Letter from Mrs. W. G. Shedden, secretary of the Ladies Auxiliary - Royal Canadian Navy Volunteer Reserve. She thanks the Wellesley Alumnae of their knitted contribution of 9 pairs of navy mitts, 9 pairs of navy socks, 9 ribbed helmets, 1 helmet, and 4 seamen's caps.

Letter from Mrs. W. G. Shedden, secretary of the Ladies Auxiliary - Royal Canadian Navy Volunteer Reserve. She thanks the Wellesley Alumnae of their knitted contribution of 1 scarf, 2 caps, 1 helmet, 4 turtleneck tuck-ins, 7 pairs of navy mitts, and 5 pairs of navy socks.

Letter from Mrs. W. G. Shedden, secretary of the Ladies Auxiliary - Royal Canadian Navy Volunteer Reserve. She thanks the Wellesley Alumnae of their knitted contribution of 12 pairs of navy socks, 4 pairs of grey socks, 7 scarves, 2 turtleneck sweaters, 5 pairs of mitts, 2 pairs of two-way mitts, 2 pairs of seasocks, 6 helmets, and 2 tuck-ins.

Letter from Mrs. W. G. Shedden, secretary of the Ladies Auxiliary - Royal Canadian Navy Volunteer Reserve. She thanks the Wellesley Alumnae of their knitted contribution of 6 pairs of navy socks, 2 pairs of navy mitts, 9 helmets, 5 tuck-ins, and 5 pairs of seamen's stockings.

Letter from Mrs. W. G. Shedden, secretary of the Ladies Auxiliary - Royal Canadian Navy Volunteer Reserve. She thanks the Wellesley Alumnae of their knitted contribution of 3 scarves, 5 pairs of socks, 7 helmets, 10 pairs of mitts.

Letter from Harry N. Barry from The Navy Knitters organization thanking the Wellesley Alumnae for their knit contributions to the British Navy.

Item is an unmounted studio portrait of a woman sitting with her elbows on the armrest, and her hands up to her face. Her hair is in keeping with the fashion after 1876, of close crop curls on forehead. She wears a bracelet with a charm on each wrist, and a ring on her finger. The studio backdrop is of an interior, and there is a fur carpet underneath the chair.

Title taken from card-frame. The bull in the picture with the name Ferdinand on the card-frame could be referencing the children story of Ferdinand The Bull from 1935, made into a cartoon in 1938 by Walt Disney - this would potentially date the image from after 1938. The tintype is an image of a bull with a man sitting on its back, arms in the air and holding two guns. Another man stands beside the bull, in sunglasses and a hat. They seem to be standing on a beach.

Item is a wood frame covered in red paper with gold details, with ambrotype held in place with brass matt and brass preserver. Ambrotype is a portrait of three women, sitting on a bench outside, in front of what looks to be a boat on shore. All three wear elaborate hats, with long dresses and white collars, and their hands in their laps. All three look directly at the camera. Ambrotype is a single sheet of glass, the ashphaltum was painted directly overtop the collodion surface and so it is only one piece of glass with no need for a cover glass.

Item is a photograph adhered to cream-coloured card with gold letterpress. Text at bottom reads "L. L. Christmas/ 104 STOKE NEWINGTON Rd. N/ (OPPOSITE PRINCE GEORGE Rd.)". Photograph is of a maid holding a tray with a teacup and pots of cream and sugar. Studio backdrop with palm fronds. On verso of card, decorative gold stamp with floral motif and the photographer's name and address repeated, with the additional information: "Alexandra Studios" and "NEGATIVES KEPT EXTRA COPIES CAN ALWAYS/ BE HAD BY SENDING NAME."

Item is an ambrotype photograph in a velvet-lined thermoplastic union case, showing a male sitter in front of a studio backdrop. The case was intended for use with 1/4 plate daguerreotypes, as indicated by the manufacturer's stamp on the inside back cover beneath the ambrotype plate: "Littlefield, Parsons & Co.,/ MANUFACTURERS OF/ Daguerrotype Cases./ L., P. & Co., are the sole/ Proprietors and only legal Manu-/ facturers of UNION CASES, with the/ Embracing Riveted Hinge./ Patented October 14, 1856,/ and April 21, 1857."

