A hand-cranked 35 mm and small glass slide projector. This cinematograph was made after 1908 by the limited company Société Anonyme des Etablissements Demaria - Lapierre, when the two Lapierre brothers were obliged to amalgamate with the photographic manufacturer Jules Demaria. Cinematographs always had the ability to show loops, film strips from which the begin and end were glued together. For this purpose the upper reel was mounted above the apparatus on an extending bar. Longer films could also be showed but since there was not take-up reel the film would fall onto the floor or in a bag. The intermittent film transport was brought about by a rotating buckled rod that repeatedly struck the film down.

A large biunial mahogany and brass magic lantern. Biunial or double lens projectors have two separate optical systems that allow transition effects such as dissolves between slides.

The Lampascope Boule is a circular magic lantern projector with a hole at the base. This consumer lantern was meant to be placed on top of an oil lamp for home use. Lampascope projectors were elaborately painted with bright colours. This lantern is very faded but has remnant of red on the lens, and blue on the chimney.

A black tin Improved Phantasmagoria Lantern with handle and crooked chimney.

Carpenter marketed his Improved Phantasmagoria Lantern as a consumer version of the famous Phantasmagoria lantern shows that simulated ghost and spirit projections during the late 1700 and early 1800s. The name is a misnomer since Phantasmagoria refers to a type of projection rather than a type of lantern. The handle on the lantern was meant to accompany a larger professional magic lantern show with a small, mobile projector, or for small scale uses.

Item is an article published in the Science and Invention magazine, in 1927. The article details the Photomaton, a photo booth similar to the Phototeria, invented by Anatol N. Josepho, and located at 1659 Broadway, in New York City.

Item is an article about the Phototeria, written by Frederick Griffin and published in the Toronto Star Weekly on April 14th, 1928.

Item includes a 6 page document with technical drawings that included the 1929 patent application that David A. McCowan made for the "Photographing Machine" (Phototeria).

Item is a document outlining the patent claims being made by David A. McCowan for the photographing machine (Phototeria) as part of the patent process undertaken in 1929.

Item is an 11 page patent description of a "photographing machine" (the Phototeria) that would create novelty, souvenir photographs on sensitized disks.

Short video about Calgary winning the bid for the 1988 Olympic Games. Includes highlights from the Olympics and footage from the opening and closing ceremonies.

Image shows the sightseers on the last trip of the B.C. Electric Railway Observation Car in Vancouver on Sept 17, 1950. The photographer's name is given at the bottom of the image, "Harry Bullen Photo. 177 West 5th Ave."

Item is an ambrotype photograph in a velvet-lined thermoplastic union case, showing a male sitter in front of a studio backdrop. The case was intended for use with 1/4 plate daguerreotypes, as indicated by the manufacturer's stamp on the inside back cover beneath the ambrotype plate: "Littlefield, Parsons & Co.,/ MANUFACTURERS OF/ Daguerrotype Cases./ L., P. & Co., are the sole/ Proprietors and only legal Manu-/ facturers of UNION CASES, with the/ Embracing Riveted Hinge./ Patented October 14, 1856,/ and April 21, 1857."

Item is a photograph adhered to cream-coloured card with gold letterpress. Text at bottom reads "L. L. Christmas/ 104 STOKE NEWINGTON Rd. N/ (OPPOSITE PRINCE GEORGE Rd.)". Photograph is of a maid holding a tray with a teacup and pots of cream and sugar. Studio backdrop with palm fronds. On verso of card, decorative gold stamp with floral motif and the photographer's name and address repeated, with the additional information: "Alexandra Studios" and "NEGATIVES KEPT EXTRA COPIES CAN ALWAYS/ BE HAD BY SENDING NAME."

Item is a photograph featuring an image of the facade of a townhouse in Westmount, Montreal.

Large grey t-shirt with red square and McDonald's arches in which the face of Vladimir Illyich Lenin appears, with writing that reads McLenin's. On verso more writing in red with the sickle and hammer in a star. Verso reads: The party is over.

Painted wooden nesting or Matrioshkas dolls of Russian Communist leaders. Mikhail Gorbachev is the first and largest doll, inside which in succession are the leaders: Leonid Ilyich Brezhnev, Nikita Sergeyevich Khrushchev, Joseph Stalin, Vladimir Ilyich Lenin. Five dolls in total. The bottom of each doll has an inscription: the number 15. The Gorbachev doll has "Perestroika" written next to a hammer and sickle on a red sash that Gorbachev is wearing. The Brezhnev doll is wearing army medals and decorations. The Khrushchev doll is holding an ear of corn. The Stalin doll is holding a tobacco pipe. The Lenin doll is wearing tha red bow and is holding the Soviet newspaper Truth.

