Item consists of a white card with green letterpress at bottom, "Broadway Photo. Co., 1150 BROADWAY,/ CLEVELAND, O." Photograph shows a baby seated in an ornate carved chair. On verso, handwritten in red ink, "Lovina - 'Mama'./ as/ Baby".

Item consists of a photograph mounted flush with plain beige card. Edges of negative, probably plastic, are visible. Photograph shows a boy seated in a four wheeled stroller with cushions, a blanket and an umbrella. The child wears a dark suit jacket with bishop sleeves and white trim, sailor suit style and a large lace collar. Stroller is placed in front a blank studio canvas.

Item is a black papered cabinet card with gold letterpress at bottom, "FOURTEENTH ST./ Between/ LARIMER & LAWRRENCE./ HORACE E. HUNT,/ DENVER, COLO." Photograph of a man with neatly parted hair and a trimmed moustache in a sack coat with plain starched collar and a thin, light bowtie.

Item is a dark brown cabinet card with gold letterpress at bottom, "E.R.T. SMITH, / CARBERRY/ MANITOBA." Photograph is a vignetted portrait of a man in a suit jacket with small lapels and a large, striped tie.

Item consists of a cream coloured cabinet card with embossed vine decoration and a full length photograph of a young boy and girl standing on a wicker chair. The girl wears a lacy, white dress with no waist and the boy wears a classic Fauntleroy suit with lace cuffs, collar and elaborate lace front shirt and ascot tie.

Item is a cream coloured cabinet card with light green border and embossed decoration at bottom, with raised text "Senior" and "MAIN ST./ EXETER." on either side. In the bottom centre, a drawing of an artist's palette with brushes contains the text "EXTRA/ FINISH". The photograph is of two young girls, probably about 1 and 2 years of age, in dark dresses with wide lace collars. The younger sits in a wooden rocker with horse cut-outs on either end.

Item consists of a grey card with embossed decoration at bottom left of a shield(?) and at the right, "Owen's Ground floor Studio/ 6, MILL ST./ NEW CASTLE, PA." Photograph is a full length portrait of a boy in sailor style suit and girl in white dress with wide lace collar. The girl is seated in a wicker chair. In the background, a studio scene with trees.

Item is a pale yellow cabinet card with a full length photograph of a woman in a plain dark coloured dress, with hoop skirt. The image probably dates to the early 1860s but is a reprint. She has a simple lace collar buttoned with a broach and wears her hair parted and tied back at the nape of the neck. On verso, handwritten in blue ink, "Aunt Margaret/ Mrs. Rowley".

Item is a cream coloured cabinet card with vignetted portrait of a young boy, probably 5 or 6 years old, seated on an upholstered, tassled chair wearing an embroidered cape and fur hat. There is a small toy lion on the arm rest of the chair. Across the top of the photograph, handwritten in pencil, "Bowmanville". On verso, photographer's stamp reads "R. & H./ O'HARA,/ Photographers,/ Booksellers, Insurance/ Agents, & c.,/ MARKET BUILDINGS./ BOWMANVILLE./ Extra copies/ at any time."

Item is a cream cabinet card with embossed gold text at bottom, "ST. MARY'S STUDIO/ ST. ANDREWS/ N.B./ J. Rodgrs". Photograph is a full length portrait of a boy and girl, seated on the end of a bench. The boy wears kilt and tartan with matching hat and holds a walking stick. The girl wears a loose, wide-collared dress with frilled bonnet. On verso, elaborate stamp with photographer's name and various seals indicating prizes won and societies the photographer belonged to, including Ediburgh Photographic Society, Photographic Society of Scotland, Royal Scottish Society of Arts, Aberdeen Mechanics Institution. The stamp also indicates the studio was "PATRONIZED BY ROYALTY" and was established in 1849.

