Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 38 in the series. Black paper around glass edges. Heavily painted. Image is of a man sitting at the reins of a horse drawn carriage.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 37 in the series. Black paper around glass edges. Heavily painted. Image is of a group of people standing together outside the house, with the young boy still kneeling and sheep at his feet.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 36 in the series. Black paper around glass edges. Heavily painted. Image is of three men and a young boy outside a house. Two men are standing next to a fence, third man and boy crouching near fallen sheep.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 35 in the series. Black paper around glass edges. Heavily painted. Image is of three men and a young boy next to a watering trough and water well with a house behind them. Two sheep have fallen (dead?), one still stands with his head in the trough and a fourth sheep is laying down. The dog stands with his two front paws on the edge of the trough. The men looks upset and confused.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 34 in the series. Black paper around glass edges. Heavily painted. Image is of three men and a young boy, standing outside a house, near a watering trough and well, where a sheep is drinking, and dog is watching. There are sheep in the field behind the men, and the house.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 33 in the series. Black paper around glass edges. Heavily painted. Image is of three men standing by a fence post, looking off to one side. They don't look happy.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 32 in the series. Black paper around glass edges. Heavily painted. Image is of a man and boy with dog in a field of sheep. Sky is blue and pink.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 31 in the series. Black paper around glass edges. Heavily painted. Image is of the same crowd of people from previous slide 2008.001.1319, but man standing near wheel is now standing with his arm around one of the woman, and another man has his hand on his shoulder.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 30 in the series. Black paper around glass edges. Heavily painted. Image is of a crowd of people watching one man trying to move the wheel of the engien/steam train mentioned in previous slide 2008.001.1318. Not sure what the engine/machine/steam train is.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 29 in the series. Black paper around glass edges. Heavily painted. Image is of a crowd of people watching one man load a bag of something, slung over his shoulder, onto a carriage. Looks like there's a steam train or engine behind him.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 27 in the series. Black paper around glass edges. Heavily painted. Image is of four women sitting on a bench, outside a house. One woman is smoking a pipe. They are all looking the same way, as though watching something "off screen."

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 24 in the series. Black paper around glass edges.Heavily painted. Image is of a man and young boy standing in a field, surrounded by a dog, deer, bear and sheep.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 22 in the series.Black paper around glass edges. Heavily painted. Image is of a man sitting at an easel, that's been set up outdoors, and he's painting a woman standing in nature. The colours are very vivid.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Made by Joseph Hawkes New York City." Slide is numbered 21 in the series. Black paper around glass edges. Heavily painted. Image is of an older man with white hair sitting at a table, with a dog standing on its hind legs, its front paws on the man's lap. In the BRC there's the numbers 99-218 printed on slide itself. More research shows that Joseph Hawkes worked in New York City and Brooklyn in the late 19th century, and he hand coloured slides. "He worked with the Brooklyn Museum's curator of fine arts, William Henry Goodyear, to reproduce images of archaeological and architectural sites in Europe as well as images of the Paris Exposition." (http://www.brooklynmuseum.org/research/digital-collections/lantern.php)

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Slide is numbered 19 in the series. Slide is in a cardboard mount. Heavily painted. Image is of a woman and man standing together at a fence outside a house.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 18 in the series. Printed in BRC of slide "99-68." Black paper around glass edges. Heavily painted. Image is of a young woman with blond hair, crouching by a creek with a bucket. You can see her reflection in the water. She is the same woman from slide 16, 2008.001.1311.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 16 in the series. Black paper around glass edges. Heavily painted. Image is of a young couple holding hands standing on the side of a mountain (?), with more moutains in the distance.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 14 in the series. Black paper around glass edges.Heavily painted. Image is of a young boy sitting on a log with a baby sheep on his lap, a dog at his feet and a squirrel on his shoulder.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 13 in the series. Heavily painted. Image is of a young boy kneeling next to a deer, with a dog next to him, outside the house. He's next to three tree stumps. There are two other unidentified animals in the scene.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 12 in the series. Heavily painted. Image is of two men, one standing with his arms and fists in the air, one sitting with a dog in his lap. They're on a porch of a log cabin, with sheep in the field next to them. Trees and blue sky.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 9 in the series. Black paper around glass edges. Heavily painted. Image is of a woman standing with a horse, holding its reins, in a field, there's sheep in the background with trees. The sky is blue with pink/white clouds.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 7 in the series. Black paper around glass edges. Heavily painted. Seven people are standing inside a house, the room has a fireplace, bed, table with a staircase leading up. An older woman sits on the stairs, and the rest are standing. The man holding the suitcase, from earlier slides, is now inside with the others.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 6, follows the same series. Heavily painted. Two men and one woman poke their heads out from a doorway, looking at something 'off-screen' - perhaps the two men talking at the gate from the previous slide 2008.001.1304.