Packages of 20 cigarettes each. Red box bears Russian text and graphic portrait of Lenin. A graphic of the Soviet paper Truth is behind Lenin's portrait. Recto text reads: Cigarettes Prime Nostalgia. A side of the box reads: Cigarettes Fifth Class. The top reads: Smoking harms your health. On the bottom, the company's address is provided. Verso text reads "Prime Nostalgia". A Russian government label depicts the Russian emblem and reads: "Special Tabacco Brand" and "Russia".

Bust of Lenin, cast in bronze showing head and shoulders. Initials are carved into the verso of the hollow interior at the bottom edge.

Large mounted board with poured plaster in which various pins with Vladimir Illyich Lenin image rest. Includes lapel pins of Little Octobrists and Young Pioneers.

Large mounted board with poured plaster in which various pins with Vladimir Illyich Lenin image rest.

Gold-coloured metal pins, depciting a star with Lenin's profile inside, topped with flames. A banner with letters crosses the star below Lenin's head. Beneath his head it reads: Always ready! Enamelled colour on the metal creates light red for the flames, dark red for the star, and white for the face. There is a metal pin clasp on the back along with a star or 'H' type mark. They were produced in Moscow.

Red transluscent plastic pins, star-shaped with a circle in the middle. The face of a young Lenin is depicted in the circle in the form of a print on paper, with plastic covering and metal framing ring. There is a metal pin clasp attached to the back. The back of the plastic is marked with a star/'H' symbol.

Wooden egg shape sculpture, hand painted with head and shoulders of Mikhail Gorbachev. sickle, hammer and star from flag appear in gold around him, with clock tower in background and more gold writing. The egg is painted red, and does not stand flat but falls over on its side. The writing behind Gorbachev reads: CPSU. Verso writing reads: Glasnost - Perestroika. There is also a raised signature.

Cross stitch on canvas of Vladimir Illyich Lenin's head and shoulders, in black, white and grey embroidery floss. In a wood frame with glass protection. Hook on verso to hang the frame.

medals are gold in colour and are hanging from red ribbons with pins on the back. The medals depict the profile of Lenin with dates beneath (1870-1970). These medals were awarded to Soviet workers, economists, military members and foreign communist representatives on the occasion of the 100th anniversary of Lenin's birth. There is writing on the verso, along with a small hammer and sickle and star. Verso reads: For valiant labour in commemoration of 100 years since the day of V. I. Lenin's birth. One medal is housed in a plastic case with transparent lid. Recto reads: 1870-1970. Verso reads: For valorous work in commemoration of 100 years since the day of the birth of V. I. Lenin.

Military medal awarded to servicemen who fought for the Soviet Union in the Great Patriotic War (WWII) against Germany. The medals are gold to copper in colour, and hang from ribbons with pins on the back. The medals themselves have a profile of Stalin recto, a small hammer and sickle and star verso, and Russian inscriptions on both sides. Recto reads: Our cause is just. We won. Gold-coloured medals' verso reads: For victory against Germany during the Great Patriotic War 1941-1945. Copper-coloured medal's verso reads: For valorous work during the Great Patriotic War 1941-1945.

silver coloured coins with crest of wheat sheaves, globe, sun, hammer and sickle on one side, large number and foliage wreath on opposite side. Russian writing on both sides as well as on edge. Edge reads: One ruble - 1964. Recto reads:Union of Soviet Socialist Republics. Verso reads:1 ruble 1964.

silver coloured coin. One side depicts hand holding Olympic torch, with background of city skyline, Olympic rings and running track. Reverse side depicts crest with wheat sheaves, star, globe, sun, hammer and sickle. Russian writing on both sides as well as on edge. Edge reads: one ruble. Recto reads: XXII Olympic Games - Moscow - 1980. Verso reads: USSR 1 ruble.

silver coloured coin with the image of a gesturing Lenin against a sunburst background. Reverse side shows a crest with wheat sheaves, star, sun, globe, and hammer and sickle. Russian writing on both sides and on edge. Edge reads: one ruble. Recto reads: Union of Soviet Socialist Republics 60 years. Verso reads: USSR 1 ruble.

