Kodak Complete Outfit of Transparent Oil Colors package
Item consists of a Kodak Complete Outfit of Transparent Oil Colours kit, including oil paints, Instructions for Using Kodak Transparent Oil Colors, and How to Use The Complete Outfit of Kodak Transparent Oil Colors, with a glass palette and application tools in a wooden case. They could be used for coloring contact prints and enlargements.
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Item consists of a Kodaslide Projector Model 1A. The item is an improved model of the Kodaslide Projector (produced 1937-1940), the first Kodak slide projector to project 50 x 50 mm glass-mounted transparency slides. Along with improvements made by the Kodaslide Projector Model 1 (produced 1939 to 1947), the first model to accept Kodachrome transparencies in Kodaslide Ready-Mount, the Kodaslide Projector Model 1A provided a sharper, brighter projection and featured a 150-watt lamp, a 4-inch Kodak Projection Ektanon f3.5 Luminized Lens, and single-element heat-absorbing glass as an added measure to help protect the transparency slides during projection.
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Item consists of a Kodascope Eight Model 70 8mm motion picture film projector. On the reverse, the projector has a dial for slower to faster projection, and a switch with options Off, Motor and Lamp. It has a grey metal body, and is for use with slow burning film only. On the front of the projector is a threading knob. It has a 1 inch f/1.6 lens.
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Item consists of a Kodaslide Table Viewer 4x. It allows for a lamp that uses a maximum of 50 watts. Is used for viewing 35mm slides.
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Item contains two copies of an audio recording of a lecture by photographer Robert Heinecken. The originally scheduled lecture, by Lisette Model was cancelled.
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A.D. Coleman: Writer and critic speaks about critical process
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George Krause: Artist discusses his work and answers questions
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Item consists of 2 audio cassettes of a talk American photographer Barbara Norfleet gave about her work. The lecture took place at Ryerson University as part of the Kodak Chair Lecture Series.
Norfleet, Barbara
Coleman, A.D., 1943
Andy Birrel: Criteria for collecting, the public archive
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Chris Youngs, historical perspective: other artists using photography
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John Ward, an historical survey of approaches to photographic criticism
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Richard Huyda, historical perspective: Canadian portfolios and albums 19th c
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