.In particular the temperance movement and political speakers used slides to convert a mass audience." (http://www.driffieldtoday.co.uk/wally-simpkins-look-at-east-riding-history/Shadow-shows-and-magic-lanterns.2696708.jp)

UK and France album

Brown fabric cover with gold embossing. Gold finish on edges of pages. Spine and bindings missing. White pages with notations in pencil. Gold initials "MRTB" on title page. Photographs mounted with glue.

Other items mounted to pages include postcards, newspaper clippings about Stonehenge and other rock monuments,
Loose items include "Bain's Map of the Country of Nairn" (partly torn).

Sites and locations include: Roman Arena; Nice, France; Nairn River; Brodie Castle; Inshoch Castle; Pict and Scot War Stone; Queen's Head in Burley.

Themes include: scenic views and vistas, landscapes, some architecture images of churches and castles, harburfronts.

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