Item has a black wooden case with simple foliate/ scroll motif. Red velvet lining. Tintype full-length portrait of a man in long overcoat leaning against an upholstered chair.

Large red velvet flag with yellow tassels and gold painted letters on front and back. Images of wheat, hammer & sickle, globe and Lenin's portrait. Recto reads: Proletariat of all countries, unite! The banner of the highest rates in the socialist competition. Verso reads a quote attributed to V. I. Lenin: We will come to the victory of Communist labour!

Red nylon flag with yellow tassels and cord on one corner. Embroidered lettering on both sides. Embroidered portrait of Lenin on one side, crest with sun, hammer and sickle, wheat, and laurel wreath on the other. Recto reads: Lithuania Lithuanian SSR Council of Ministers of the Republican Council of Trade Unions. Verso reads: Proletariat of all countries, unite! Socialist competition winner for rationalization and inventiveness.

Small red flag with yellow stitching shows the emblem of the Little Octobrists, which is a star with a childhood image of Vladimir Illyich Lenin in its centre. It was made in Moscow.

Rectangular pink banner with white stitching and tassels. Image of Vladimir Illyich Lenin in black and gold, writing in gold. White tags still attached to flag. It is from the Chervonohradsky Park of Culture and Recreation named for T. H. Shevchenko in Ukraine. Top of recto reads a quote attributed to V. I. Lenin: ...we come to the victory of Communist labour. Beneath Lenin's portrait on recto reads: For the winner of the socialist competition.

The film is constructed as a montage of documentary photographs and film clips, taken during and after V. I. Lenin's life. There is footage of the memorable places where Lenin lived and worked, as well as significant places associated with Lenin after his death, including the Mausoleum and archives of the Marxism-Leninism University. The film includes personal accounts of people close to Lenin, including Anatoly Vasilyevich Lunacharsky, Maxim Gorki, Gleb Krijanovski, sculptor Aronson, Mayakovski, John Reed, Sergey Esenin, Nadezda Krupskaya, Bertram Russell and more recollections of Lenin's colleagues. The film also briefly displays footage of Irish playwright George Bernard Shaw's visit to the USSR in the 1930s. The Brest-Litovsk agreement and the Civil War situation in Russia are mentioned. The film concludes with praise of Lenin's importance to every person in the vast Soviet Union.

Gold-coloured metal pins, depciting a star with Lenin's profile inside, topped with flames. A banner with letters crosses the star below Lenin's head. Beneath his head it reads: Always ready! Enamelled colour on the metal creates light red for the flames, dark red for the star, and white for the face. There is a metal pin clasp on the back along with a star or 'H' type mark. They were produced in Moscow.

Large mounted board with poured plaster in which various pins with Vladimir Illyich Lenin image rest.

Item is a self-erecting folding amateur camera for 8 exposures of 5.7 x 8.25 cm (2 1/2 x 4 1/4") on 620 roll film. This camera originally sold for $30.00 in the United States.

Item is a folding camera for 6 x 6 cm (2.36" x 2.36") exposures on 120 format roll film. Lens is a Schneider Xenar 7.5cm f2.9 with Compur Shutter.

Item is a small hand held box camera with Bakelite body, brilliant viewfinder and Kodalite Flash-holder attachment. For 6 x 6 cm exposures on 620 roll film. One of the best selling Brownie cameras ever made, it is a simple easy to use design created by Eastman Kodak employee Arthur H. Crapsey. The original sales price was $5.50 for the camera alone and $7.00 for the flash model.

Item is a small hand held box camera with Bakelite body, brilliant viewfinder and Kodalite Flash-holder attachment. For 6 x 6 cm exposures on 620 roll film. One of the best selling Brownie cameras ever made, it is a simple easy to use design created by Eastman Kodak employee Arthur H. Crapsey. The original sales price was $5.50 for the camera alone and $7.00 for the flash model.

Item is a fairly large box camera, for 6 7.5 x 12.7 cm (3 x 5") exposures on Kodak 130 film. Simple lens and rotary shutter.

Item is a 1950s-era box camera made in the United States of America. The Imperial Debonair shoots 12 square 6x6cm exposures on 620 roll film. Also manufactured in black, olive and maroon, item in the collection is brown. The Imperial Debonair originally sold for between $15-$25. The same camera with different faceplate was also marketed as the "Official Cub Scout Camera".