Item is a cream cabinet card with scalloped, gold-leafed edges and gold letterpress at bottom, "Goodwin/ EXTRA FINISH/ SYRACUSE, N.Y." Photograph is a full length portrait of a young boy, probably about 5 years old, wearing a lace shirt with dark cuffs and a dark ascot tie, trousers cut off at the knee, and holding a stick in one hand and a hat in another. He sits on the edge of a stone pillar with a background of abstracted leaves for a backdrop. On verso, an etching of a waterfall with the text "Goodwin./ 314 SO SALINA ST/ ART Photography./ INSTANTANEOUS PROCESS". At the top edge, handwritten in ink, "Georgia Wilson".

Item is a grey card with white letterpress at bottom centre, "THE/ DOREMUS/ STUDIO" contained in a wreath design, with "52 BROADWAY/ PATERSON, N.J./ GROUND FLOOR". Photograph shows three women in high collarded dresses. At the top edge, handwritten in blue ink above each of the women, from left to right, "Mary Reed", "Aunt Catherine Reed", and "Julia Reed".

Item is a cream cabinet card with gold letterpress at bottom, "Sunbeam/ ART GALLERY/ FINEST/ ENAMEL/ FINISH/ 236-238/ SOUTH MAIN ST./ LOS ANGELES, CAL." Photograph is a of a man with a thick moustache wearing a jacket with wide lapels and a checked and polka dotted tie.

Item is a grey cabinet card with white letterpress at bottom left, "26 W. 23RD St./ Eddowes Bros./ NEW YORK." Photograph is a portrait of a woman with a light coloured off the shoulder dress with broach pinned at the centre.

Item is a cream coloured cabinet card with gold letterpress at bottom edge, "Henderson/ S. W. Corner Square/ York, Neb." Photograph of a man in high starched white collar and white bowtie with dark suit and a small pin on his lapel. On verso, handwritten in pencil, "Dr. Robt. McConnaughly/ York Nebr".

Item is a white cabinet card with scalloped details at corners and gold letterpress at bottom, "Henderson/ YORK, NEB." Photograph is a portrait of a young man wearing a stiff collar pressed into 'wings' with a wide silk tie. On verso, handwritten in pencil, "Robert Copsey".

Item consists of a grey card with embossed text at bottom right, "F. C. Barnum/ MORRISON/ ILL." Photograph is a portrait of a young man with high starched collar and patterend bowtie. On verso, handwritten in blue ink, "Glenn Kelsey".

Item is a cream coloured cabinet card with gold letterpress at bottom edge, "Cabinet Portrait/ G. C. ARLESS PHOTO. MONTREAL". The text is separated in the centre with the drawing of a maple leaf. Photograph is a full length portrait of a woman with embroidered jacket standing admist cattail reeds. On verso, lithographed celtic interlace border design with the design of a crest with a maple leaf in the centre, and the letters "G" "C"and "A"intertwined. Below, "G. C. ARLESS/ Photographer/ MONTREAL/ Wm Galt. Lith." Handwritten in black ink at top, "Aug 1889".

Item is a grey card with embossed scroll decoration around an oval photograph of two women in front of a studio backdrop with abstracted plants and a window (probably meant to resemble a conservatory). At bottom left, gold embossed text "STEWART'S STUDIO/ WEST BADEN SPRINGS/ IND."

Item features green patterned paper on black-backed mount with embossed border and thin, rectangular photograph inset of a woman seated on a bench wearing an elaborately ribboned blouse and holding a fur muff. At bottom right, embossed, "Thompson Bros/ 177 1/2 YONGE ST. TORONTO."

Item is a cream coloured card card featuring a full length portrait of a man and woman against a studio backdrop (top edge of backdrop visible) with curtain covering right side. Man is seated at a writing desk and woman stands beside him, wearing a hoop skirt that is slightly lifted off the floor. On verso, photographer's stamp "W. R. MACAULAY,/ Photographer,/ Cor. King & John Sts.,/ HAMILTON, O,/ Negatives Preserved, Dupli-/cates furnished atany(sic) time,".

