Images in the exhbition featured the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by confronting the surfaces of the wooden beams, he has photographed the attic in such a way that it becomes a new reality, marked by the corrosive signs of passing time. Photographs of images in the exhibition: No. 3, 5 and 14 from the sequence Bethanien, 1984-91.
Photographs of the interior of the shop and entranceway. Le Drug was a multipurpose building that also functioned as a popular theatre, dance hall, art museum and caffe in Montreal's art scene.
View of the entrance of the building including details of extarior and interior, main lobby, staircase and Henry Moor Gallery. Contains images of models for the façade [196-?]. Images from two exhibitions can be found in the collection: "Contemporary Furnishings" from 1958, showing Walker Court with chairs and items from local stores, and "The Bauhaus: 50 Years" from 1970. With 45,000 square metres (480,000 sq ft) of physical space, the AGO is one of the largest art museums in North America.
View of entrance lobby, with couch and reception desk. The studio is owned by Barb McLeod, who specializes in 2 and 3 dimensional fibre art. The Gallery space was owned and operated by Barb McLeod and Drew Easterbrook from 1981-1990.