Lantern slide, glass slide. Handpainted over B&W image. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 5. Perhaps the fifth one in a series, because the man in the slide is the same man from 2008.001.1303. Image of two men talking by a gate, at what looks to be a ranch. The one man is the dressed in a black suit, holding a briefcase or suitcase, perhaps a doctor. The second man is holding a cowboy hat, and has a beard. The image is handpainted over a B&W slide.

Glass slide, handpainted over B&W image. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 4. No wood frame. Black paper around glass edges. Image of a man standing in a field looking up at the sky. He's in a field with a wood fence, housing sheep, and there's buildings in the background. The sky is painted blue and pink.

Lantern slide, glass slide. Handpainted over B&W image. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 2. No wood frame. Image of covered wagons making their way through the mountains, sky is painted blue and pink. The image is handpainted over a B&W slide.

Lantern slide, glass slide. Handpainted over B&W image. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 1. No wood frame. Image is handpainted, but looks like a B&W photograph underneath. It is of a man standing alone in the middle of nature, on the side of a mountain on a cliff, looking up at the sky. There's mountains around him, trees towering over him. The sky is blue with some clouds. Date based on research that shows Edward Van Altena's studio was active during 1890s-1910s. This series part of Life Model Slides. "The most popular slides in Victorian times were 'life model slides', which depicted popular sentimental stories of the day.The slides were produced by arranging actors in costume in front of a painted back drop. Stage props were placed in front of the actors and the scenes from the story were photographed. The slides were often hand tinted with colour and sold in boxes, along with a text to be used as a reading.In particular the temperance movement and political speakers used slides to convert a mass audience." (http://www.driffieldtoday.co.uk/wally-simpkins-look-at-east-riding-history/Shadow-shows-and-magic-lanterns.2696708.jp)

Lantern slide, glass B&W slide. Image framed in black, with no wood frame. Sticker on glass handwritten in black ink "7582 ... Rome" in french. Two words in between the number and Rome are indecipherable. Image of the Tiber river with a bridge and the Mausoleum of Hadrian, usually known as the Castel Sant'Angelo, in the distance.

Lantern slide, glass B&W slide in wood frame. Image framed in black paint. Sticker on wood, torn off but visible are the words in ink "Rialto Ven..." and in pencil on the wood frame "Rialto, Venice." Handwritten in ink on a sticker on the glass "456 Le Rialto a Venise" in french. Image of a covered bridge, the Rialto, over a canal with gondola.

Series consists of sets of lantern slides, often of historical monuments or landscapes. One set of painted slides appears to recount a story, with images of people outdoors on a farm, in a carriage, dancing and fighting. Another set of non-photographic painted slides depicts children working and playing. The slides in this series were mass produced for the commercial market.

Consists of a composite group portrait of men in uniforms wearing medals.

Consists of a group portrait of 11 men wearing suits, two holding cricket bats. One person's head had been added to the print as a collage.

Consists of two group portraits of women in Victorian aprons, white dresses and bows in their hair. One portrait is set indoors and one is an exterior shot. Both prints have the Topley Ottawa stamp at the bottom left corner.

Item consists of a cabinet card of a women with a while dress with a front. Bottom of the card is stamped with the studio logo for Hartley Studio, 309 W. Madison St., Chicago.

Item consists of a cabinet card of three children posed in front of an outdoor backdrop. Two of the children are wearing hats, and one child has small toy horses on front of them. Bottom of the card is stamped with the studio logo for World's Fair Photo View Co., 334 East Ormsby Ave., Louisville, Kentucky.

Item consists of a cabinet card of three children posed in front of an outdoor backdrop. Two of the children are wearing hats, and one child has small toy horses on front of them. The verso is stamped with the studio logo for Eldridge Stanton, 341 Yonge Street, Toronto.

Item consists of a cabinet card of a baby next to a dog sitting on a rug. The verso is stamped with the studio logo for Paris Art Co. Fine Photography (Paris, Kentucky)

Item consists of a cabinet card with four women playing croquet in front of a post office building. Photograph is mounted on a light pink card. The verso is stamped with the studio logo for Morton & Raith Photographers.

Item consists of a cabinet card with two men holding bowler hats and a child holding a boat steering wheel. There is a waterfront backdrop. The logo for the studio J.H. Farber (Norfolk, VA) is embossed at the bottom of the card.

Item consists of a two postcards with photographs of the Rock Garden, Royal Botanical Gardens in Hamilton and the J.J. Breen General Store in Shipka, Ontario. The Shipka postcard has a message written.

Item consists of a carte-de-visite of a man standing beside a book and desk. He is wearing a jacket and a polka dot tie. The verso of the photograph is stamped with the studio logo for William Notman.

