Serie 2018.09.02 - Stereoscope Viewers

Área de título y declaración de responsabilidad

Título apropiado

Stereoscope Viewers

Tipo general de material

  • Soportes múltiples

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

Nivel de descripción

Serie

Institución archivística

Código de referencia

2018.09.02

Área de edición

Declaración de edición

Declaración de responsabilidad de edición

Área de detalles específicos de la clase de material

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

  • [between ca.1850 and ca. 1997] (Fabricación)

Área de descripción física

Descripción física

162 pieces of photographic viewing equipment : 159 stereoscopes, 4 magic lanterns, 4 projectors. - 843 photographs : 40 transparency reels, 755 stereographs, 28 film reels, 14 stereoscopic colour transparency cards, 6 three-dimensional stickers. - 7 sound recordings : 7 record sound tracks. - 1 textual record : 1 hand written note. 9 drawings ; tracing illustrations

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Historial de custodia

Alcance y contenido

Series contains stereoscopic viewers, photographic images, and emphera. This includes a wide range of stereoscopes and three-dimensional viewers. Stereoscopes are devices used to view two mounted identical images as a single three-dimensional photograph commonly referred to as stereographs or stereoviews.

The first lens-based, portable stereoscopes were invented by Sir David Brewster in 1849 and presented at Crystal Palace during the London Great Exhibition between 1850 to 1851. Until a decade later when Oliver Wendell Holmes' adaptation of the Brewster stereoscope became the model for all later editions of stereoviewers during the 19th century. Holmes left his invention unpatented. This allowed other manufactures such as H.C. White, Underwood & Underwood and Keystone Viewing Company to mimic his design and increase production of stereoscopes and stereoviews. Ultimately, Holmes' decision would increase production and purchase of his invention.

Stereoscopes and stereo ephemera were meant for educational and entertainment purposes. Designs ranged from various materials like wood and aluminium, stereoscopes also had a large array of shapes and sizes from hand held to table top.

Following the 20th century, three-dimensional viewers became extremely popular. Some major manufactures such as GAF, Sawyer's View-Master and Tru-View produced iconic viewers made from metal, bakelite and other plastics. Originally, viewers and viewer emphera were developed for educational purposes but eventually became marketed as children's entertainment. Unlike stereoscopic viewers that could only look at single card stereoviews, three-dimensional viewers typically rotated black and white or colour transparency reels or multiview cards. Many original companies such as Sawyer's and GAF merged together but maintained the "View-Master" name. In 1989, the view-master brand was sold to Tycho until 1997 when Mattel and Tyco joined together. Now, view-masters are produced under the Fisher-Price title. View-masters were made from various materials and sizes. Some editions included built-in back lighting and sound recordings.

Área de notas

Condiciones físicas

Origen del ingreso

The collection was collected by the late Dr. Martin J. Bass and Gail Silverman Bass and donated to the Ryerson University Library and Archives by Gail Bass in 2018.

Arreglo

Materials have been arranged by type and re-numbered according to GMD format while following a hierarchical numbering system. No determinable arrangement exists for the material and so an intellectual order was imposed. In cases where items are part of a series attempts have been made to arrange them together. Subject terms and notes fields have been used to indicate contextual relationships.

Idioma del material

Escritura del material

Ubicación de los originales

Disponibilidad de otros formatos

Restricciones de acceso

Open. Records are available for consultation without restriction.

Condiciones de uso, reproducción, y publicación

Instrumentos de descripción

Materiales asociados

Materiales relacionados

Acumulaciones

Identificador/es alternativo(os)

Área de número estándar

Número estándar

Puntos de acceso

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control

Identificador de registro de descripción

Identificador de la institución

Reglas o convenciones

Estado de elaboración

Nivel de detalle

Fechas de creación, revisión o eliminación

Idioma de descripción

Escritura de la descripción

Fuentes

Darrah, C. William. (1977). The World Of Stereographs. Gettysburg Pennsylvania: W.C. Darrah

The J. Paul Getty Trust. (2004). Gerry Union List of Artist Names Online. The Getty Research Institute. Retrieved from http://www.getty.edu/vow/AATFullDisplay?find=stereoscopes&logic=AND&note=&english=N&prev_page=1&subjectid=300162919

Wing, Paul (1996) Stereoscopes: The First One Hundred Years. Nashua, New Hampshire: Transition Publishing.

Área de Ingreso