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Ryerson Hall demolition

View from Howard Kerr Hall roof looking south at Ryerson Hall. Third story of east wing gone, as is the auditorium and the roof on the centre section.

Horney, Charles Roy, Mr.

Ryerson Hall demolition

View from Howard Kerr Hall roof looking south at Ryerson Hall. Third story of east and west wings gone, as is the auditorium and the roof on the centre section.

Horney, Charles Roy, Mr.

Demolition of Ryerson buildings

View looking south at remains of Middle Building and Ryerson Hall. Ryerson Hall east wing is missing third story, auditorium is gone and starting on third floor of west wing.

Horney, Charles Roy, Mr.

Front of Ryerson Hall

View of the front of Ryerson Hall. Facade that would remain after building is torn down is focal point of the photo. Third storey of both east and west wings are gone and all the windows have been removed in the rest of the building.

Horney, Charles Roy, Mr.

Ryerson Hall east wing demolition

View looking north west at east wing of Ryerson Hall. Second storey being partially demolished. Pile of stone and bricks beside the building. Working shoveling debris off the side.

Horney, Charles Roy, Mr.

Ryerson Buildings in the Quad

Photograph taken in Howard Kerr Hall Quad looking south. Ryerson Hall, Residence Building and Middle Building on right side of photo and Kerr Hall East is on the left. A large tent is set up inbetween the buildings with a covered walkway from the Middle Building to the tent. a large crane is in the foreground of the photo.

Horney, Charles Roy, Mr.

Queer Radio - Audio Cassettes

File contains collection of Queer Radio audio cassettes, including a CKLN live report from the 1992 Pride parade (June 28th), featuring a segment by the 2-Spirited People of First Nations group and a live AIDS report at the parade.

Alumnae World War II scrapbook page 87

Letter from Mrs. W. G. Shedden, secretary of the Ladies Auxiliary - Royal Canadian Navy Volunteer Reserve. She thanks the Wellesley Alumnae of their knitted contribution of 12 pairs of navy socks, 4 pairs of grey socks, 7 scarves, 2 turtleneck sweaters, 5 pairs of mitts, 2 pairs of two-way mitts, 2 pairs of seasocks, 6 helmets, and 2 tuck-ins.

AHI

File consists of an audio and video interview recording with the storyteller AHI in wav and mp4 formats, an mp4 video with ASL interpretation, a participant headshot image in jpg format and an interview transcripts in Microsoft Word format.

AHI’s story is grounded in authenticity, innovation and growth. AHI speaks on grass roots songwriting broadening the reach in the global time honoured tradition of music rooted in folk.

AHI

[Portrait of a woman seated]

Item is an unmounted studio portrait of a woman sitting with her elbows on the armrest, and her hands up to her face. Her hair is in keeping with the fashion after 1876, of close crop curls on forehead. She wears a bracelet with a charm on each wrist, and a ring on her finger. The studio backdrop is of an interior, and there is a fur carpet underneath the chair.

Ferdinand, Daytona Beach Florida

Title taken from card-frame. The bull in the picture with the name Ferdinand on the card-frame could be referencing the children story of Ferdinand The Bull from 1935, made into a cartoon in 1938 by Walt Disney - this would potentially date the image from after 1938. The tintype is an image of a bull with a man sitting on its back, arms in the air and holding two guns. Another man stands beside the bull, in sunglasses and a hat. They seem to be standing on a beach.

[Portrait of three women]

Item is a wood frame covered in red paper with gold details, with ambrotype held in place with brass matt and brass preserver. Ambrotype is a portrait of three women, sitting on a bench outside, in front of what looks to be a boat on shore. All three wear elaborate hats, with long dresses and white collars, and their hands in their laps. All three look directly at the camera. Ambrotype is a single sheet of glass, the ashphaltum was painted directly overtop the collodion surface and so it is only one piece of glass with no need for a cover glass.