The film contains many photographs of V. I. Lenin at different points in his life, and it has detailed information of Lenin's life and work from childhood to his last days. The first part of the film shows significant places in Lenin's childhood in Ulyanovsk, including his family home. The film also documents locations in St. Petersburg (night panorama), Kazan city, the Kremlin, Kokushkino village, burlaks on the Volga river, Samara city, and footage of ordinary farmers working the fields. Part two opens with the poor district of St. Petersburg where Lenin moved, photographs of leading workers of the St. Petersburg revolutionary movement, and the police cell where Lenin spent 14 months before transfer to the village of Shushenskoye, where he was briefly exiled from 1897-1900. The film discusses and displays original writings of Lenin, inlcuding his published books "The Development of Capitalism in Russia", "What Is to Be Done?", and "April Theses". There is also footage of the building that housed the fist Russian revolutionary newspaper Iskra(=Spark), with photos of the agents of the newspaper: Nikolai Bauman, Ivan Babushkin, Mikhail Kalinin, Elena Stasova, Dmitri Ulyanov Maxim Litvinov, Natalya Zemlyachko, Anna Ulyanova-Elizarova, Maria Ulyanova. Part three begins with the rebellion at Potemkin and shows places where Lenin lived abroad, including Geneva and Paris, followed by images of the building in Prague where the sixth All Russian Congress took place. There are also images of the building where the 1st issue of Pravda(=Truth), the leading Soviet newspaper from 1912-1991, was published. Images of Bloody Sunday are displayed, and images of events following the first World War in 1914 include Lenin's role in revolution of 1917, the arrest of Tsar Nicolas II and the destruction of royal symbols in Russia. The film mentions an assassination attempt on Lenin's life. Facts about the transition to Soviet government are introduced, addressing the very difficult conditions in a new country together with Civil War and the first World War. Film has footage of Lenin's speech from a balcony of the Mossoviet building about the necessity of military education for Soviet people. Then the film recounts of last months of Lenin's life and his death, concluding with praise for Lenin's politics, his genius and the present Soviet supremacy.

The film recounts the life and work of V. I. Lenin from fall 1918 to January 1924 by taking the viewer through a tour of his residence, popularly known as Lenin's Hills. The film focuses on the scenery as it follows guided tours through the property, rooms and parks, including the main building and guest houses, their exterior and interior. The film also introduces the major events of Lenin's life in that period, and shows some of Lenin's personal possessions. Live footage of Lenin, his funeral and photographs, are incorporated into the production.

The film chronicles the life of V. I. Lenin from 1918-1921, incoporating live footage and documentary photographs of Lenin on the Khodinski (or Khodynskoe) field; around the Kremlin with V. D. Bonch-Bruevich; at the opening of K. Marx and F. Engels monument in Moscow; at the funeral of Mark Elizarov, Y. Sverdlov; pronouncing a speech at the demonstration on May 1st, 1919 and at the accompanying military parade; also pronouncing a speech from a balcony of the Mossoviet building (live audio recording of Lenin's speech); and unveiling a monument to Free Trade Work and Karl Marx. Lenin also appears among delegates of the Second Congress of Commentern, and presenting a material at the Third Congress of Commentern. At the end of the third part there is a clip of Lenin with the American economist Kristiansen.

The film is constructed as a montage of documentary photographs and film clips, taken during and after V. I. Lenin's life. There is footage of the memorable places where Lenin lived and worked, as well as significant places associated with Lenin after his death, including the Mausoleum and archives of the Marxism-Leninism University. The film includes personal accounts of people close to Lenin, including Anatoly Vasilyevich Lunacharsky, Maxim Gorki, Gleb Krijanovski, sculptor Aronson, Mayakovski, John Reed, Sergey Esenin, Nadezda Krupskaya, Bertram Russell and more recollections of Lenin's colleagues. The film also briefly displays footage of Irish playwright George Bernard Shaw's visit to the USSR in the 1930s. The Brest-Litovsk agreement and the Civil War situation in Russia are mentioned. The film concludes with praise of Lenin's importance to every person in the vast Soviet Union.

Rectangular red velvet banner with yellow tassels shows image of Vladimir Illyich Lenin in a white square with yellow writing. On verso, yellow writing and image of globe, hammer and sickle and wreath of wheat stalks. Recto reads: To the best worker.