Item is a cream coloured card with vignetted portrait of a woman with her curled hair tied back in a bow on top of her head. She wears a light dress with darker stripes around the shoulders and lace collar with cameo. On verso, elaborate purple stamp with cherub and flowers and the text "S. PARK,/ ARTIST,/ BRANTFORD, Ont./ All Negatives for Photographs/ preserved - ready at any time/ for additional copies, by/ mail or otherwise."

Item is a cream coloured card with photograph mounted on the diagonal to create a diamond-shaped presentation. Photograph is a vignetted portrait of a young man with starched collar pressed back into "wings" and wearing a double-breasted wool coat with a floral boutonniere. On verso, handwritten in black ink, "April 19" 1895/ WmJ."

Item is a beige card with full length portrait of a black woman in dress with hoop skirt, dark embroidery down the bust areat with button details, and a belted waist. She wears a small bonnet on the back of her head. Photograph taken in studio setting with drapery and small side table. She rests her hand on a book on the table. On verso, photographer's stamp with the letters "R" and two "h"s intertwined followed by the text "HUGH H. RITCHIE/ PHOTOGRAPHER/ 146 PRINCES STREET/ OPPOSITE THE LOTHIAN ROAD/ EDINBURGH".

Item is a beige card with full length portrait of a man in highland dress in a studio setting with column at the left. On verso, geometric interlace border with text at the centre, "Wm REEVIE,/ PHOTOGRAPHER,/ BALLATER./ More of this can be had at any/ time on sending name." Above text, a royal crest with phrase from the Order of the Garter, "Honi Soit Qui Mal Y Pense".

Item is a cream coloured card with thin brown border and brown letterpress at the bottom edge, "A. W. STEELE/ LEITH". Photograph is a vignetted portrait of a man in sack coat and tie. On verso, pink card backing is lithographed with a ribbon containing the text "PERSEVERE" and the design of a tall ship with a lady at the centre. Below, the letters "A" "W" and "S" are intertwined. The bottom half of the card contains the text "A. W. STEELE/ FINE ART & PHOTOGRAPHIC STUDIO,/ 8, Bernard Street,/ LEITH./ Copies may be had/ PORTRAITS ENLARGED OR DIMINISHED/ COLORING ARTISTICALLY EXECUTED/ Marion Imp Paris".

Item is a cream coloured card with gold border and full-length portrait of three children, the youngest seated in a high chair in the middle, standing in front of a painted landscape backdrop. They stand on a patterened floor. On verso, small circular stamp with the text, "ISAAC HORNING,/ ARTIST,/ Talbot Street,/ SIMCOE,/ C. W." At top right, handwritten in pencil, "566".

Item is a white card with full length portrait of a old man in long loose coat, unbuttoned and wearing a top hat. He holds a small bag in his hands and stands against a plain background.

Item is a grey card with thin red border and the portrait of a man seated in a wooden, upholstered chair holding a cane. He wears a double-breasted jacket and light, probably woolen trousers. His long beard has been partially inked in. On verso, photographer's stamp printed sideways, "GEO. C. NUTTER,/ PHOTOGRAPHER,/ Nathan Jones' Building,/ Belleville./ Copies can be had at any time." At the top, handwritten in pencil, "$15-".

Item is a dark purple cabinet card with portrait of a child standing in a winter scene with showshoes at his side. The child wears a double breasted fur coat with toque. At the bottom of the card in gold letterpress, "J. W. POWELL./ 163 Princess Street,/ KINGSTON, ONT."

Item is a dark brown cabinet card with gold letterpress at the bottom reading "Smith/ Galt". Photograph shows two children in dark dresses with pleating down the front seated on hay with palm fronds in the background and holding a picture book open on their laps. On verso, at bottom right, a sticker with the handwritten ink "$4.00/ SW".