[Servant with tea service]

Item is a photograph adhered to cream-coloured card with gold letterpress. Text at bottom reads "L. L. Christmas/ 104 STOKE NEWINGTON Rd. N/ (OPPOSITE PRINCE GEORGE Rd.)". Photograph is of a maid holding a tray with a teacup and pots of cream and sugar. Studio backdrop with palm fronds. On verso of card, decorative gold stamp with floral motif and the photographer's name and address repeated, with the additional information: "Alexandra Studios" and "NEGATIVES KEPT EXTRA COPIES CAN ALWAYS/ BE HAD BY SENDING NAME."

Christmas, Lea Latimer

[Portrait of a man]

Item is an ambrotype photograph in a velvet-lined thermoplastic union case, showing a male sitter in front of a studio backdrop. The case was intended for use with 1/4 plate daguerreotypes, as indicated by the manufacturer's stamp on the inside back cover beneath the ambrotype plate: "Littlefield, Parsons & Co.,/ MANUFACTURERS OF/ Daguerrotype Cases./ L., P. & Co., are the sole/ Proprietors and only legal Manu-/ facturers of UNION CASES, with the/ Embracing Riveted Hinge./ Patented October 14, 1856,/ and April 21, 1857."

Littlefield, Parsons & Co.

Red Socialist competition flag with yellow tassels

Large red velvet flag with yellow tassels and gold painted letters on front and back. Images of wheat, hammer & sickle, globe and Lenin's portrait. Recto reads: Proletariat of all countries, unite! The banner of the highest rates in the socialist competition. Verso reads a quote attributed to V. I. Lenin: We will come to the victory of Communist labour!

Red Lithuanian flag with yellow tassels and cord

Red nylon flag with yellow tassels and cord on one corner. Embroidered lettering on both sides. Embroidered portrait of Lenin on one side, crest with sun, hammer and sickle, wheat, and laurel wreath on the other. Recto reads: Lithuania Lithuanian SSR Council of Ministers of the Republican Council of Trade Unions. Verso reads: Proletariat of all countries, unite! Socialist competition winner for rationalization and inventiveness.

Little Octobrists flag

Small red flag with yellow stitching shows the emblem of the Little Octobrists, which is a star with a childhood image of Vladimir Illyich Lenin in its centre. It was made in Moscow.

Pink pennant with white tassels

Rectangular pink banner with white stitching and tassels. Image of Vladimir Illyich Lenin in black and gold, writing in gold. White tags still attached to flag. It is from the Chervonohradsky Park of Culture and Recreation named for T. H. Shevchenko in Ukraine. Top of recto reads a quote attributed to V. I. Lenin: ...we come to the victory of Communist labour. Beneath Lenin's portrait on recto reads: For the winner of the socialist competition.

Lenin: documenty, fakty, vospominaniya = Lenin: documents, facts, recollections [moving image]

The film is constructed as a montage of documentary photographs and film clips, taken during and after V. I. Lenin's life. There is footage of the memorable places where Lenin lived and worked, as well as significant places associated with Lenin after his death, including the Mausoleum and archives of the Marxism-Leninism University. The film includes personal accounts of people close to Lenin, including Anatoly Vasilyevich Lunacharsky, Maxim Gorki, Gleb Krijanovski, sculptor Aronson, Mayakovski, John Reed, Sergey Esenin, Nadezda Krupskaya, Bertram Russell and more recollections of Lenin's colleagues. The film also briefly displays footage of Irish playwright George Bernard Shaw's visit to the USSR in the 1930s. The Brest-Litovsk agreement and the Civil War situation in Russia are mentioned. The film concludes with praise of Lenin's importance to every person in the vast Soviet Union.

Kristy, L.

Metal "Young Pioneers" pins

Gold-coloured metal pins, depciting a star with Lenin's profile inside, topped with flames. A banner with letters crosses the star below Lenin's head. Beneath his head it reads: Always ready! Enamelled colour on the metal creates light red for the flames, dark red for the star, and white for the face. There is a metal pin clasp on the back along with a star or 'H' type mark. They were produced in Moscow.

