The book consists of artistic photographs and text, with an accompanying DVD of snow, rain, light, and wind in moving images and still photographs, including those projected on building exteriors. File also contains a news release on the book.

Snow, Rain, Light, Wind : Weathering Architecture is a component of a larger project investigating "material innovations in architecture within the context of local and global climate and its changes...entitled, 'Malleable Matter.' " Filiz Klassen,Weathering Architecture.

This file contains two copies of the promotional pamphlet for Damude's 2001 photography exhibition "Meditations on the Blue Planet" held at the Alliance Francaise de Toronto.

Item is a cardboard boxed filled with 54 stereoscopic images. Item comes with one handheld, compact, metal accordion fold black stereoscope. This object was used to view two nearly identical photographs, or stereographs, as one three dimensional image. The stereograph would be placed in the sliding card holder and adjusted to fit the user's vision until the two images overlap to mimic a three-dimensional effect. Images are vernacular photographs sent to A.P. Manners Ltd. to develop, print, and then return images to photographers. Written by previous owners on a small yellow post-it-note : recoverying from W.W. II English Military Sectary.

Written on box : A.P. Manners Ltd. Finest Quality Developing, Printing, Enlarging and 35 mm Process In Services Photographic and Cine Specialists, 11 Westover Road, Bournemouth.

Consists of two group portraits of women in Victorian aprons, white dresses and bows in their hair. One portrait is set indoors and one is an exterior shot. Both prints have the Topley Ottawa stamp at the bottom left corner.

Item consists of a carte-de-visite of a man standing beside a book and desk. He is wearing a jacket and a polka dot tie. The verso of the photograph is stamped with the studio logo for William Notman.

Portrait of King George V, King Edward VII and Prince Edward, Duke of Windsor (King Edward VIII) on board the Royal Yacht 'Victoria and Albert. Print is mounted on 34.5 x 29.5 cm cardboard.

Item consists of a read leather album. The album has the words "Where Rolls the Oregon" etched onto the front cover. Includes several family photographs and group portraits as well as images of locations in the United Kingdom such as Pass of Killiecrankie (Scotland), Queenstown Harbour (Ireland), Balmoral castle (UK). Other subjects of photographs include people on horse-drawn carriages, in military settings, playing sports, on farms, weddings, and chronological baby photos at the end of the album.

White mounts with patterns on them. Two have a golden border

Item consists of two wet plate negatives of an archaeological site that has been edited for printing using paper and retouching (particularly in the sky).

Item consists of 52 black and white transparency copy slides of photo-historical images for teaching. The slides are all in metal housings, made in Switzerland by Perro Color, US Pat. 2919840. They are individually numbered in black ink with a 4 digit number on white sticker labels, but there is no index to go with the slides.

One cardboard box meant for holding dry plates manufactured by the Stanley Co. Box contained one dozen plates and ranked a No. 50 on the sensitometer. Box bears a logo with a man on a horse saying "On Stanley, On."
F.E. Stanley developed his own dry plate formulation and then eventually began selling plates to other photographers. The venture proved so successful that he and his twin brother, F. O. Stanley, became partners in the Stanley Dry Plate Company in 1884. Their coating machine, patented in 1886, accelerated the dry plate process, coating plates at a speed of one plate per second. The twins ultimately sold the Stanley Dry Plate Company to George Eastman of Eastman Kodak, who used the Stanley innovation to build his photography empire.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

One cardboard box meant for holding dry plates manufactured by the Canadian Kodak Co. Originally came with instructions inside the package. Contained one dozen plates measuring 4 x 5 inches.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

Item is a glass negative of a child, who is posing with hands resting in front.

Item is a glass negative of the moon. There is a circle around the moon, along with a line on one side.

Items are dry plate negatives covering a wide variety of focuses, including group pictures, horses, buildings and railways

Item is a dry plate negative depicting a group of 11 men posing with shotguns.

Item is a dry plate negative depicting a man canoeing on a river under a canopy of trees.

Item is a dry plate negative depicting 9 adults and children posing during a tug of war game.