Item is a small, flat, hand-held camera with black plastic body and brushed metal, gold-coloured front plate. Intended by Kodak to replace their instamatic line of cameras, the Kodak Disc cameras were designed to be simple to use, with all automatic functions. Took Disc film, a proprietary format that made 15, 11 x 8 mm exposures; this small negative size made the resulting prints very grainy when enlarged and the camera model was not Kodak's most popular. Item has a built in flash and wrist strap.

Sleek horizontal metal camera that expands to reveal lens. This is an auto-exposure camera, but there are 3 adjustable dials on top. Comes in specially fitted black leatherette carrying case. Takes 8.5 x 11mm film, and has a focal length of 15mm.

Baby Box Tengor - Baseball sized box camera. Simple excellent camera with a "legend". Hair sharp 16 photos 3 x 4 cm 127 Roll Film. Lens is a Goerz F:11.

Item is a "Hit" type novelty subminiature camera for 14 x 14 mm exposures on 17.5 mm paper-backed rollfilm. This style of camera was named for the original Hit camera design that inspired many similar cameras. This design is a chrome and black leatherette construction. Hit cameras were first produced in post WWII Japan, and were sold for about $0.50 each. Miniature accessories, such as filters, lens hoods and leather carrying cases, were also available. It is not known if this camera is related to the Crystar company.

Item is a subminiature camera, similar to the Minolta 16 MG, manufactured between 1966 and 1971. The images produced by 16 MG-S are a substantial improvement over the 16 MG. By using single perforated film format, the negative size was increased from 10x14mm to 12x17mm thus producing an image almost 50% larger. Composed of 4 elements in 3 groups the 23mm (f2.8-16) lens had a fixed-focus set at about 13 feet. Shutter speeds ranged from 1/30 to 1/500.

Item is a camera that includes a quick change film holder, which holds 5 or 6 sheets of film in individual magazines to allow for fast reloading.

Item is a medium format, single lens reflex replica of the Swedish Hasselblad 1600 F camera manufactured in Russia. For 6 x 6 cm exposures on 120 format film. Shutter is a foil focal plane style. Camera kit includes 2 film backs, an eye level viewfinder and 80 mm 2.8 lens.

Item is a medium format twin lens reflex camera for 6 x 6 cm exposures on 120 roll film. Marketed as a professional camera, lenses are interchangeable (both the upper and lower lenses are removed together) without exposing the film. Extra lens included (Mamiya-Secor f4.5, 65 - 135 mm with a Seikosha - S shutter 1 - 1/500 sec.)

Item is the last pre-war Ikoflex model, released in June of 1939 and made in Stuttgart, Germany. For 6 x 6 cm exposures on 120 format roll film. The focusing screen has a condenser, magnifier for focusing and an “albada” finder (sports finder) in the hood. The viewing lens is an f3.5, 7.5 cm Teronar Anastigmat, lower lens is a Triotar f 3.5, 7.5 cm, Carl Zeiss Jena. Shutter is a Zeiss Ikon Compur Rapid, with speeds of 1 - 1/400 second and Bulb. Model number "853/16" is stamped under the lens assembly. Inside the viewfinder is a chart for seasonal exposure times.

Item is a medium format twin lens reflex camera manufactured by Zeiss Ikon. this is the last pre-war Ikoflex model, released in June of 1939 and made in Stuttgart, Germany. For 6 x 6 cm exposures on 120 format roll film. The focusing screen has a condenser, magnifier for focusing and an “albada” finder (sports finder) in the hood. The viewing lens is an f3.5, 7.5 cm Teronar Anastigmat, lower lens is a Triotar f 3.5, 7.5 cm, Carl Zeiss Jena. Shutter is a Zeiss Ikon Compur Rapid, with speeds of 1 - 1/400 second and Bulb. Model number "853/16" is stamped under the lens assembly. Inside the viewfinder is a chart for seasonal exposure times.

Item is a typical medium format twin lens reflex camera, designed to resemble a Rolleiflex. The "LM", for light meter, indicates that this model has a selenium cell exposure meter on top, with meter control on left side. Shutter: Copal MX. 80mm f3.5 Yashicor Lens.