Rectangular red banner with yellow stitching and tassels shows the image of Vladimir Illyich Lenin along with the hammer and sickle, laurel and wheat stalk. Text in gold on verso and recto. On recto, it states that it is an award for third place at a suburban pioneer camp. On verso, it reads: The Camp Committee of the Executive Committee of District Council RK Kosomol Summer 1979.

Rectangular pink banner with white stitching and tassels. Image of Vladimir Illyich Lenin in black and gold, writing in gold. White tags still attached to flag. It is from the Chervonohradsky Park of Culture and Recreation named for T. H. Shevchenko in Ukraine. Top of recto reads a quote attributed to V. I. Lenin: ...we come to the victory of Communist labour. Beneath Lenin's portrait on recto reads: For the winner of the socialist competition.

Rectangular red banner with gold tassels and gold writing shows the face of Vladimir Illyich Lenin with images of industry and agriculture. On one of the banners, there is a small metal pin attached to the banner bearing the same image and text. The banners bears a quote attributed to V. I. Lenin: We will come for victory of the Communist labour! Beneath the imagery, it reads: Collective Communist labour.

Rectangular red banner with gold tassels and white writing shows the emblem of the Young Pioneers. White tag still attached. The top reads: To fight for the cause of the Communist Party of the Soviet Union. On a banner depicted beneath a portrait of Lenin, it reads: Always ready! Lower down it reads: Rules of Pioneers of the Soviet Union. The pioneer is devoted to the homeland, the party, communism. The pioneer readies themself to become a Komsomol member. The pioneer keeps their eyes on the heroes of the cause and of the work. The pioneer honours the memory of fallen fighters and readies to become the defender of the homeland. The pioneer perseveres in the doctrine, work and sports. The pioneer is honest and faithful companion, always boldly standing for truth. The pioneer is a companion and leader of the Little Oktobrists. The pioneer is a friend to pioneers and children workers of all countries.

Triangular red banner with yellow writing and stitching, and a cord for hanging shows the emblem of the Young Pioneer organization of the Soviet Union, which is a star with flames behind it and Vladimir Illyich Lenin's face in the centre. White tag still attached to banner. Tassle on bottom point of upside-down triangle. Recto reads: Always ready! Be ready! It was produced in Moscow.

Small rectangular red banner with yellow writing and stitching with cord for hanging shows the emblem of the Young Pioneer organization of the Soviet Union, which is a star with flames behind it and Vladimir Illyich Lenin's face in the centre. Remnants of white paper adhered to flag. Recto reads: Mainstay pioneer team.

Small triangular red banner with yellow writing and stitching, and a cord for hanging shows the emblem of the Young Pioneer organization of the Soviet Union, which is a star with flames behind it and Vladimir Illyich Lenin's face in the centre. White tag still attached to banner. It was produced in Moscow. Recto reads: Mainstay pioneer link.

Small red flag with yellow stitching shows the emblem of the Little Octobrists, which is a star with a childhood image of Vladimir Illyich Lenin in its centre. It was made in Moscow.

Small red flag with yellow stitching shows the emblem of the Young Pioneer organization of the Soviet Union, which is a star with flames behind it and Vladimir Illyich Lenin's face in centre and the words "Always Ready!" White tag still on flags with writing and numbers. It was produced in Moscow.

Small red banner, with yellow tassels on three sides and yellow writing, shows the emblem of the Young Pioneer organization of the Soviet Union. The star with flames behind it and Vladimir Illyich Lenin's face in centre is the symbol for the mass youth organization of the USSR for children of age 10-15 in the Soviet Union between 1922 and 1991: Komsomol. One of the flags has a tag still attached, with Russian text. One of the flags has hand written numbers on it indicating its price. The banners read: To fight for the cause of the Communist party of the Soviet Union. In two places, on the emblem and beneath it, the banners reads: Be ready!

Small red banners with yellow trim and cord from which to hang it. Yellow writing on banner with the red five-pointed star with the portrait of Vladimir Illyich Lenin in his childhood in its centre. Some still have their tags. Recto banner reads: For the best October (adj.) group.

Large red flag with orange tassels. Gold lettering, hammer and sickle imagery, and a likeness of Karl Marx and Vladimir Illyich Lenin. Recto reads: For active participation in harvesting. Under the banner of Marxism-Leninism. Under the guidance of the Communist party. Forward to victory of Communism. From the October District Party Committee, Regional Executive Committee Agricultural Order of Lenin Komsomol District Committee Turgay region. Verso reads: Proletariat of all countries, unite!