Item is standard dry plate plate negative of a group portrait.

Item consists of 51 exposed dry plate negatives depicting family photographs of women, children, and pets.

Items depict scenes from along the Canadian Pacific Railway, people, locations, animal, the sun, tombs, ships, indigenous Peoples, cities and trails. Wooden box has the word Songs on it.

Item is a wooden frame with a sticker on it. Sticker has two leaves on it and a logo in the middle with the initials "E.P." Sticker also has writing on it"(first words illegible) . . . und Zigenbock."

Item is a magic lantern slide with a depiction of a very large fish on it. There is a bridge nearby and a building. The style is decalomania. Item comes in a wooden frame with a sticker on it. Sticker has two leaves on it.

Item is an automatic coloured magic lantern slide containing several hand painted glass slides that could be rotated against each other with a small attached hand crank. Hand crank appears to be made of wood, as does the mount.

Item is a magic lantern slide done in the Decalcomania or Chromolitho style. Image shows rowboats, powered by 2-3 men, and a couple of bigger ships, as well as a dock.

Item is a hand painted, medium format lantern slide with 8 individual images

Item is a hand painted, medium format lantern slide with 4 images illustrating a boy swatting a man with a net.

Item consists of 2 hand painted Magic Lantern Slides, each depicting a story in 4 circular images. Slides show frogs, cats and dogs swimming, driving cars and riding bicycles. Produced by Gebruder Bing, Nuremberg.

Item is a hand painted, medium format lantern slide with 4 tableaus in one illustration depicting winter scenes in a village. Produced by Ernst Plank, Germany.

Item consists of 2 hand painted, medium format lantern slide with 8 individual images. Illustrations resemble Punch and Judy cartoons.

Items are tintypes portraits of people, 8 are framed but the majority are unframed. Some show families or couples, but most focus on individuals

Item is a tintype in an ornate handmade cardboard and papier mache frame.

Item is a snapshot album produced by Canadian Kodak Co. Ltd. The album includes 34 leaves with paper corners to hold photographs. No photos are included.

Item contains notes taken by George Dunbar in preparation for an article he wrote on the Phototeria in 2006.

Item is a short synopsis of an interview that George Dunbar conducted with Bruce McCowan, , in preparation for a 2006 article on the photobooth.

Item is a short synopsis of an interview that George Dunbar conducted with Peter McCowan, son of Phototeria creator David A. McCowan, in preparation for a 2006 article on the photobooth.

Item consists of 25 photographs of Peter McCowan, son of the Phototeria inventor David A. McCowan, with various accessories from the booth. These include a portrait of Peter McCowan taken in the Phototeria, a lens, an instruction plate, and a crate that was used to store unexposed photographic discs used in the booth.

Items contains 13 digital images of the Phototeria with Bruce McCowan and students during a visit to the W.A. Porter Collegiate Institute.

Items contains 88 digital images of the Phototeria taken at the Baldwin, Ontario farm owned by Jim McCowan (a distant cousin of the inventor, David A. McCowan), where the booth was stored until 2015.

Item is an audio recording of American photographer Hiro speaking about his work at Ryerson University as part of the Kodak Chair Lecture Series at Ryerson University on November 14, 1986.

A letter folded into the album cover, addressed to Mr. Gordon Hamblin at Canadian Kodak, Ltd. describes the content of the album as a weekend at Mr.T. F. Pevear's cottage near Rochester, NY, where Mr. Hamblin visited while attending a meeting at the Eastman Kodak Company.

Octagonal-shaped cardboard, hand-cut, with combination print of a young girl and a floral wreath.

Bi-fold card, inside a photograph of a young woman by the name of "Nellie Mac". The photographer's stamp appears embossed at the bottom right of the mat around the image: "McKenzie/ Kingston".

Photograph of a group of 7 passengers in an early automobile, stopped along Stanley Park drive in front of the "Hollow Tree". This old cedar was a popular spot for group photographs in both cars and horse-drawn carriages. The stamp on the back of the card mount indicates this was taken by an official park photographer: "The Stanley Park Photographers, Head Office, 162 Cordova Street, Vancouver, B.C.". The negative number for ordering more prints is given as 4869a.