Octagonal-shaped cardboard, hand-cut, with combination print of a young girl and a floral wreath.

Bi-fold card, inside a photograph of a young woman by the name of "Nellie Mac". The photographer's stamp appears embossed at the bottom right of the mat around the image: "McKenzie/ Kingston".

Photograph of a group of 7 passengers in an early automobile, stopped along Stanley Park drive in front of the "Hollow Tree". This old cedar was a popular spot for group photographs in both cars and horse-drawn carriages. The stamp on the back of the card mount indicates this was taken by an official park photographer: "The Stanley Park Photographers, Head Office, 162 Cordova Street, Vancouver, B.C.". The negative number for ordering more prints is given as 4869a.

Photograph of a radio interview between CBC radio host Peter Stursberg and Roy Slemon, Royal Canadian Air Force Air Chief Marshall and NORAD Canadian Deputy Commandor. Peter wears a name tag in the photograph identifying CBC News as the program for which the interview was recorded.

File consists of four card mounted photographs, 3 of the same man in various poses and 1 of a woman. All mounted on black card by studios in Montreal. The photographs were found inside the Agnes Osberg album (2009.005.023) with a yellow sticky note that read: Came from the same family But Not this album.

Photograph of a child dressed in a winter coat and hat, holding an oar and standing next to a winter sled. Snowy hills are painted on the studio backdrop. At the lower right of the card is a design with the photographer's initials intertwined: "A" "G" and "P", and the words "Pittaway/ OTTAWA,/ ONT." On the verso, and handwritten note identifying the recipient of the card.

5 photographs of the same woman in light-coloured blouse, different poses and backgrounds. Each image is stamped "PROOF ONLY" on the front, and again on the back with more explanatpry text. The studio's name is given as "The Stride Studios". The sitter was identified as "Miss Helen Ballock." on a manilla envelope which contained the images. [Envelope removed]

Item is a white card with vignetted portrait of a young woman. On verso, an elaborate printed design featuring celtic-style scrollwork, cherubs with paint and canvas or a cornucopia. The photographer's name is given as "TOPLEY" with an address at "104 SPARKS ST/ OTTAWA". In the centre, text identifies the photographer as "PHOTOGRAPHER BY APPOINTMENT TO/ HIS EXCELLENCY/ THE MARQUIS OF LOFANE(Sic)/ AND/ HER ROYAL HIGHNESS/ THE PRINCES LOUISE."

Cream card with blue and pink colour patches highlighting the words "Merry Christmas" and the date "1956". The family's address is printed sideways up the front of the card, and the parent's names are given at the bottom. Inside, the phrase "and the children....." is added to the inside left, while a black and white photograph of 6 children is pasted onto the right.

Item is a grey and green mottled-pattern bi-fold card with, art nouveu floral design embossed into the upper left corner of the front flap. On the front of the right flap is embossed the name of the photographer: "Craswell/ Charlottetown, P.E.I." Inside, a photograph of a woman with a short haircut. The image is very dark, causing the rest of her body to be obscured. On the inside of the left flap, a handwritten note gives her name and the date.

Item is a brown bi-fold card with text at the bottom edge of the front left flap in black letterpress: "Portrait by Bayer, Charlottetown, P.E.I." Inside, a photograph of a boy in a sailor-style suit holding a small toy ship in his left hand. A piece of knotted rope hangs from his shirt pocket.

Item is a brown bi-fold card with an embossed design with shield and helmet on the front left flap, beneath which is the photographer's name in letterpress: "A.E. Lyon/ Photo./ Charlottetown, P.E.I." Inside, a photograph is adhered to the card showing three women in a studio, one holding a baby. All 4 are identified by a handwritten note on the inside of the right flap.

Item is a cream coloured card with photograph of a boy seated in a studio setting. At the bottom of the card, in gold letterpress: "H. D. Wallis, Photographer, 61 SPARKS STREET OTTAWA". On verso, elaborate design in gold ink repeating the photographer's name and studio address, along with a handwritten note and negative number. A cartoon of two Chinese (?) men appear in the lower left of the design. The card design was provided by Free Press Print, Ottawa.

Item is a cream coloured card with photograph of a man wearing a suit with hand-coloured purple tie. On verso, design in gold ink for the Notman Studio: "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Item is a light brown card with photograph of a man from the shoulders up, on a plain background. Embossed into the card at the base is the studio mark for William Notman and Son at 14 Phillips Square, Montreal. On verso, the name Guy Bulloch with the date 1900s is handwritten in blue ink.

Item is a cream coloured card with long rectangular photograph of a girl in a photographer's studio, leaning against a cloth-draped side table with an open book. On the back of the card, a handwritten message to Marion Morris, to whom the card was given.