Item is a white card with full length portrait of a boy with curls and a suit with frilled dress shirt in Fauntleroy style. A fur pelt is on the ground at the right and the boy holds a gun. At the bottom edge in gold letterpress, "Lind/ MARINETTE,/ WIS." At the centre of the text, a design with shield, a ship and the text "SEMPER FIDELIS". On verso at bottom right edge, handwritten in pencil, "10-".

Item is a green card with gold border and full length portrait of a young boy (about 5 years old) leaning against a wooden fence holding a walking stick. He wears a sailor style suit with rope necklace and a dark hat with ribbon sits at his feet. Painted landscape with trees behind him. On verso, elaborate gold lithographed design with oval pearl and ribbon border and the text "W. H. GOUGH/ Artist/ & PHOTOGRAPHER,/ 7, SWANSWEEL ST./ COVENTRY./ ALL NEGATIVES KEPT/ COPIES CAN ALWAYS BE OBTAINED THIS OR ANY/ OTHER PORTRAIT CAN BE ENLARGED & FINISHED/ IN OIL OR WATER COLORS." Handwritten at the upper left corner in ink, "24/ Aug 1885".

Item is a green card with gold letterpress at bottom edge, "F. C. D. Hure SHEPTON MALLET." Photograph is a portrait of an old woman in a white bonnet with long side panels seated by a table with a vase of flowers. She wears a fitted blouse buttoned up the front and a wool skirt. On verso, also in gold and printed sideways on the card, "F. C. D. Hure/ Artist,/ Portrait & Landscape Photographer./ 10, COWL STREET, SHEPTON MALLET." At top left "COPIES MAY BE/ HAD AT A REDUCED/ PRICE." And at top right, "BY SENDING/ NAME, DESCRIPTION,/ AND DATE WHEN/ TAKEN." Handwritten in pencil at the top of the card, "L-5.00"

Item is a white card with raised oval photograph of a woman with an embroidered jacket and her hair pulled back in braids. On the bottom of the card, in gold letterpress, "WILLIAM NOTMAN PHOTO". On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the location of studio in "MONTREAL". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Below the design, also in gold, "Branches at/ Toronto and Halifax." Handwritten lightly at top edge, "77159".

Item is a white card with raised oval photograph of a woman with her long hair loose on her shoulders. On verso, photographer's stamp in a ribbon design lithographed in gold, "THE NOTMAN STUDIO,/ W. J. TOPLEY, Prop./ OTTAWA." A crown with three feathers tops the design, the heraldic badge of the Prince of Wales. At the top of the card, handwritten in blue ink, "Jessie Freelane".

Item is a green cabinet card with gold box at bottom edge of card and the text, "Perkins/ 293 YONGE STREET/ TORONTO." Photograph shows a man and woman standing next to a tall, thin table. The woman holds a card in her right hand. The mean wears a dark coat and waist coat with pinstriped trousers. The woman wears a plain dress with fabric gathered over the bustle in the back.

Item is a brown cabinet card with gold letterpress at bottom edge, "Dixon/ COR. KING & YONGE STS./ Toronto." Photograph shows a man standing next to a small statue of a horse and rider, the rider holds a fox or small animal upside down while two dogs at the horse's feet jump up at it. On verso, also in gold letterpress, "ELECTRIC LIGHT PHOTO GALLERIES" followed by a design with front and back of a medal by the Industrial Exhibition Association of Toronto. Text continues "Highest Award at Toronto, Kingston and Hamilton/ S. J. Dixon/ Member of the Photographer's Association of America/ ALL PHOTOS MADE WITH THE NEW PROCESS/ No Change of Expression. The Exposure is but One/ Second./ STUDIOS/ CORNER/ KING AND YONGE STREETS AND CORNER/ YONGE & TEMPERANCE STS./ TORONTO".

