Exterior views of concrete theatre building during construction and upon completion. Folder also includes interior views of auditorium seating, hanging glass sculptures by William Martin, lobby, and stairwells. The National Arts Centre received the 1971 Design Canada Concrete Awards Program Award of Excellence: "A fine concept on a difficult and restrictive site...splendid functional and space planning with a pleasing relationship to people...an outstanding example of in-situ and precast concrete work used together structurally and as a cladding."
Photograph of the exterior of a [school?] building. Piece of paper adhered to verso identifies the building as "B" building in Ottawa on Lisgar Street prior to demolition.
Photographs of the exterior of a brick building. Paper gives details of the decision to award this an Award of Merit: "... The original buildings to which the new Algonquin work was added was not considered to be of sufficient architectural merit to necessitate continuation of the forms and details and this has allowed the older work, but owing nothing to it visually...The Jury felt that the apparent thickness of exterior wall construction denoted by the sloping sills and generally massive forms belied the long masonry spans and cantilevered corners that are more turly expressive of concrete technology..."
Single family dwelling, split-level ranch with porch clad in brick and vinyl siding. Photograph is stamped property of Canadian Housing Design Council. A piece of paper accompanying the image indicates this structure was entered into competition for the National Design Awards in 1964.
Photographs of the exterior of a low-rise brick office complex on a manicured lawn. Stamps on the back of the photographs give the architect as Gordon S. Adamson & Associates and the photographer as N & H Studio. A piece of paper adhered to the verso has the following text: "Northern Electric Co. Ltd./ Toronto Branch Laboratory/ Bramalea, Ontario/ View looking South/ Gordon S. Adamson & Associates/ Architects". A similar paper appears on the second photo, except the view is looking West. Photograph 3 is a view of the main entrance and photograph 4 is a view looking north.
The main entrance to the square, concrete building is pictured. A frieze decorates one side of the doors while a statue of St. Anthony and child decorates the other. The entrance is accessible by a set of concrete steps. A circular stamp on back of photograph reads" F.J. Stalmach Architect/ Ontario Association Architects Member".
View of the exterior of a residential structure built into a rocky landscape, with with exaggerated concrete columns for support. The accompanying paper contains a typescript report from the Canadian Housing Design Council awarding this house a National Design Award for 1969.
Exterior views of the water treatment plant, constructed in steel and glass. Stamped on verso of photograph: "Lake Huron Water Supply System Water Treatment Plant. Banz-Brook-Carrithers-Grierson-Shaw Architects, 40 St. Clair Avenue West Toronto 7 Ontario"
Photographs of the park in 1900 set the scene for the 1983 redevelopment. The park is built on a narrow median with traffic lanes on either side, visible in some of the construction photographs.
Black and white photographs of the exterior of a home, taken at night and during the day. Stamp on back of photograph with architect's name, Jerome Markson. Markson was awarded a 25 Years Award in 1993 for his work on the Moses residence by the Ontario Association of Architects and Canadian House and Home magazine.
Folder contains 4 b&w photographs of the Avon Theatre in Stratford, Ontario. Includes interior and exterior views as well as 1 aeriel photograph of the theatre while under construction.
Exterior view of the main entrance to a glass and concrete building. This building won a Design Award in 1985 from the Town of Vaughan for new industrial design.
Interior view of the lobby area, looking out through the windows. The building was renamed the William Tamblyn Centennial Building in 2007. It houses the Faculty of Engineering as well as classrooms and science labs. The photograph is stamped with the photographer's name: Panda/Croydon Associates.
Photograph of the interior lobby/hallway in the hospital located at 520 Sutherland Drive in Toronto. A half-wall in wood panneling separates the space.
Architect's model and exterior view of finished high rise residential condominium located at 480 Queens Quay West in Toronto, designed with stepped levels and walls of glass windows.
Exterior view of a house at 4 Old George Place in Toronto. The style is influenced by Japanese, West Coast Canadian and Native Canadian architecture, with sloping rooflines and durable materials that integrate with a natural setting. The structure is made of red brick, interspersed with cedar sections and glass panes.
Photographs of the exterior of a planned community in Toronto, with both high rise and townhouse structures. Views of the highrise block under construction. One interior view of a living room and dining room inside one of the two-storey townhouses.
Photographs of the exterior of the building also known as the "Flatiron" at 49 Wellington Street East in Toronto. The Romanesque Revival building was constructed in 1892 as an office building and has been designated a heritage property. The photographs in this file were probably taken to illustrate the construction of the CN Tower, contrasting with an older, well-known city landmark and showing the effects on the skyline before and after.
Interior church decoration, featuring metal letters adhered to the wall with phrases such as "God is Love". Views of altar and worship space, located at 41 Chatsworth Drive near Lawrence and Yonge Streets in Toronto.
Streetscapes, showing Ed's Warehouse on King Street West in Toronto, next to the Royal Alexandra Theatre and an advertisement for Old Ed's, one in the group of warehouse restaurants, from the Lakeshore Boulevard.
Interior and exterior views of a high-rise office tower and lower-level shopping concourse, designed in glass and concrete. One view of courtyard outside the building. Shopping area shows a Mappins retail store and a telephone booth.
Photograph of a street sign situated in the middle of a grassy lawn, with office buildings in background. This image was taken as part of a commentary on colonnades for a special article in Canadian Architect magazine, titled "Citizen and the City". A part of the caption reads: "When the street is removed, both the colonnade and the building are removed from the public realm to the acropolis and we as citizens are left, not with a way through, but a way around." (p.32)
Originally built in 1890 as the Olivet Congregational Church, converted to a shopping complexe in 1973. Discussed in the November 1974 issue of Canadian Architect magazine.
Exterior view of a mid-rise apartment building. Photograph is stamped "Photograph by Leonard Tomiczek Photography", and also "Received Mar 2 1961 Jackson Ypes Associates".
Interior views of the rabbi's pulpit and main worship space. Above the pulpit is a part of Ernest Raab's bas-relief depicting landmarks of Judaism by symbols.
Exterior views of the main Ontario Division Building office located at 800 Bay Street in Toronto. A Toronto Dominion branch bank is located on the main floor of the building, with a sign visible in one of the photographs. Interior view with workers seated at rows of desks.
Exterior view of a luxury condominium development on Bay Street. A piece of paper taped to the back of the photograph gives the property developers as The Cadillac Fairview Corporation Limited and Revenue Properties Limited.
Photograph of a six-story brick and beam office building. Built in 1913 for the manufacture of jewelry and ancillary industrial uses, renovated in 1980s by Dunlop Farrow Aitken Architects. The 1983 renovation was reviewed by Canadian Architect magazine in the December 1983 issue. This building was designated a Heritage Property by the City of Toronto in 2005.
Photograph of a glassfront office at street level, exterior and interior views. Some with architects at drafting tables. Photographer's stamp on verso: "Fiona Spalding Smith".
