Black and white 35mm transparencies
Item consists of 52 black and white transparency copy slides of photo-historical images for teaching. The slides are all in metal housings, made in Switzerland by Perro Color, US Pat. 2919840. They are individually numbered in black ink with a 4 digit number on white sticker labels, but there is no index to go with the slides.
Image Arts
[Unidentified sound recordings, Image Arts department]
Item consists of unidentified audio recordings created in the Image Arts department. Due to lack of playback equipment for the format, the content has not been identified.
Image Arts
Item contains a recording of a seminar on the history of the female nude, given by 2nd year Photographic Arts students in the Image Arts department of Ryerson University
Image Arts
Nixon, Nicholas, 1947
Krauss, Rosalind E., 1941
Kasten, Barbara, 1936
Coleman, A.D., 1943
Item consists of 2 audio cassettes of a talk American photographer Barbara Norfleet gave about her work. The lecture took place at Ryerson University as part of the Kodak Chair Lecture Series.
Norfleet, Barbara
Item consists of 4 audio cassettes of a talk American computer artist David Em gave about his work. The lecture took place at Ryerson University as part of the Kodak Chair Lecture Series.
Em, David
Item consists of 6 audio cassettes featuring a recording of a lecture given by American documentary photographer Eugene Richards. The talk took place in the Image Arts Department as part of a series of nine lectures and five workshops that took place in 1981-1982.
Lecture is divided into 2 tapes, there are 3 copies of the full recording.
Image Arts
Critical Writing Workshop (with A.D. Coleman)
Item consists of 10 audio cassettes of a 3 day workshop led by American critic, historian and curator A.D. Coleman on the topic of critical writing on photography. The symposium took place at Ryerson University from January 8-10, 1982.
Coleman, A.D., 1943
Critique workshop and panel discussion
Item consists of 6 audio cassettes featuring a recording of a workshop and panel discussion presented by Michael Mitchell, Michael Asch, Marta Braun, John Brumfield, Hu Hohn, Byron Henderson, and Alan Thomas in the Image Arts Department as part of a series of nine lectures and five workshops that took place in 1981-1982.
Image Arts
Item consists of 6 audio cassettes featuring a seminar led by American photographer Emmet Gowin as part of the Image Arts 1979-1980 lecture series at Ryerson University
Gowin, Emmet, 1941
Abbott, Berenice, 1898-1991
Special documentary photography: from Hill & Adamson to Lewis Hine
Item consists of 5 cassettes with an audio recording of a talk given by photographic historians Naomi and Walter Rosenblum at Ryerson University, on the topic of documentary photography.
Rosenblum, Naomi
Richard Huyda, historical perspective: Canadian portfolios and albums 19th c
Image Arts
Open panel discussion: Is an annual conference on photography necessary? Question and answer period
Item is a recording of a panel discussion eith Geoffrey James, Hu Hohn, Alain Desvergenes, Ann Thomas, Charles Gagnon, and David Heath.
Image Arts
Image Arts
John Ward, an historical survey of approaches to photographic criticism
Image Arts
Katherine Tweedie, regional overview of contemporary photography in Quebec
Image Arts
Penny Cousineau, regional overview of contemporary photography in Ontario
Image Arts
Chris Youngs, historical perspective: other artists using photography
Image Arts
Ann Thomas, Canadian nationalism and Canadian imagery: A point of view
Image Arts
Image Arts
Image Arts
David MacKenzie, regional overview of contemporary photography in the Maritimes
Image Arts
Douglas Clark, regional overview of contemporary photography in the Prairies
Image Arts
Tom Gore, regional overview of conemporary British Columbian photography
Image Arts
Alain Desvergnes, can photography be a gesture in the domain of the imagination?
Image Arts
Claudia Beck: The condition of photographic marketplace in Canada
Image Arts
McKibbon, Milllie: Photography and the public gallery in Canada
Image Arts
Andy Birrel: Criteria for collecting, the public archive
Image Arts
Rudolph Arnheim: Splendor and misery of photography
Image Arts
John Brumfield on Robert Frank
Item contains 4 audio cassettes of a by American photographer John Brumfield as part of the 1978-1979 Image Arts lecture series.
Image Arts
Image Arts
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Image Arts
Peter Bunnell: Curator, critic, writer
Item is an audio recording of Pter Bunnell's lecture, covering activities at the Museum of Modern Art in New York, and Susan Sontag's book "On Photography".