Kodak Senior Six-20

Item is a self-erecting folding amateur camera for 8 exposures of 5.7 x 8.25 cm (2 1/2 x 4 1/4") on 620 roll film. This camera originally sold for $30.00 in the United States.

Balda Baldax 6x6

Item is a folding camera for 6 x 6 cm (2.36" x 2.36") exposures on 120 format roll film. Lens is a Schneider Xenar 7.5cm f2.9 with Compur Shutter.

Brownie Hawkeye flash model

Item is a small hand held box camera with Bakelite body, brilliant viewfinder and Kodalite Flash-holder attachment. For 6 x 6 cm exposures on 620 roll film. One of the best selling Brownie cameras ever made, it is a simple easy to use design created by Eastman Kodak employee Arthur H. Crapsey. The original sales price was $5.50 for the camera alone and $7.00 for the flash model.

Brownie Hawkeye Flash Model

Item is a small hand held box camera with Bakelite body, brilliant viewfinder and Kodalite Flash-holder attachment. For 6 x 6 cm exposures on 620 roll film. One of the best selling Brownie cameras ever made, it is a simple easy to use design created by Eastman Kodak employee Arthur H. Crapsey. The original sales price was $5.50 for the camera alone and $7.00 for the flash model.

No. 2C Brownie camera

Item is a fairly large box camera, for 6 7.5 x 12.7 cm (3 x 5") exposures on Kodak 130 film. Simple lens and rotary shutter.

Imperial Debonair

Item is a 1950s-era box camera made in the United States of America. The Imperial Debonair shoots 12 square 6x6cm exposures on 620 roll film. Also manufactured in black, olive and maroon, item in the collection is brown. The Imperial Debonair originally sold for between $15-$25. The same camera with different faceplate was also marketed as the "Official Cub Scout Camera".

Kodak Disc 3100

Item is a small, flat, hand-held camera with black plastic body and brushed metal, gold-coloured front plate. Intended by Kodak to replace their instamatic line of cameras, the Kodak Disc cameras were designed to be simple to use, with all automatic functions. Took Disc film, a proprietary format that made 15, 11 x 8 mm exposures; this small negative size made the resulting prints very grainy when enlarged and the camera model was not Kodak's most popular. Item has a built in flash and wrist strap.

Minox C camera

Sleek horizontal metal camera that expands to reveal lens. This is an auto-exposure camera, but there are 3 adjustable dials on top. Comes in specially fitted black leatherette carrying case. Takes 8.5 x 11mm film, and has a focal length of 15mm.

Hit miniature camera

Item is a "Hit" type novelty subminiature camera for 14 x 14 mm exposures on 17.5 mm paper-backed rollfilm. This style of camera was named for the original Hit camera design that inspired many similar cameras. This design is a chrome and black leatherette construction. Hit cameras were first produced in post WWII Japan, and were sold for about $0.50 each. Miniature accessories, such as filters, lens hoods and leather carrying cases, were also available. It is not known if this camera is related to the Crystar company.

Minolta 16 MG-S

Item is a subminiature camera, similar to the Minolta 16 MG, manufactured between 1966 and 1971. The images produced by 16 MG-S are a substantial improvement over the 16 MG. By using single perforated film format, the negative size was increased from 10x14mm to 12x17mm thus producing an image almost 50% larger. Composed of 4 elements in 3 groups the 23mm (f2.8-16) lens had a fixed-focus set at about 13 feet. Shutter speeds ranged from 1/30 to 1/500.

Salyut Kiev 88C

Item is a medium format, single lens reflex replica of the Swedish Hasselblad 1600 F camera manufactured in Russia. For 6 x 6 cm exposures on 120 format film. Shutter is a foil focal plane style. Camera kit includes 2 film backs, an eye level viewfinder and 80 mm 2.8 lens.

Mamiya C3 Professional

Item is a medium format twin lens reflex camera for 6 x 6 cm exposures on 120 roll film. Marketed as a professional camera, lenses are interchangeable (both the upper and lower lenses are removed together) without exposing the film. Extra lens included (Mamiya-Secor f4.5, 65 - 135 mm with a Seikosha - S shutter 1 - 1/500 sec.)