Large red banner with gold tassels around three sides, top side has loops for hanging. Banner has writing with images of Vladimir Illyich Lenin's likeness, USSR logo, a clock tower, and six wreaths with banners and dates. Recto reads a quote attributed to V. I. Lenin: Union of Communist youth should be a shock group, which in every task shows its help, shows its initative, its handsel. A quote attributed to M. I. Kalinin reads: The Young Communist League has played a huge role in the civil war and helped the party to its selfless courage and heroism to completed it victoriously.

Large red flag with gold tassels around three sides, fourth side for inserting the pole stand. Embroidered likeness of Vladimir Illyich Lenin with laurels and sickle and hammer. On verso, wreath of wheat stalks with star, globe with sickle and hammer and rising sun. Writing on both sides in gold lettering. Recto reads: Proletariat of all countries, unite! Verso reads in the different languages of the USSR: Proletariat of all countries, unite! It was produced in Moscow.

Large red flag with white circle in centre with profile view of Vladimir Illyich Lenin's likeness. It was produced in Irkutsk.

Red nylon flag with yellow tassels and cord on one corner. Embroidered lettering on both sides. Embroidered portrait of Lenin on one side, crest with sun, hammer and sickle, wheat, and laurel wreath on the other. Recto reads: Lithuania Lithuanian SSR Council of Ministers of the Republican Council of Trade Unions. Verso reads: Proletariat of all countries, unite! Socialist competition winner for rationalization and inventiveness.

Large red velvet flag with gold tassels and gold embroidered lettering. Embroidered potrait of Lenin on one side and crest with wheat, sun, and hammer and sickle on the other. Recto reads: Proletariat of all countries, unite! In the centre it reads: Rostov (adj.) Regional Committee of the CPSU and the Executive Committee. Verso reads: RSFSR. Forward battalions - the winner of the socialist competition for harvesting and grain procurement 1973.

Large red velvet flag with yellow tassels and gold embroidered letters and portrait of Lenin on one side, and quilted crest of globe, wheat and hammer and sickle on the other. Verso reads: Under the banner of Marxism-Leninism, under the guidance of the Communist Party - forward to victory for communism!

Large red velvet flag with yellow tassels and gold painted letters on front and back. Images of wheat, hammer & sickle, globe and Lenin's portrait. Recto reads: Proletariat of all countries, unite! The banner of the highest rates in the socialist competition. Verso reads a quote attributed to V. I. Lenin: We will come to the victory of Communist labour!

Rectangular red nylon banner with yellow tassels and hanger with gold writing and crests on front an back. Crest includes imagery of hammer and sickle, star, horns (musical instruments), three flames and wheat. On recto, the Young Pioneers logo featuring Lenin's portrait and its slogan, Always Ready!, is featured at the top with horns. In the centre, it reads: Best October (adj.) group! Beneath it is a drum, drumsticks, laurels, stripes and horns. On verso, in the centre it reads: The pioneer, who fights for the cause of the Communist Party of the Soviet Union be ready! At the bottom it reads: Always ready!

Rectangular red crushed velvet banner with yellow tassels, shows portrait image of Vladimir Illyich Lenin surrounded by a white circle. On one banner beneath Lenin it reads: Winner in Socialist Competition. (There are no words on the other banner.)

Item is a wood frame covered in red paper with gold details, with ambrotype held in place with brass matt and brass preserver. Ambrotype is a portrait of three women, sitting on a bench outside, in front of what looks to be a boat on shore. All three wear elaborate hats, with long dresses and white collars, and their hands in their laps. All three look directly at the camera. Ambrotype is a single sheet of glass, the ashphaltum was painted directly overtop the collodion surface and so it is only one piece of glass with no need for a cover glass.

Title taken from card-frame. The bull in the picture with the name Ferdinand on the card-frame could be referencing the children story of Ferdinand The Bull from 1935, made into a cartoon in 1938 by Walt Disney - this would potentially date the image from after 1938. The tintype is an image of a bull with a man sitting on its back, arms in the air and holding two guns. Another man stands beside the bull, in sunglasses and a hat. They seem to be standing on a beach.

Item is an unmounted studio portrait of a man sitting and a woman standing with her hand on his shoulder. The man sitting rests an arm on the table and one in his lap. The woman is wearing a dress with layers in fashion during the 1870s. Her hair is tight curls fringing her head in fashion after 1876. The studio backdrop is of an interior. The man's feet are crossed. A book rests on the table. All four corners are angled off.