Image Arts
Ray Metzker: Artist discusses his work and answers questions
Image Arts
Image Arts
George Krause: Artist discusses his work and answers questions
Image Arts
Jerry Uelsmann: Artist discusses his work and answers questions
Image Arts
A.D. Coleman: Critic and writer discusses issues in photography
Image Arts
Image Arts
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Richard Huyda: Archivist, National Archives of Canada
Image Arts
Image Arts
A.D. Coleman: Writer and critic speaks about critical process
Image Arts
Cole Weston: Artist speaks about his work and Edward Weston
Image Arts
Geoffrey James: Head of Canada Council in Visual Arts, Film and Video Division
Image Arts
Item contains two copies of an audio recording of a lecture by photographer Robert Heinecken. The originally scheduled lecture, by Lisette Model was cancelled.
Image Arts
Image Arts
James Borcoman: Curator of photographs at the National Gallery
Image Arts
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Image Arts
Item consists of a Kodaslide Table Viewer 4x. It allows for a lamp that uses a maximum of 50 watts. Is used for viewing 35mm slides.
Image Arts
Item consists of a Kodaslide Merit Projector. It has a 5 inch f/3.5 Kodak Projection Ektanon Lens and uses a 150-watt, 120-volt lamp. It has been made to accept all standard 2 x 2-inch slides. As opposed to other projector models of the time that featured automatic changers that could hold multiple slides at a time, the Kodaslide Merit Projector used an earlier slide-feeding method of inserting each slide individually into the top of the unit.
Image Arts
Kodak Brownie Movie Projector Model I
Item consists of a Kodak Brownie Movie Projector, the first model. The projector was manufactured from October 1952 to February 1955. It is for 8mm film, has an f/2 lens, and a max reel of 200 ft. It originally marketed for $62.50. It has a brown metal and plastic body with a removable protective cover that has an operation manual laminated inside.
Image Arts
Griswold Film Splicer Model R-3
Item consists of a Griswold Film Splicer Model R-3 from Jefferson, New York. The serial number is 7065. It was made by Neumade Products Corp., New York, N.Y. Factory, Buffalo N.Y. The body is made of cast iron. For 35mm film.
Image Arts
Item consists of a Kodascope Eight Model 70 8mm motion picture film projector. On the reverse, the projector has a dial for slower to faster projection, and a switch with options Off, Motor and Lamp. It has a grey metal body, and is for use with slow burning film only. On the front of the projector is a threading knob. It has a 1 inch f/1.6 lens.
Image Arts
Item consists of a Kodak 500 Projector. It was the considered the most portable Kodak projector yet, weighing just over 4 kilograms and featuring a self-contained carrying case. This item has a Kodak Readymatic Changer system that could hold up to 36 slides, but the Kodak 500 Projector was also made with a metal automatic magazine changer that stored up to 30 slides, allowing purchasers to choose their preferred slide-handling system.
Image Arts
Item consists of a Kodaslide Projector Model 1A. The item is an improved model of the Kodaslide Projector (produced 1937-1940), the first Kodak slide projector to project 50 x 50 mm glass-mounted transparency slides. Along with improvements made by the Kodaslide Projector Model 1 (produced 1939 to 1947), the first model to accept Kodachrome transparencies in Kodaslide Ready-Mount, the Kodaslide Projector Model 1A provided a sharper, brighter projection and featured a 150-watt lamp, a 4-inch Kodak Projection Ektanon f3.5 Luminized Lens, and single-element heat-absorbing glass as an added measure to help protect the transparency slides during projection.
Image Arts
Kodascope Junior Film Splicing Outfit
Item consists of a Kodascope Junior Film Splicing Outfit for 8mm and 16mm film. Included are directions for splicing film, a brush, an applicator, a can of film cement, a jar of film cement, an empty jar, screws and splicer in a black and silver box.
Image Arts
Item consists of a Picturol Projector, model E.A.Q-2 no. 1045, made by the Socety for Visual Education for The Magnavox Company in Fort Wayne Indiana. The Magnavox Company is Currently owned by Philips. The projector has a wooden base with a brown faux alligator covering, with cord to plug into an electrical outlet and metal mechanisms.
Image Arts
Item consists of a Cine-Kodak Duo Spicer Outfit complete with film cement, containers, an envelope of mounting screws and strips of practice film, and splicer. Missing applicators. For 8mm and 16mm movies, buth sound and silent.
Image Arts
Kodak Complete Outfit of Transparent Oil Colors package
Item consists of a Kodak Complete Outfit of Transparent Oil Colours kit, including oil paints, Instructions for Using Kodak Transparent Oil Colors, and How to Use The Complete Outfit of Kodak Transparent Oil Colors, with a glass palette and application tools in a wooden case. They could be used for coloring contact prints and enlargements.
Image Arts
Kodachrome II Color Movie Film box
Item consists of an opened, empty box for a 25 foot roll of Kodachrome II Color Movie 8mm Film for daylight. Film was to be processed before December 1966.
Image Arts
Item consists of 2 rolls of 36 exposure Fuji Neopan SS black & white safety film with 100 ISO. This was the most common and least expensive of all the Fuji Neopan films.
Image Arts