Zeiss Ikon Ikoflex III, demonstration model

Item is the last pre-war Ikoflex model, released in June of 1939 and made in Stuttgart, Germany. For 6 x 6 cm exposures on 120 format roll film. The focusing screen has a condenser, magnifier for focusing and an “albada” finder (sports finder) in the hood. The viewing lens is an f3.5, 7.5 cm Teronar Anastigmat, lower lens is a Triotar f 3.5, 7.5 cm, Carl Zeiss Jena. Shutter is a Zeiss Ikon Compur Rapid, with speeds of 1 - 1/400 second and Bulb. Model number "853/16" is stamped under the lens assembly. Inside the viewfinder is a chart for seasonal exposure times.

Ikoflex III camera

Item is a medium format twin lens reflex camera manufactured by Zeiss Ikon. this is the last pre-war Ikoflex model, released in June of 1939 and made in Stuttgart, Germany. For 6 x 6 cm exposures on 120 format roll film. The focusing screen has a condenser, magnifier for focusing and an “albada” finder (sports finder) in the hood. The viewing lens is an f3.5, 7.5 cm Teronar Anastigmat, lower lens is a Triotar f 3.5, 7.5 cm, Carl Zeiss Jena. Shutter is a Zeiss Ikon Compur Rapid, with speeds of 1 - 1/400 second and Bulb. Model number "853/16" is stamped under the lens assembly. Inside the viewfinder is a chart for seasonal exposure times.

Yashica LM

Item is a typical medium format twin lens reflex camera, designed to resemble a Rolleiflex. The "LM", for light meter, indicates that this model has a selenium cell exposure meter on top, with meter control on left side. Shutter: Copal MX. 80mm f3.5 Yashicor Lens.

Yashica Co. Ltd.

Leica AF C1

Item is a compact, black plastic, point and shoot viewfinder camera. The lens has two focal length options, 2.8 F= 40 mm amd 5.6 F= 80mm. Fully automatic, Film speed, distance and exposure are set with no override settings. A small LCD Screen on top shows self-timer, battery status, film indicator and frame counter.

Agfa Karat 3.5

Item is a 35mm camera, using a proprietary 12 exposure film cassette with no moving parts. The sprockets of the camera simply pull the film out and push it into an empty cartridge on the other side. This system with some modifications eventually lead to the design of the Instamatic format. The shutter on or model is a Prontor -S and the lens an Agfa Apotar 1; 3.5 F= 55mm. No rangefinder, simple optical viewfinder. The camera body is a " Strut " design, allowing the front to fold easily.

Pentax K1000

Item is a single-lens reflex 35mm camera with interchagneable lenses. The camera is a fully mechanical, manual camera without program modes. It is often considered the archetypal "student's camera" due to its simplicity of functions and robust design. The K1000 was equipped with a TTL metering system, wide-ranging shutter speeds from 1/1000 to 1 s, and the ability to use all the available K-mount lenses made by Pentax.

Asahi Optical Co., Ltd.

Contarex Super

Item is an oversized single-lens reflex, 35mm camera with many features. The contarex Super has a data back attached and a "wechsel magazine". Item serial number is 20.7856. it comes with a Zeiss Planar 55mm 1:14 lens. There is a polarizer for the normal lens in the case.

McLenin t-shirt

Large grey t-shirt with red square and McDonald's arches in which the face of Vladimir Illyich Lenin appears, with writing that reads McLenin's. On verso more writing in red with the sickle and hammer in a star. Verso reads: The party is over.

Portrait of L. Carey

Item is a cabinet card photograph of a young woman with blue collar overpainted, affixed to yellow cardstock. On verso, in black letterpress, centred: "L. ROBIRA,/ Late with Theo. LILIENTHAL./ Photographer,/ 245 ROYAL STREET,/ NEW ORLEANS./ Duplicates may be had at any time." In purple pen, handwritten above: "L. Carey/ April 25, 1886". And at top left corner, handwritten in pencil, "400".