Item is a white cabinet card with grey letterpress at bottom edge, "J. F. BRYCE 107 KING STREET WEST, TORONTO". Photograph is a full length portrait of a man and woman standing in in front of a painted nature scene with birch tree. The woman holds an unopened parasol and her hat rests on a rock between them. The man holds his hat behind him.

Item is a beige cabinet card with gold scalloped edges and brown letterpress at bottom edge, "A. W. Phipps, NEW CASTLE, PA." Photograph is a portrait of an older woman in bonnet and glasses. On verso, a design with flowers, brushes, and the text "INSTANTAENOUS/ PORTRAITS/ OF CHILDREN/ A SUCCESSFUL/ SPECIALITY./ ARTISTIC/ PHOTOGRAPHY/ A. W. Phipps,/ 6 1/2 Washington Street,/ NEW CASTLE, PA./ DUPLICATES CAN BE/ PROCURED/ AT ANY TIME." Handwritten in blue ink at the top edge, "Ruth Vogan Hamilton/ Mother of Mary Jane Marshall/ (My grandmother)/ Stoughton".

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom of image on card in black ink, "With Best Wishes/ Sincerely/ Ed Auselle(?)" Photograph is portrait of a man in suit and tie, turned 3/4, against dark background.

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom right of image on card in black ink, "To my friend 'Alf' Martin/ P Lauren(?) Druehl" Photograph shows a man in dark suit with pinstriped shirt. Underneath the text, embossed in the card, "RICE/ MONTREAL". On verso, handwritten in pencil, "65769".

Item is an unmounted tintype featuring an image of a young blond girl sits in a chair, in a studio portrait with elaborate background. Her one leg is crossed underneath her. The chair is made of wood, and looks like branches. She wears a sailor style dress.

Item is an unmounted studio portrait of two men, seated and smoking pipes. Both have facial hair, and are wearing hats and jackets. Casual pose, man on right has legs crossed and looks at camera. Man on left looks away from the camera, and leans in his chair, arm resting on the back. Both men's cheeks are tinted pink.

Item is an unmounted studio portrait of one young boy and one older boy. The older one sits in a chair, while the younger perches on the armrest, on his right. The younger boy is wearing a jacket that is buttoned up. The older boy has a jacket, only top button done up, with vest and tie. Both arms are on armrest, with legs crossed. The younger boy's face is slightly blurred, from moving it during exposure. It looks to be same studio, props and seating arrangement as 2008.001.1811.

Item is an umounted portrait of two men in suits and hats, sitting on rocks outdoors. Not studio setting. Man on left holds a cane with both hands resting on it, with a ring on his finger, cigar in his mouth, chain watch, suit with vest and tie and hat. Man on right sits with legs crossed, one hand in his pocket and other across his lap, cigar in mouth and suit with vest and tie and chain watch and hat.

Item is an unmounted studio portrait of a young boy, with body stand obvious in background. Little boy is standing, with right arm leaning on chair armrest. He wears short trousers, above the boot tops, and the boots have side-button closures, in keeping with the style of the 1870s. His cheeks are tinted pink.

Item is an unmounted studio portrait of a boy in dark suit with white shirt and black bowtie. Chain watch in vest. He is sitting and his right arm leans on the armrest. White cloth as background. His hair is combed forward across forehead, and wings out at the sides - hairstyle is in keeping with boys hairstyles of 1870s. Top corners of tintype are rounded.

Item is an unmounted group portrait of four women and four men. All four women wear hats and dresses with puffy sleeves in keeping with fashion of the 1890s. Men wear sutis with jackets and vest with chain watches. Two top corners angled off.

Item is an unmounted studio portrait of a young girl in a dress sitting in a chair with a cap and tassle hanging off the left side. Her feet are crossed and her hands rest on her lap. Her head rests against the back of the chair. She is wearing a frilly blouse with a necktie under a coat with a skirt.