Item is an unmounted studio portrait of a woman sitting with her elbows on the armrest, and her hands up to her face. Her hair is in keeping with the fashion after 1876, of close crop curls on forehead. She wears a bracelet with a charm on each wrist, and a ring on her finger. The studio backdrop is of an interior, and there is a fur carpet underneath the chair.

Item is an unmounted studio portrait of a woman standing, and a man sitting. The woman is turned to the man, who is facing the camera. She is holding a book and he is sitting with his legs crossed, one hand on his lap, and the other on the armrest. The studio backdrop is of a tree. Her dress with the bustle and slim sleeves and her soft curly bangs are in keeping with fashion of the 1880s. All four corners of the tintype are angled off.

Item is a cabinet card featuring an image of Princes Friedrich Wilhelm and Eitel-Friedrich posed in a studio portrait in which they appear in a row boat outside.

Item is a cream carte de visite with a green border and a photograph of a man. On verso, photographer's stamp in blue with the image of two cherubs holding a camera and portrait of a woman. A floral border contains the text "R.W. Fidge,/ Opp. 1st National Bank,/ PRINETON,/ ILL./ Neg. Preserved."

Item is a cream carte de visite with portrait of a man, (who appears cross-eyed). On verso, in black letterpress (printed sideways), "Hall's/ Photographic Studio,/ 217 WEST MADISON ST,/ CHICAGO."

Item is a cream carte de visite with gold border and portrait of a man with beard. At bottom, written in black ink "Charles(?) A. Kent." On verso, in black letterpress, "R.D. PALMER,/ PHOTOGRAPHER,/ And Portrait Painter,/ Huron Street, East of Cook's Hotel,/ ANN ARBOR, MICH." At bottom, "Negatives preserved, Copies enlarged/ in India Ink or Oil."

Item is a cream coloured card with gold border and portrait of a man (side view) with sideburns and checkered tie. On verso, handwritten in blue ink at top, "Yours fraternally/ A. M. Harriso-". In purple letterpress at centre, "REVENAUGH & CO.,/ (Successor to Geo. C. Gillet,)/ Photographer & Art Studio,/ Kelley's Block, East Huron St.,/ ANN ARBOR,/ Mich." At bottom, "Negatives preserved./ Old Pictures enlarged to any size desired,/ and finished in Ink, Oil or Watercolors/ in a superior manner." Decorative border in yellow.

Item is a cream carte de visite with gold border and photograph of a man with a thick beard. On verso, in black letterpress, "R.D. PALMER,/ PHOTOGRAPHER,/ AND PORTRAIT PAINTER,/ Huron Street, East of Cook's Hotel,/ Ann Arbor, Mich./ Call and see Porcelain Pictures./ Negatives preserved. Copies enlarged/ in India Ink or Oil."

Item is a cream carte de visite with gold border and a photograph of a man in a suit. On the verso, in black letterpress, "D.P. GROVES,/ PHOTOGRAPHER/ Opposite Cook's Hotel,/ Ann Arbor, -- Mich."

Item is a cream carte de visite with gold border and handwritten in ink at bottom "James Humphrey." On verso, in black letterpress, "R.D. PALMER/ PHOTOGRAPHER,/ AND Portrait Painter,/ Huron Street, East of Cook's Hotel,/ ANN ARBOR, MICH./ Negatives preserved, Copies enlarged/ in India Ink or Oil." Photograph shows a man with high collar and bowtie. Sitter is oriented sideways.

Item is a cream carte de visite with gold border and handwritten in ink at bottom "C Y(?) Walker." On verso, in black letterpress, "R.D. PALMER/ PHOTOGRAPHER,/ AND Portrait Painter,/ Huron Street, East of Cook's Hotel,/ ANN ARBOR, MICH./ Negatives preserved, Copies enlarged/ in India Ink or Oil." Photograph shows a man with bowtie and white-flecked beard.

Item is a cream carte de visite with gold border and photograph of man, bearded. On verso, handwritten in ink at top, "Jhosef(?) Mather/ St Marys/ Ohio." At centre, in black letterpress, "D.P. GROVES,/ PHOTOGRAPHER/ Opposite Cook's Hotel,/ Ann Arbor, - Mich."