L. Robira, Photographer

Portrait of a female graduate

Item is a dark brown card with gold letterpress at bottom centre, "J. FRASER BRYCE/ 107 KING STREET WEST, TORONTO". Picture is 3/4 view of a woman in cap and gown, holding a book in her left hand, with a white fur hood draped across her shoulders, possibly indicating an undergraduate degree obtained. A sticker on the verso reads "$1.00/ D".

J. Fraser Bryce

Portrait of a young man with large tie

Item is a white cabinet card with elaborately embossed border and text, at bottom "Goff" followed by symbol with the letters F, G, and L intertwined, and "WAUSAU, WIS." On verso, in black letterpress, "These cards are manufactured expressly for/ F. Lee Goff, Wausau, Wis. U.S.A./ by Carl Ernst & Co. Berlin, Germany." Image is of a young man in a tweed suit with an elaborate paisley tie.

Goff

Portrait of man in highland dress

Item is a white carte-de-visite with hand-tinted print showing man in Highland dress with kilt, leaning on chair in studio setting. On verso, in black letterpress, "BARNES & SON/ Photographers/ 422,/ MILE END ROAD,/ AND AT/ BEDFORD HOUSE/ 6, Bedford Place,/ COMMERCIAL ROAD EAST./ DUPLICATES/ may be had at any time/ No." followed by "6864" in ink.

Barnes & Son

Portrait of American officer with bicorne hat

Item is a yellow card with photograph of an officer with Napoleon-style hat and sword, in front of a rough wooden fence (in studio). On verso, an elaborate brown etching with flowers, camera and artist's paints reading "Davis & Douglas./ Photographers,/ 58 MAIN STREET/ FALL RIVER, MASS,/ INSTANTANEOUS PROCESS USED EXCLUSIVELY./ NEGATIVES PRESERVED./ DUPLICATES CAN BE HAD AT ANY TIME." In pencil, at top "15-".

Davis & Douglas

Lady sitting for D. parnes

Item is a cream carte de visite with photograph of two women in a studio with formal park backdrop. At bottom, handwritten in pink ink, "S/4 illegible of Leil." On verso, photographer's stamp, "Thomspon & Sun(sic),/ Photographers,/ George Street, Peterborough/ NEGATIVES PRESERVED./ No." In blue ink, "2162/ - of Lady sitting/ for/ D.parne(?)" Below, in grey ink, "Dparnes" is scratched out with blue and below, also in blue ink, "W. Pepper." In pink, at centre of card, "202" and in pencil, at upper left "1083". Finally, beside the text "No." is the penciled number "127".

Thompson & Sun Photographers

Portrat of Theo Lilienthanal

Item is a greenish brown cabinet card with two types of gold letterpress at bottom. The first, darker and smaller, "Theo Lilienthal & Co./ New Orleans" and the second, "Enamel Finish/ Benjamin/ CINCINNATI". On verso, elaborate gold design on red, "THE WATSON STUDIO/ BENJAMIN/ SUCCESSOR/ 156/ W. Fourth Street/ bet Elm and Race./ CINCINNATI, OHIO./ ALL NEGATIVES KEPT./ No.__" In pencil, at mid right, sideways, "1.00". Drawing around text shows a man at upper right painting a portrait and a lion at the upper left. The portrait is a vignetted image of an older, bearded man with large tie.

The Watson Studio

Portrait of Thomas W(?) Cooley

Item is a cream carte de visite with gold border, and text handwritten in ink at bottom "Thomas [illeg.] Cooley." Photograph shows man with a thick beard. On verso, in black letterpress, "R.D. PALMER,/ ARTIST,/ ANN ARBOR. MICH./ NEGATIVES PRESERVED."