Item is a compact, black plastic, point and shoot viewfinder camera. The lens has two focal length options, 2.8 F= 40 mm amd 5.6 F= 80mm. Fully automatic, Film speed, distance and exposure are set with no override settings. A small LCD Screen on top shows self-timer, battery status, film indicator and frame counter.

Item is a 35mm camera, using a proprietary 12 exposure film cassette with no moving parts. The sprockets of the camera simply pull the film out and push it into an empty cartridge on the other side. This system with some modifications eventually lead to the design of the Instamatic format. The shutter on or model is a Prontor -S and the lens an Agfa Apotar 1; 3.5 F= 55mm. No rangefinder, simple optical viewfinder. The camera body is a " Strut " design, allowing the front to fold easily.

Item is a single-lens reflex 35mm camera with interchagneable lenses. The camera is a fully mechanical, manual camera without program modes. It is often considered the archetypal "student's camera" due to its simplicity of functions and robust design. The K1000 was equipped with a TTL metering system, wide-ranging shutter speeds from 1/1000 to 1 s, and the ability to use all the available K-mount lenses made by Pentax.

Item is an oversized single-lens reflex, 35mm camera with many features. The contarex Super has a data back attached and a "wechsel magazine". Item serial number is 20.7856. it comes with a Zeiss Planar 55mm 1:14 lens. There is a polarizer for the normal lens in the case.

Bust of Lenin, cast in bronze showing head and shoulders. Initials are carved into the verso of the hollow interior at the bottom edge.

Large grey t-shirt with red square and McDonald's arches in which the face of Vladimir Illyich Lenin appears, with writing that reads McLenin's. On verso more writing in red with the sickle and hammer in a star. Verso reads: The party is over.

Item is a cabinet card photograph of a young woman with blue collar overpainted, affixed to yellow cardstock. On verso, in black letterpress, centred: "L. ROBIRA,/ Late with Theo. LILIENTHAL./ Photographer,/ 245 ROYAL STREET,/ NEW ORLEANS./ Duplicates may be had at any time." In purple pen, handwritten above: "L. Carey/ April 25, 1886". And at top left corner, handwritten in pencil, "400".

Item is a yellow cabinet card with gold letterpress at bottom, reading "H. Dagenais/ 542 Lagauchetière St./ Cor. St. Lawrence/ MONTREAL." Photograph shows a woman in a black dress with a high lace collar.

Item is a dark brown card with gold letterpress at bottom centre, "J. FRASER BRYCE/ 107 KING STREET WEST, TORONTO". Picture is 3/4 view of a woman in cap and gown, holding a book in her left hand, with a white fur hood draped across her shoulders, possibly indicating an undergraduate degree obtained. A sticker on the verso reads "$1.00/ D".

Item is a white cabinet card with elaborately embossed border and text, at bottom "Goff" followed by symbol with the letters F, G, and L intertwined, and "WAUSAU, WIS." On verso, in black letterpress, "These cards are manufactured expressly for/ F. Lee Goff, Wausau, Wis. U.S.A./ by Carl Ernst & Co. Berlin, Germany." Image is of a young man in a tweed suit with an elaborate paisley tie.

Item is a photograph of a woman with dwarfism standing at a table, reading a card. Framed by grey card with an embossed border. On verso, in pencil, "$25.00/ Set 4".

Item is a photograph of a woman with dwarfism seated on the edge of a bed, holding something in her left hand. Mounted on a card backing with a square grey card frame and cream coloured oval mat. On verso in pencil, "$25.00/ Set 4"

Item is a small brown card with rectangular photograph pasted on. Woman with dwarfism stands in front of a flower bush, outdoors. On verso, in pencil "This picture was taken when Ida was/ 18 years old." and "$25.00/ Set 4".

Item is a white carte-de-visite with hand-tinted print showing man in Highland dress with kilt, leaning on chair in studio setting. On verso, in black letterpress, "BARNES & SON/ Photographers/ 422,/ MILE END ROAD,/ AND AT/ BEDFORD HOUSE/ 6, Bedford Place,/ COMMERCIAL ROAD EAST./ DUPLICATES/ may be had at any time/ No." followed by "6864" in ink.