File consists of four card mounted photographs, 3 of the same man in various poses and 1 of a woman. All mounted on black card by studios in Montreal. The photographs were found inside the Agnes Osberg album (2009.005.023) with a yellow sticky note that read: Came from the same family But Not this album.

Photograph of a child dressed in a winter coat and hat, holding an oar and standing next to a winter sled. Snowy hills are painted on the studio backdrop. At the lower right of the card is a design with the photographer's initials intertwined: "A" "G" and "P", and the words "Pittaway/ OTTAWA,/ ONT." On the verso, and handwritten note identifying the recipient of the card.

5 photographs of the same woman in light-coloured blouse, different poses and backgrounds. Each image is stamped "PROOF ONLY" on the front, and again on the back with more explanatpry text. The studio's name is given as "The Stride Studios". The sitter was identified as "Miss Helen Ballock." on a manilla envelope which contained the images. [Envelope removed]

Item is a white card with vignetted portrait of a young woman. On verso, an elaborate printed design featuring celtic-style scrollwork, cherubs with paint and canvas or a cornucopia. The photographer's name is given as "TOPLEY" with an address at "104 SPARKS ST/ OTTAWA". In the centre, text identifies the photographer as "PHOTOGRAPHER BY APPOINTMENT TO/ HIS EXCELLENCY/ THE MARQUIS OF LOFANE(Sic)/ AND/ HER ROYAL HIGHNESS/ THE PRINCES LOUISE."

Item is a grey and green mottled-pattern bi-fold card with, art nouveu floral design embossed into the upper left corner of the front flap. On the front of the right flap is embossed the name of the photographer: "Craswell/ Charlottetown, P.E.I." Inside, a photograph of a woman with a short haircut. The image is very dark, causing the rest of her body to be obscured. On the inside of the left flap, a handwritten note gives her name and the date.

Item is a brown bi-fold card with text at the bottom edge of the front left flap in black letterpress: "Portrait by Bayer, Charlottetown, P.E.I." Inside, a photograph of a boy in a sailor-style suit holding a small toy ship in his left hand. A piece of knotted rope hangs from his shirt pocket.

Item is a brown bi-fold card with an embossed design with shield and helmet on the front left flap, beneath which is the photographer's name in letterpress: "A.E. Lyon/ Photo./ Charlottetown, P.E.I." Inside, a photograph is adhered to the card showing three women in a studio, one holding a baby. All 4 are identified by a handwritten note on the inside of the right flap.

Item is a cream coloured card with photograph of a boy seated in a studio setting. At the bottom of the card, in gold letterpress: "H. D. Wallis, Photographer, 61 SPARKS STREET OTTAWA". On verso, elaborate design in gold ink repeating the photographer's name and studio address, along with a handwritten note and negative number. A cartoon of two Chinese (?) men appear in the lower left of the design. The card design was provided by Free Press Print, Ottawa.

Item is a cream coloured card with photograph of a man wearing a suit with hand-coloured purple tie. On verso, design in gold ink for the Notman Studio: "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Item is a light brown card with photograph of a man from the shoulders up, on a plain background. Embossed into the card at the base is the studio mark for William Notman and Son at 14 Phillips Square, Montreal. On verso, the name Guy Bulloch with the date 1900s is handwritten in blue ink.

Item is a cream coloured card with long rectangular photograph of a girl in a photographer's studio, leaning against a cloth-draped side table with an open book. On the back of the card, a handwritten message to Marion Morris, to whom the card was given.

Cream coloured card with grey border and oval photograph, showing a woman wearing an off-the-shoulder dress and heart necklace. The studio stamp at the bottom right is illustrated with a stylized version of the Prince of Wales coat of arms. The text reads: "The Carbon Studio./ Fraser Bryce,/ MANAGER/ PHOTOGRAPHER BY APPOINTMENT/ TO THEIR ROYAL HIGHNESSES/ THE PRINCE AND PRINCESS OF WALES". Handwritten note on verso indicates the woman's name was Margaret and she delivered this card photograph to the Macgowan family for Christmas.