R.D. Palmer

Cinematograph

A hand-cranked 35 mm and small glass slide projector. This cinematograph was made after 1908 by the limited company Société Anonyme des Etablissements Demaria - Lapierre, when the two Lapierre brothers were obliged to amalgamate with the photographic manufacturer Jules Demaria. Cinematographs always had the ability to show loops, film strips from which the begin and end were glued together. For this purpose the upper reel was mounted above the apparatus on an extending bar. Longer films could also be showed but since there was not take-up reel the film would fall onto the floor or in a bag. The intermittent film transport was brought about by a rotating buckled rod that repeatedly struck the film down.

Auguste Lapierre

Hot Docs Fonds

  • F 2018.002
  • Fonds
  • 1994-2018

This Fonds consists of documentation and promotional materials produced for the annual Hot Docs Canadian International Documentary Festival, calendars and information related to the year-round programming at the Ted Rogers Hot Docs Cinema, and various administrative materials associated to the non-profit cultural organization.

Hot Docs Canadian International Documentary Festival

Spira 19th and 20th century foreign language photography publications

  • F 2008.004
  • Collection
  • 1866-1975

The collection contains books and bound periodicals on the subject of photography. Subjects include instructional guides, process descriptions, art photography, early photographic chemistry and product catalogues. Some publications include tipped in photogrpahs. TThe primary language of the collection is German, with a few Spanish, Russian, Czech, and Japanese publications.
Periodicals include:
Allgemeine Photographische Zeitung (January 1924-December 1926)
Photofreund (1924)
Photofreund Jahrbuch (1924-1934)
Photographische Archiv (1866, 1871-1891)
Photographische Correspondenz (1878, 1889-1908, 1928, 1932, 1947-1951)

Spira, Jonathan

WECA Comic Book Collection

  • F 2015.003
  • Collection
  • 1941-1946

Fonds consists of 181 comic books, produced in Canada, mainly during World War II, after the War Exchange Conservation Act (WECA), on December 2, 1940 classified American comics as "luxury goods" and limited their importation. These comics are also known as the "Canadian Whites" (due to the fact that the comics were black and white, except for the covers), the comics were published by Commercial Signs of Canada, which consisted of brothers Cyril (Cy) and Gene Bell, with investor John Ezrin. Publication began in the summer of 1941 and included titles Wow Comics, Active Comics, Dime Comics, and Joke Comics. '

In the winter of 1942, Commercial Signs absorbed another publishing house, Hillborough Studios, and renamed the company Bell Features. The acquisition brought the "Triumph Comics" title, and two more, Dizzy Don Detective (later retitled The Funny
Comics), and Commando Comics, soon followed.

When WECA was repealed in June of 1944 and American comic books were once again available to Canadians, Bell Features attempted to remain competitive by expanding their market into the US and the UK, and by publishing some titles in colour. Due to a lack of available newsprint, however, the company shifted its focus on Canadian content and began reprinting American titles.

Source: Scanlon, Meaghan. (10 July, 2015). Written, Drawn and Printed in Canada ---- by Canadians!”
Bell Features, CanCon, and the Perception of Comics in Postwar Canada. Presentation for SHARP Montreal.

Bell Features and Publishing Company Limited

First Edition Photobook Award

  • 2015.004
  • Collection
  • 2014-2023

Collection contains books created by the winners of the First Edition Book Award. The Award was established to honor 3rd year photography students who have made exceptional achievements in photobook production. It provides incentive for them to achieve early recognition that will have a lasting legacy in our collection.

As part of MPS507, a 3rd year Image Arts class in The Photographic Book, students are expected to conceive of and create their own book. This is, in part, related to work that has been completed in the co-requisite class, MPS506 - Photographic Production. These are both required courses for the Bachelor of Fine Arts (Image Arts) Photography Studies Option.

The Award was established in 2015, enabling the Library to annually purchase the top five books in the class, as judged by the professor, and the Special Collections Librarian. Books are judged at the year end exhibition of the books and evaluation is focused particularly on design, sequencing, and integration of images and text.

Winning books are catalogued in the TMU Library system, including a note about the award, and housed in Special Collections. Occasional exhibits are created to showcase the works.