Item is a white carte de visite with purple border and photograph of a girl holding a carte de visite album on her lap, closed. On verso, in pencil, "S. Francis/ Lindsay"

Item is a white carte de visite with photograph of a man in uniform, wearing an unbuttoned jacket and leaning casually against a wall. He stands on a tiger rug. In pencil, at bottom of card, "Captain Cherry." On verso, in pencil, "George Henbene(?) Cherry" and in pen, "Captain Cherry/ 1860".

Item is a yellow card with photograph of an officer with Napoleon-style hat and sword, in front of a rough wooden fence (in studio). On verso, an elaborate brown etching with flowers, camera and artist's paints reading "Davis & Douglas./ Photographers,/ 58 MAIN STREET/ FALL RIVER, MASS,/ INSTANTANEOUS PROCESS USED EXCLUSIVELY./ NEGATIVES PRESERVED./ DUPLICATES CAN BE HAD AT ANY TIME." In pencil, at top "15-".

Item is a brown carte de visite with raised oval print in darker border. Woman in photograph wears a large beaded necklace with a corss. On verso, in black letterpress, "D. FERGUSON,/ Photographer,/ STRATHROY, ONT./ No..."

Item is a grey card with brown letterpress, along right side, cropped off at edge, "Nap. Bellange-". Photograph shows a young man and woman. On verso, in red ink, "Patrick/ Maggie(?)".

Item is a cream carte de visite with photograph of two women in a studio with formal park backdrop. At bottom, handwritten in pink ink, "S/4 illegible of Leil." On verso, photographer's stamp, "Thomspon & Sun(sic),/ Photographers,/ George Street, Peterborough/ NEGATIVES PRESERVED./ No." In blue ink, "2162/ - of Lady sitting/ for/ D.parne(?)" Below, in grey ink, "Dparnes" is scratched out with blue and below, also in blue ink, "W. Pepper." In pink, at centre of card, "202" and in pencil, at upper left "1083". Finally, beside the text "No." is the penciled number "127".

Item is a greenish brown cabinet card with two types of gold letterpress at bottom. The first, darker and smaller, "Theo Lilienthal & Co./ New Orleans" and the second, "Enamel Finish/ Benjamin/ CINCINNATI". On verso, elaborate gold design on red, "THE WATSON STUDIO/ BENJAMIN/ SUCCESSOR/ 156/ W. Fourth Street/ bet Elm and Race./ CINCINNATI, OHIO./ ALL NEGATIVES KEPT./ No.__" In pencil, at mid right, sideways, "1.00". Drawing around text shows a man at upper right painting a portrait and a lion at the upper left. The portrait is a vignetted image of an older, bearded man with large tie.

Item is a cream carte de visite with gold border, and text handwritten in ink at bottom "Thomas [illeg.] Cooley." Photograph shows man with a thick beard. On verso, in black letterpress, "R.D. PALMER,/ ARTIST,/ ANN ARBOR. MICH./ NEGATIVES PRESERVED."

Item is a cream carte de visite with gold border and a photograph of a man in a suit. On the verso, in black letterpress, "D.P. GROVES,/ PHOTOGRAPHER/ Opposite Cook's Hotel,/ Ann Arbor, -- Mich."

Item is a cream carte de visite with a green border and a photograph of a man. On verso, photographer's stamp in blue with the image of two cherubs holding a camera and portrait of a woman. A floral border contains the text "R.W. Fidge,/ Opp. 1st National Bank,/ PRINETON,/ ILL./ Neg. Preserved."

A hand-cranked 35 mm and small glass slide projector. This cinematograph was made after 1908 by the limited company Société Anonyme des Etablissements Demaria - Lapierre, when the two Lapierre brothers were obliged to amalgamate with the photographic manufacturer Jules Demaria. Cinematographs always had the ability to show loops, film strips from which the begin and end were glued together. For this purpose the upper reel was mounted above the apparatus on an extending bar. Longer films could also be showed but since there was not take-up reel the film would fall onto the floor or in a bag. The intermittent film transport was brought about by a rotating buckled rod that repeatedly struck the film down.

Item includes a 6 page document with technical drawings that included the 1929 patent application that David A. McCowan made for the "Photographing Machine" (Phototeria).

Item is a lens for 4 x 5 in. exposures on sheet film Schneider-Kreuznach symmar f6.8/130 mm. lens, Compur-Synchro shutter 1-1/500 sec. Includes 2 other lenses: Scheider-Kreuznach symmar 1:5.6 135 mm, and the other is 1:5.6 240mm. Both have Compur shutters. This camera is considered to be the ultimate for architecture and technical photography. It is still on the market and still used by professionals.