Item is a cream coloured bi-fold card (3 flaps) with an embossed ribbon on the front flap at lower right. Inside, a vignetted photograph of a man in Canadian army uniform, with a badge on his right shoulder labeled "Toronto". The back of the photograph is stamped "HALKSWORTH WHEELER/ 109A SANDGATE ROAD./ FOLKESTONE". This is handwritten on the front of the photograph, and the date August 1917 is written on the card.

Item is a portrait photograph of a woman in studio setting, seated in a chair with a blanket draped over the side. She wears a loose, gathered vest over her dress in a style popular in the 1910s.

File contains three cream-coloured cards embossed with the coat of arms of the University of Guelph and the words "Macdonald Hall/ Guelph" in the upper left corner. On the lower right, the photographer's studio is identified as "The O'Keefe's/ Guelph, Ontario". Two of the portraits are duplicates. The third portrait is identified as "Jennie". Each card has a piece of glassine tissue covering the photo inside.

Item is an ambrotype photograph in a velvet-lined thermoplastic union case, showing a male sitter. A stamp on the inside back cover beneath the ambrotype plate gives the manufacturer of the case: "Littlefield, Parsons & Co.,/ Sole Manufacturers of / UNION CASES,/ with/ Embracing Riveted Hinge./ PATENTED/ October 14, 1856, & April 21, 1857."

Item is an example of an ambrotype with broken glass and worn coloured backing. Ambrotype is in a velvet-lined thermoplastic union case, showing a male sitter in front of a studio backdrop. The case was intended for use with 1/6 plate daguerreotypes, as indicated by the manufacturer's stamp on the inside back cover beneath the ambrotype plate: "Littlefield, Parsons & Co.,/ MANUFACTURERS OF/ Daguerrotype Cases./ L., P. & Co., are the sole/ Proprietors and only legal Manu-/ facturers of UNION CASES, with the/ Embracing Riveted Hinge./ Patented October 14, 1856,/ and April 21, 1857."

Photographic print of three women is trimmed into a tiny circle and set into a button assembly. The unsmiling women are shown wearing white blouses and darker neck bows. The button is black metal, with a gold metal pin.

The card-mounted photographs are all studio portraits of unidentified individuals. The first of two cabinet cards is embossed with "Quartley", and the second is embossed with "Morton." Two Cartes de visites are printed on verso with "J.F. Rowe. A fifth card is identified as a "Gem" photo card, printed on verso with "R.W. Knorr" and an advertisement for the tiny Gem format.

Images are of a gathering on a farm, with one group portrait and four snapshots of children. There is an illegible word inked on the envelope.

The photograph envelope is printed for the Owl Drug Store, of 336 Bloor St. West, and noted that the customer is "Mrs. Atwood, 23 Spadina." The negatives are of a woman wearing a white ensemble.

Photograph is of a woman sitting in front of a fireplace, with Redbook magazine open on her lap. The support for the image is a neon-red paper. On the lower right of the tan card mount is embossed the studio logo. On the verso is inscribed in green ink: "To Jessie, Wishing you many happy returns of the day. Violet. Jan. 1 1912."

The image is of two men, identified from their name tags as Tony Miller and Bill Hastings, discussing a Suzuki motorcycle.

Photographic image is of a two-horse team standing on a dirt road with cart and driver in front of residential buildings. The card mount is taupe and dark gray.

Two pairs of photographs originally grouped together. Two photographs are of a girl seated on a miniature chaise longue in front of garden wall, and two photographs are of the interior of Canterbury Cathedral. The cathedral photographs have both been written on verso in pencil "Canterbury Cathedral," and individually in ink, "Presbytery and Archbishop Bourchier's Tomb" and "Effigy of the Black Prince from his Tomb."