2015 Winners:
Rebecca Zynomirski, Sheila's Tropical Vacation (Toronto: Rebecca Zynomirski, 2014). TR655.Z96 2014
Lodoe Laura Haines, Stateless / Photographs by Lodoe Laura, forward by Tashi Wangdi (Toronto: Lodoe Laura, 2014).
Evan Hutchinson, 43.7000 79.4000 (Toronto: Evan Hutchinson, 2014).
Lucy Lu, Memories of Nowhere : A book by Lucy Lu (Toronto: Lucy Lu, 2014).
Imogen Wallis-Mayer, An Ambiguous Form (Toronto, Imogen Wallis-Mayer, 2014).
Emily Pleasance, My Relative Life : A Mapping of Memories (Toronto, Emily Pleasance, 2014)
Kristina Smith, Orillia: A Photographic Exploration (Toronto, Kristina Smith, 2013).

2016 Winners:
Andrea Chartrand, Save As. (Toronto: Andrea Chartrand, 2015).
Kayla Blaze Kelley, Dear Dad. (Toronto: Kayla Blaze Kelley, 2015).
Mina Markovic, Komplikovani Identiteti. (Toronto: Mina Markovic, 2015).
Terence Reeves, Looking Outside Looking In. (Toronto: Terence Reeves, 2015).
Gabriel Steele, Jackson. (Toronto: Gabriel Steele, 2015).
Alia Youssef, Self-portraits of my Family in our Backyard. (Toronto: Alia Youssef, 2015).

2017 Winners:
Adrian Walton-Cordeiro – Comtesse De Bertren
Ailene Devries – Two Cities and a River
Fehn Foss – Remembering, Faring
Julia Garnet – Elements
Feline Gerhardt – About Mankind and the Attempt to Increase Significance
Warren Rynkun – The Yard

2018 Winers:
After Grapefruit, Clea Christakos-Gee
Untitled, Raelene Giffin
In Nocte, Rafaela Conde
Into the Water, Lisa McElroy
9869518588, Heather Rattray
Home and Glory, Kalen Huxhan
It’s Good Once You Get There, Hayley Wilsdon

2019 Winners
How to Run Away, Lucy Alguire
Istanbul, Neha Bokhari
Playful urban drifts : a set of instructions for the urban wanderer, Bahar Kamali
Cowboy, Austen Ambraska
Shallow Season, Ally Ambler
Overdressed, Jared Miller

2020 Winners
Metamorphosis by Julie Ng, 2019
Interplay of light by Jordana Petruccelli, 2019
Biotypes by Gabrielle Tyrie, 2019
Two minutes of Progress Avenue by Austin Wadell, 2019
The disposable Glitch series by Teagan Lopes, 2019
Surveillance culture by Yarden Haddie, 2019
The death of an industry, the death of a generation : the state of the Canadian auto industry by Samuel Toward, 2019

2021 Winners
My Mennonite Mother, by Sarah Bauman, 2020
No, You, by Freida Wang, 2020
You, the Light & Nothing Else, by Christina Oyawale, 2020
Right Here, Right Now, by Dein Squires-Rouse, 2020
Mapping Colour, by Abygail De Leon, 2020
Plant Kingdom, by Zongzhe Cai, 2020
Fag, by Tyler Da Silva, 2020
I Beg You To Have Patience, by Caeden Wigston, 2020

2022 Winners:
Back Book, by Pengxiang Zhou, 2021
Shrieking sisterhood, by Kayla Ward, 2021
The Paper, by Kayla Ward, 2021
Calm and Chaos, by Kay Nadjiwon, 2021
Rosemary and Thyme, by Katya Lina, 2021
Need me, by Peyton Keeler Cox, 2021
Meu Avo, by Andrew Moreno, 2021
Bring back ice to the lake, by Yixuan Mark Wang, 2021

2023 Winners:
Forget Me not by Jessica Berger, 2022
More Than Someone's Daughter : She is Someone by Kennedy Soong Bouchard, 2022
To us, my love by Alec Boyle, 2022
Nightmares by Bella Della Penna, 2022
Pockets of Haven by Rahim Perez-Anderson, 2022

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