2 issues of Premo Cameras magazine from 1900 and 1902.

Glass plate negative, original label: "31 - Exec Offices" from box 1

Item is a glass plate negative featuring an image of the cafeteria and its staff located at Kodak Heights building #9, the Employee Building. Glass plate negative, original label: "43 - Cafeteria" from box 1.

Glass plate negative, original label: "32 - Exel Office" from box 1

Glass plate negative, original label: "32 -Offices" from box 1

Glass plate negative, original label: "24 - Plant" from box 1

Glass plate negative, original label: "13 - Banquet" from box 3

Glass plate negative, original label: "12 - Soldiers Sleeping Quarters" from box 3

Glass plate negative, original label: "52 - Factory" from box 3

Original label: "21 - From the tracks" from box 2. Item features a view of Kodak Heights from across a set of railway tracks.

Original label: "60 - Horse drawn delivery" from box 2. Item features an image of two men in a horse drawn vehicle filled with wooden crates.

Item is manual focus camera for use with Polaroid proprietary Colorpack film. Uses flash cubes.

Brown leatherette folding camera, single-speed shutter Double Anastigmatic f11/135 mm., revolving diaphram for 8 stops. Produced 3 1/4 x 4 1/4 in. exposures in approximately 1 minute using Polaroid 40 roll film. Originally retailed for $95 US.

Item is one of 1.3 million Polaroid Land cameras manufactured between 1971 and 1977 in the United States. The 420 camera is the successor to Polaroid's 320 model. It features folding bellows, automatic exposure and an external light meter beside the lens, marketed as the "Electric Eye". The Polaroid Automatic Land Camera 420 was designed for 7.2 × 9.5 cm prints on Polaroid 100-series packfilm. The camera features a two-window split system for framing the photograph, whereby the user must first focus using the small rangefinder on the top left of the camera marked "FOCUS", and then frame the photograph using the non-parallax corrected finder with marked frame-lines marked "VIEW". Control over the exposure could be achieved by adjusting the exposure value +2 to -1.5 stops below the plastic 114mm f/8.8 2-element lens. A PC input is included for optional flash. The camera automatically selects both shutter speed and aperture, which range from 1/1200sec to 10sec for shutter speed; and f8 to f42 for aperture. The Polaroid 420 model originally sold for around $60. Included with the item in the collection is the Polaroid Focused Flash and Polaroid Self-Timer.

Item is a compact automatic camera with silver-coloured plastic body and with accompanying leather case. Took one lithium battery. Electronic flash.

View looking south at back of Ryerson Hall building. East wing third floor gone as is the auditorium in the centre. Large piles of rubble in its place.

View looking south at back of Ryerson Hall building. East wing third floor gone as is the auditorium in the centre. Large piles of rubble in its place.

View looking south at remains of Middle Building and Ryerson Hall. Ryerson Hall east wing is missing third story, auditorium is gone and starting on third floor of west wing.

View of the front of Ryerson Hall. Facade that would remain after building is torn down is focal point of the photo. Third storey of both east and west wings are gone and all the windows have been removed in the rest of the building.

View looking south of the almost completely demolished Middle building. Entrance from Quad onto Gerrard Street is on the right side of the photo.

View from Howard Kerr Hall roof looking south at Ryerson Hall. Third story of east and west wings gone, as is the auditorium and the roof on the centre section.

View from Howard Kerr Hall roof looking south at Ryerson Hall. Third story of east wing gone, as is the auditorium and the roof on the centre section.

View looking south east at the Middle Building and Ryerson Hall demolitions.

View of back of Ryerson Hall. Roof being deconstructed - worker on the roof. Cupola roof is mssing and windows gone from third floor.

Photograph taken in Howard Kerr Hall Quad looking south. Ryerson Hall, Residence Building and Middle Building on right side of photo and Kerr Hall East is on the left. A large tent is set up inbetween the buildings with a covered walkway from the Middle Building to the tent. a large crane is in the foreground of the photo.

View looking north west at east wing of Ryerson Hall. Second storey being partially demolished. Pile of stone and bricks beside the building. Working shoveling debris off the side.