Three of these photographs are stamped on verso by the photography studio of H. R. Niebel, Orillia, Ont., and four are written on verso: "Peggy Grant and Muray infant", "Muray Grant, July / 26 - 17 mos.", "Florence Grant, Muray Grant, and Chris Wallace in Orilia", and "Cameron Grant and fella."

Black leather album, lined with satin, bound with black string. "Photographs" is embossed on the front cover, and "Royal Albums" and "Made in USA" are in gold letterpress inside the back cover. Snapshots are glued to 40 black construction paper pages. Primarily vernacular images of weddings, soldiers, and vacations. Only Dick Gossett, Alan Pride, Bill McMillan, Duncan Wallace, and Minnie (Wallace) Owens are identified. One photograph of young men is entitled "Bolsover Flirts."

Small card posters printed with a photographic image of Lenin. There are 2 different poses, one in which Lenin faces the camera smiling, the second where Lenin is leaning an arm over the back of a chair. "V. I. Lenin" is written on both posters, beneath the photographs. They were produced in Moscow.

Small card posters printed with a photographic image of a young Lenin and his younger sister Olga. This photograph was taken by photographer E. L. Zhakrzhevskaya in 1874. Beneath the photograph it reads: Volodya Ulyanov with sister Olga. It was produced in Moscow.

Glossy print with white border mounted on thick card of the same size, and black paper of a larger size. Depicts a group of people outside a house surrounded by flags. A picture of the royal family hangs behind them. Recto caption, bottom right of image area: "Coronation Day at the Home of Mr and Mrs Smith June 22nd 1911 Toronto Canada."

Item is a portrait of a man in a suit.

Item is a portrait of man in a suit.

Item is a portrait of man in a suit.

Item is a portrait of man in a suit.

Item is a professional portrait of young woman. Inscription on verso reads, 'Florence Roe Orr'. Edges of the item have been unevenly cut circularly around the subject's face.

Item is a cabinet card featuring a portrait of young female in graduate costume. Made by Wm Notman & Son, Montreal.

Item is a carte de visite portrait of man standing in a studio beside a chair and table. Made by Notman, Montreal.

Item is a carte de visite portrait of man sitting at a table in a photography studio. Made by Notman, Montreal.

Item is a carte de visite portrait of man standing in a photography studio. Made by Notman, Montreal.

Item is a carte de visite portrait of man standing in a portrait studio. Made by Notman, Montreal.

Item is a cabinet card portrait of male in graduate costume. Made by Wm Notman & Son, Montreal.

Item is a carte de visite portrait of male with a beard wearing a bowtie.

Item is a carte de visite portrait of a young girl in a photography studio. Inscription on verso reads 'Florence Rose Orr - 6 years old - 30th July 1881. Made by Notman & Sandham, Montreal.

Item features green patterned paper on black-backed mount with embossed border and thin, rectangular photograph inset of a woman seated on a bench wearing an elaborately ribboned blouse and holding a fur muff. At bottom right, embossed, "Thompson Bros/ 177 1/2 YONGE ST. TORONTO."

Item is a photograph with a white border area. Depicts a man and woman wearing heavy overcoats and hats, the woman wearing gloves posed in front of a painted landscape backdrop with trees and leaves. Embossed into photo at lower right, "J. W. Smith,/ SILSDEN." On verso, printed in black ink, "POST CARD/ CORRESPONDENCE/ ADDRESS ONLY".

Item is a photograph of two seated women in white blouses and plain, dark skirts. The one on the right has a wrap skirt with buttons at the seam near the waistband and holds a book loosely in her right hand. A young man stands between them, wearing a suit and tie of a dark colour. On verso, printed in black ink, "POST CARD/ CORRESPONDENCE/ ADDRESS ONLY".

Item is a photograph of four young women mounted on a postcard backing. The image is a full-length portrait, wiht three women in white blouses and dark, plain wrap-style skirts (the one at the far right has buttons decorating the seam) and the youngest in a sailor style dress. On verso, in black ink, "POST CARD/ BRITISH MADE" and a line dividing two sections for "Correspondence" and "Address". At the far left, printed sideways, "Kestin Photographer Skipton".