Item is a cream carte de visite with gold border, and text handwritten in ink at bottom "Thomas [illeg.] Cooley." Photograph shows man with a thick beard. On verso, in black letterpress, "R.D. PALMER,/ ARTIST,/ ANN ARBOR. MICH./ NEGATIVES PRESERVED."

Item is a portrait of two women wearing hats and coats, mounted on a green, textured card with white border, inset and emboxxed name at left, "Morton/ LINDSAY, ONT." Image has been stuck onto card where a probable previous image was removed.

Item is a greenish brown cabinet card with two types of gold letterpress at bottom. The first, darker and smaller, "Theo Lilienthal & Co./ New Orleans" and the second, "Enamel Finish/ Benjamin/ CINCINNATI". On verso, elaborate gold design on red, "THE WATSON STUDIO/ BENJAMIN/ SUCCESSOR/ 156/ W. Fourth Street/ bet Elm and Race./ CINCINNATI, OHIO./ ALL NEGATIVES KEPT./ No.__" In pencil, at mid right, sideways, "1.00". Drawing around text shows a man at upper right painting a portrait and a lion at the upper left. The portrait is a vignetted image of an older, bearded man with large tie.

Item is a white cabinet card with gold letterpress at bottom, "C.A. FANGOY/ COLLINGWOOD, ONT." Image of a woman in flower-patterened dress standing next to seated man in dark, striped trousers and a fitted jacket with elastics at the elbows. Man wears a flowered hat.

Item is a grey carte de visite with portrait of a boy in checked suit and bowtie, leaning on an upholstered chair back. Drapery falls over chair on left side. On verso, in black letterpress "H. LUTHER,/ SOUTH PART/ Photograph Gallery/ 444 1/2 Third Street,/ Between Silver and Bryant Streets,/ San Francisco, Cal./ Particular attention paid to Children's Pictures./ Negatives Preserved."

Item is a cream carte de visite with photograph of two women in a studio with formal park backdrop. At bottom, handwritten in pink ink, "S/4 illegible of Leil." On verso, photographer's stamp, "Thomspon & Sun(sic),/ Photographers,/ George Street, Peterborough/ NEGATIVES PRESERVED./ No." In blue ink, "2162/ - of Lady sitting/ for/ D.parne(?)" Below, in grey ink, "Dparnes" is scratched out with blue and below, also in blue ink, "W. Pepper." In pink, at centre of card, "202" and in pencil, at upper left "1083". Finally, beside the text "No." is the penciled number "127".

Item is a scrap of paper with barely legible pencil, backwards "John Scott Nov 22nd/ [illegible] 1842." Found with CDV 2008.001.151.1.

Item is a photograph of a man in wool frock coat resting an arm on a medieval style chair, in front of a studio backdrop. On verso, barely legible, "John Scott Nov 22nd/ [illegible] 1842." A piece of paper found with the card is also dated 1842.

Item is a grey bi-fold card with silver embossed art nouveau pattern at upper left (floral). Inside potrait of a woman in sheer dress holding a violin. At bottom right, in black letterpress, "Barrett Studio/ 327 YONGE ST./ TORONTO."

Item is a cream carte de visite with gold border and portrait of a man in suit and bowtie, with a thick beard. On verso, in black letterpress, "EREKSON & LEE,/ PHOTOGRAPHERS,/ 285 MAIN STREET,/ BRIDGEPORT, CT./ Duplicates may be had at any time." A 2 cent US stamp is stuck on the back.

Item is a grey card with brown letterpress, along right side, cropped off at edge, "Nap. Bellange-". Photograph shows a young man and woman. On verso, in red ink, "Patrick/ Maggie(?)".

Item is a brown carte de visite with raised oval print in darker border. Woman in photograph wears a large beaded necklace with a corss. On verso, in black letterpress, "D. FERGUSON,/ Photographer,/ STRATHROY, ONT./ No..."

Item is a cream carte de visite with photograph of two men, facing each other as if in conversation, but the right one looks at the camera. A painted winter backdrop with skaters on a rink is behind them. The men wear ice skates. On verso, in black letterpress "MILNE,/ Photographers,/ HAMILTON, ONT." At top, in pencil, "1.00".

Item is a pink carte de visite with note handwritten in black ink at bottom, "Mrs Day, Singh, India 1443". Photograph shows an Indian woman in sari seated in a wicker chair holding a sleeping baby in ruffled, Western-style dress. On verso, in pencil, "Bible woman/ Balbia(?)." In a different hand, "1.00". and again, different and at bottom of card "1443".