Item is an unmounted group studio portrait of six children set agains a landscape background. Four children in front are seated,and two stand behind. Two seated on the same chair on the right appear to be toddlers. The two standing behind, one girl & one boy, are older than the rest. The girls wear dresses with big white lace collars, very fashionable in children's fashion from the 1870s. All four corners are angled off.

Item is an unmounted studio portrait of two men seated, with a flowered curtain behind them, and a plaid carpet at their feet. Both men have facial hair. Both are wearing hats, and are holding pipes - man on right holds it in his mouth, and on left in his hands. One on right has a bandaged finger on his left hand. Man on left has his legs crossed, and is holding something white in his right hand, pipe in his left. White sticker on back of tintype with the letter 'c' written on it.

Item is an unmounted studio portrait of a man seated, and a woman standing with her hand on his shoulder. The background is simple, no colour or decoration. Armrest of chair man sits in, is fringed.

Item has a cream card-frame embossed opening, with embossed letters "Potter's Patent March 7 1865." Which is how we dated the tintype. Photograph is a studio portrait of two women, both standing, side by side. Both women wear hats. One on left wears a dark shirtwaist, with a striped full skirt with hair tied neatly back and little bow at the neck. Woman on right has a dark dress, buttons down the front with a small white collar, in fashion in the 1860s. Her hair is shoulder lenght ringlets, also in fashion in the 1860s. Both have pink tinted cheeks.

Item is an unmounted portrait of two women seated side by side, with a studio backdrop of waterfalls (maybe Niagara Falls), with a steamboat in the water. Bird cage in upper left corner of image. The two women wear long dresses and big hats, with feathers. Their hands are folded in their laps and they look right at the camera. Left top and bottom corners angled off.

Item is an unmounted portrait of a man sitting with his arm on a table. The whole background has been painted over with opaque paint, singling out the subject. He wears a suit jacket, vest, cravat and chain watch. He has facial hair. His cheeks are painted pink.

Item is an unmounted portrait of a woman standing against a doorway.She stands somewhat informally staring at the camera. She is wearing a dark dress with white collar, and a chain hanging down the front. She wears jet earrings.

Item is a brown hinged case with daguerreotype inside, held in with a brass mat, cover glass and brass preserver. Opens with metal clasps. Inside cover is a soft red velvet cushion with detail of flowers. Red cloth frames image side too. Image is of a man looking directly at camera. He has long sideburns that come down to under his chin, and hair in a high wave off his forehead, similar to the hairstyles of the 1840s. His cheeks are tinted pink. He wears a checked suit with matching vest.

Item is a cased ambrotype, but front cover does not match back cover, not hinged, separated from each other. Front cover is brown with two metal clasps, and back cover is black case with one metal clasp. Inside front cover is a red velvet soft cushion with detail of a flower. Image side has brass mat, soft brass preserver but no cover glass, ambrotype is not protected. Image is of two young girls sitting side by side and holding hands. They look directly at the camera. Both wear dresses, one on left has a plaid one on, and girl on right has a polka dotted dress. Girl on right has long ringlets and has freckles. Girl on left has her hair up and parted down the middle. Both wear the same necklace with locket. Their cheeks are tinted pink.

Item is a hinged union case (plastic case) with design of "Night with Her Children, Sleep and Death" based on an engraving of Bertel Thorvaldsen's popular bas-relief. "The angel is a messenger holding dominion over Sleep and Death," p. 149 of same book mentioned in 2008.001.1870. Casemaker is S. Peck and Company which began manufacturing after 1852. Chosen case reflects sentiments of a newspaper clipping found inside case that reads :

"Died . Holmes - In Adeleide, on the 15th of February, 1878, of diptheria, Emma Margaret, aged 4 years, and Ellen Jane, on the 20th February, 1878, aged 10 years and 4 months, daughters of Mr. O.C. Holmes, of Adelaide. The grief-striken parents have the sympathy of their neighbors in their great bereavement."