Item is a yellow card with photograph of an officer with Napoleon-style hat and sword, in front of a rough wooden fence (in studio). On verso, an elaborate brown etching with flowers, camera and artist's paints reading "Davis & Douglas./ Photographers,/ 58 MAIN STREET/ FALL RIVER, MASS,/ INSTANTANEOUS PROCESS USED EXCLUSIVELY./ NEGATIVES PRESERVED./ DUPLICATES CAN BE HAD AT ANY TIME." In pencil, at top "15-".

Item is a grey cabinet card with silver letterpress at bottom, "Warner Gothard/ 166 YORKSHIRE ST,/ ROCHDALE". Photograph shows a boy seated on a tree stump in front of a studio backdrop, wearing a sailor's uniform and holding a cap which reads "H.M.S. VIVID".

Item is a cream card with photograph of a well dressed black man. On verso, a long text in black letterpress followed by a purple stamp at the bottom reading "C.A. Stacey, Artist./ Over 56 Main Street,/ Medina, New York." The text is a brief biography of Richard Gordineer, a slave born to a Mohawk Dutchman and a black woman, who was freed in 1825 along with all the slaves in New York state. He was an excellent baker, and was regularly employed as a whitewasher until he lost all his savings in 1862. Gordineer died on December 11, 1884.

Item is a brown card with photograph of a man in uniform, possibly a British private.

Item is a white carte de visite with photograph of a man in uniform, wearing an unbuttoned jacket and leaning casually against a wall. He stands on a tiger rug. In pencil, at bottom of card, "Captain Cherry." On verso, in pencil, "George Henbene(?) Cherry" and in pen, "Captain Cherry/ 1860".

Item is a beige carte de visite with an image of a soldier, with plumed helmet and sword, in front of a studio backdrop. The man is posed, pointing off camera. On verso, in black letterpress, "No.../ GEORGE CROUGHTON/ FIRST CLASS PRIZE MEDALLIST,/ MINIATURE PAINTER & PHOTOGRAPHER,/ 19 ALBERT PLACE,/ LONDON ROAD SOUTH,/ LOWESTOFT./ THIS PORTRAIT CAN BE ENLARGED/ TO ANY SIZE AND FINISHED IN/ BLACK AND WHITE, OIL OR WATER COLOR."

Item is a white carte de visite with purple border and photograph of a girl holding a carte de visite album on her lap, closed. On verso, in pencil, "S. Francis/ Lindsay"

Item is a white carte-de-visite with hand-tinted print showing man in Highland dress with kilt, leaning on chair in studio setting. On verso, in black letterpress, "BARNES & SON/ Photographers/ 422,/ MILE END ROAD,/ AND AT/ BEDFORD HOUSE/ 6, Bedford Place,/ COMMERCIAL ROAD EAST./ DUPLICATES/ may be had at any time/ No." followed by "6864" in ink.

Item is a white cabinet card with purple letterpress at bottom, "NEGRETTI/&/ZAMBRA/ CRYSTAL PALACE/ SYDENHAM." Photograph shows a bearded man in plain wool coat wearing a flat hat. On verso, in purple letterpress, "Negretti & Zambra/ CRYSTAL PALACE,/ SYDENHAM/ Copies may be had by/ quoting the above number." At top left, "No." is printed with "83297" handwritten in black ink immediately following. Along bottom right, written sideways in black ink, "W. J. Richards".

Item is a brown cabinet card with scalloped/beveled edges and gold letterpress at bottom, reading "Hobberling/ 334 QUEEN STREET EAST,/ TORONTO, ONT." Image shows a young man in suit and tie. Photograph has a border drawn like a scroll. On verso, in pencil "2.50" and in green ink "J(?) Preston".

Item is a brown cabinet card with gold edging and black letterpress at bottom, "Pittaway & Jarvis./ 117 Sparks Street,/ Ottawa, Ont." Photograph is printed with a rounded frame, showing two men seated on a lawn, each holding umbrellas, in front of a studio backdrop. They pass a cabinet card between them. On verso, in black letterpress, "First Prize, Silver Medal,/ Provincial Exhibition, 1884-1887./ From/ Pittaway & Jarvis/ Photographic ARTISTS/ 117 Sparks Street/ OTTAWA/ All Negatives Kept./ Copies or Englargements can be had/ at any time." In pencil, at aupper right, "4.50".