Image is a tintype of a baby in long white gown, pink cheeks, being held by unidentified person, most likely the mother. Inside cover has a red velvet cushion which falls out when case is opened, to reveal hidden beneath it a piece of floral cloth as well as the newspaper clipping. Image is held in place with a cover glass, brass matt and brass preserver. Date for tintype based on daughters ages from newspaper clipping.

Item is a portrait photograph of a woman in studio setting, seated in a chair with a blanket draped over the side. She wears a loose, gathered vest over her dress in a style popular in the 1910s.

Item is a cream coloured bi-fold card (3 flaps) with an embossed ribbon on the front flap at lower right. Inside, a vignetted photograph of a man in Canadian army uniform, with a badge on his right shoulder labeled "Toronto". The back of the photograph is stamped "HALKSWORTH WHEELER/ 109A SANDGATE ROAD./ FOLKESTONE". This is handwritten on the front of the photograph, and the date August 1917 is written on the card.

Item is a light brown card with photograph of a man from the shoulders up, on a plain background. Embossed into the card at the base is the studio mark for William Notman and Son at 14 Phillips Square, Montreal. On verso, the name Guy Bulloch with the date 1900s is handwritten in blue ink.

Item is a cream coloured card with photograph of a man wearing a suit with hand-coloured purple tie. On verso, design in gold ink for the Notman Studio: "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Three of these photographs are stamped on verso by the photography studio of H. R. Niebel, Orillia, Ont., and four are written on verso: "Peggy Grant and Muray infant", "Muray Grant, July / 26 - 17 mos.", "Florence Grant, Muray Grant, and Chris Wallace in Orilia", and "Cameron Grant and fella."

Photographic image is of a two-horse team standing on a dirt road with cart and driver in front of residential buildings. The card mount is taupe and dark gray.

The image is of two men, identified from their name tags as Tony Miller and Bill Hastings, discussing a Suzuki motorcycle.

Item is a postcard portrait of a boxer in shorts and gloves. On recto inscribed in black ink below image reads: "Frankie Kaeth Featherweight".

Item is a postcard portrait of a boxer in shorts and gloves. On recto inscribed in black ink below image reads: "Frank Kaeth Featherweight".

Item is a cabinet card portrait of a group of 23 boys wearing uniforms, standing in 3 rows around an older gentleman in a bowler hat. Behind them is a brick wall and two wooden panels. Mounted on cream coloured card.

Item consists of a black and white photograph of a man with a mustache. The man is wearing a suit, vest and tie, and is looking off to the left. Behind him is a plain white backdrop. He has a large mustache that connects to his sideburns. The photograph is 6.5 x 3.75 cm and is mounted to a white card that is unevenly cut at the bottom.

Item consists of a toned black and white photograph of a girl. She is wearing a dress with a ruffled collar and a hat. Her hair is long and curled. She is looking off to the left. The photograph is mounted to a piece of card painted gold.

Consists of two group portraits of women in Victorian aprons, white dresses and bows in their hair. One portrait is set indoors and one is an exterior shot. Both prints have the Topley Ottawa stamp at the bottom left corner.

Brown suede cover slip with some sort of faded decorative drawing; slipped over maroon hard-cover. Grey pages. Some photograph peeling away from pages; protective paper inserted between pages. A few lose photographs. Many pages left blank.

Themes include portraits, horse-drawn carriages, landscapes, waterscapes.

Includes a photograph of B. Heyman Furniture Co. in Phoenix, Arizona while located at the Anderson building on the northwest corner of Washington and 1st Street. The Anderson Building was built in 1888 and lasted until the 1980's. Also includes a photograph of Davidson's Cash Store, believed to be in Phoenix, Arizona c. 1902.

Black cover album with black pages bound by black braided string. The word "Photographs" is embosed on front cover in gold lettering. Photographs held in with black photo corners.

Photographs are mostly family snapshots, on the beach, at home, having a picnic and by the lake; some include domestic animals. Some photographs taken Ottawa, and Niagara Falls, and at Balboa Island, California, among other destinations.

Photo stores include Thompson's Camera and Art Store.
Date on the back of a loose photograph says "Apr. / 30".

Brown leather cover with inset star surrounded by gold embossed patterns and blue beads. Spine also has embossed design and letters- "Photographs." Two gold clasps decorated with gold ribbons and rings. Inside cover has pink and gold pattern. Title page and index page included. White pages with window openings and gold borders. Page edges gilded and embossed. Some hand tinting on tintypes.

Item consists of a dark blue album with the words "Scenes By the Way" written in white ink on the cover. Pages are grey with cutouts to slide in and hold photographs. Photographs consist of cartes de visite, cabinet cards and tintypes and are either loose or glued onto the pages. Some have captions written in fading white ink.
Photographs were taken at studios in Charlottetown, Prince Edward Island; New Westminster, British Columbia; Summerside, Prince Edward Island; Ottawa, Ontario; and Chicago, Illinois, and all consist of single-figure portraits.

Photographers and studios include: C. Lewis, E. R. Turner

Item consists of one glass mounted colour transparency of a man standing in a building construction site near a sign that reads "Danger Keep Out".

Item consists of one glass plate autochrome of a pathway, residential building and flowering trees.

Item is an audio recording of American photographer Hiro speaking about his work at Ryerson University as part of the Kodak Chair Lecture Series at Ryerson University on November 14, 1986.

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2003-2004 academic year. Lectures were recorded in video format and the schedule was as follows:

Sultan, Larry (American photographer), October 24, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/500.aspx
David Cronenberg (Canadian filmmaker), November 7, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/501.aspx
Jemima Stehli (UK photographer), November 14, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/502.aspx
Max Dean (Canadian installation artist), January 30, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/503.aspx
Lauren Greenfield (American documentary photographer and filmmaker), March 5, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/505.aspx
Andres Serrano (American photographer), March 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/506.aspx
Shirin Neshat (Iranian filmmaker), March 19, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/507.aspx

Item consists of photographs of a family at Brechin. Subjects include family portraits and photographs with various farm animals including birds, horses, cats, and goats.

Item consists of photographs of the Fulton and McKane families, the dog dot, and a wedding cake.

Item consists of 2 hand painted, medium format lantern slide with 8 individual images. Illustrations resemble Punch and Judy cartoons.

Item is a hand painted, medium format lantern slide with 4 tableaus in one illustration depicting winter scenes in a village. Produced by Ernst Plank, Germany.

Items contains 88 digital images of the Phototeria taken at the Baldwin, Ontario farm owned by Jim McCowan (a distant cousin of the inventor, David A. McCowan), where the booth was stored until 2015.

One cardboard box meant for holding dry plates manufactured by the Stanley Co. Box contained one dozen plates and ranked a No. 50 on the sensitometer. Box bears a logo with a man on a horse saying "On Stanley, On."
F.E. Stanley developed his own dry plate formulation and then eventually began selling plates to other photographers. The venture proved so successful that he and his twin brother, F. O. Stanley, became partners in the Stanley Dry Plate Company in 1884. Their coating machine, patented in 1886, accelerated the dry plate process, coating plates at a speed of one plate per second. The twins ultimately sold the Stanley Dry Plate Company to George Eastman of Eastman Kodak, who used the Stanley innovation to build his photography empire.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

Item consists of two wet plate negatives of an archaeological site that has been edited for printing using paper and retouching (particularly in the sky).

Item consists of an oval photograph mounted on a black, textured card with the words "J. L. Barnes/ 149 DALHOUSIE ST./ BRANTFORD, ONT." embossed at the bottom right. Photograph shows a row of men seated, the one in the centre on a high backed gothic style chair, and a second row of men standing behind them.