Cream coloured card with grey border and oval photograph, showing a woman wearing an off-the-shoulder dress and heart necklace. The studio stamp at the bottom right is illustrated with a stylized version of the Prince of Wales coat of arms. The text reads: "The Carbon Studio./ Fraser Bryce,/ MANAGER/ PHOTOGRAPHER BY APPOINTMENT/ TO THEIR ROYAL HIGHNESSES/ THE PRINCE AND PRINCESS OF WALES". Handwritten note on verso indicates the woman's name was Margaret and she delivered this card photograph to the Macgowan family for Christmas.

Item is a cream coloured bi-fold card (3 flaps) with an embossed ribbon on the front flap at lower right. Inside, a vignetted photograph of a man in Canadian army uniform, with a badge on his right shoulder labeled "Toronto". The back of the photograph is stamped "HALKSWORTH WHEELER/ 109A SANDGATE ROAD./ FOLKESTONE". This is handwritten on the front of the photograph, and the date August 1917 is written on the card.

Item is a cream coloured bi-fold card (3 flaps) with the embossed drawing of a viking ship on the top left of the outer flap. Inside, a photograph of a young woman outdoors, smiling, and leaning against a pile of metal or concrete tubes, with shipping crates behind her in the distance. On the mat around the photograph, embossed in brown, "H.A. Osborne/ PENTANGUISHENE,/ ONT."

Item is a photograph of a man holding a child on his knee and a woman standing next to him, outside a house with a view of a field in the background. The photograph is very informal, with the man looking down and away from the camera. A screen door to the house on the right of the photograph reveals an adult holding the arm of a child, the hand pressing against the screen.

Item is a portrait photograph of a woman in studio setting, seated in a chair with a blanket draped over the side. She wears a loose, gathered vest over her dress in a style popular in the 1910s.

File contains three cream-coloured cards embossed with the coat of arms of the University of Guelph and the words "Macdonald Hall/ Guelph" in the upper left corner. On the lower right, the photographer's studio is identified as "The O'Keefe's/ Guelph, Ontario". Two of the portraits are duplicates. The third portrait is identified as "Jennie". Each card has a piece of glassine tissue covering the photo inside.

Item is an ambrotype photograph in a velvet-lined thermoplastic union case, showing a male sitter. A stamp on the inside back cover beneath the ambrotype plate gives the manufacturer of the case: "Littlefield, Parsons & Co.,/ Sole Manufacturers of / UNION CASES,/ with/ Embracing Riveted Hinge./ PATENTED/ October 14, 1856, & April 21, 1857."

Item is an example of an ambrotype with broken glass and worn coloured backing. Ambrotype is in a velvet-lined thermoplastic union case, showing a male sitter in front of a studio backdrop. The case was intended for use with 1/6 plate daguerreotypes, as indicated by the manufacturer's stamp on the inside back cover beneath the ambrotype plate: "Littlefield, Parsons & Co.,/ MANUFACTURERS OF/ Daguerrotype Cases./ L., P. & Co., are the sole/ Proprietors and only legal Manu-/ facturers of UNION CASES, with the/ Embracing Riveted Hinge./ Patented October 14, 1856,/ and April 21, 1857."

Class portrait of co-eds and rabbi of the "Cleveland Jewish Center, Confirmation -- Class of 1946 .. 5706" is a photomontage of 51 captioned portrait ovals arranged alphabetically.

Football team portrait. The well-ordered players are standing on stone steps. Hand-lettered on the front of the grey card mount is "Central High / 1927." Written in black ink on verso of card mount is "Left to Right, Front row: Clyde Clancy, Harold Pollack, Jim Connolly, Johnny Wright, Harlan Haulman, Gilbert Edwards; Middle Row: Parley Hyde, Moorhead Tukey, Peter Sawerbrey, 'Auroea' Nelson, Clary Johnson, Les Huff, Graham Cooksey; Back Row: John Epplen, Mgr., Elmo Pace, Roscoe Haynie, Bud Levin, Glenn Cackley, J. G. Schmidt, coach." A faded grey studio stamp reads "Dewell, commercial photographer, (...) 321 (...) Omaha."

Item is a group portrait of a minstrel show. 42 performers, including children and adults, are posed seated or standing on a stage. Six of the performers appear in blackface, wearing makeup and wigs.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.

A two-page hand-written eulogy was found with the photograph that begins "Ella Roberts age 85 years of Galena, Ohio died November 28, 1949..."

Photographic print of three women is trimmed into a tiny circle and set into a button assembly. The unsmiling women are shown wearing white blouses and darker neck bows. The button is black metal, with a gold metal pin.

The card-mounted photographs are all studio portraits of unidentified individuals. The first of two cabinet cards is embossed with "Quartley", and the second is embossed with "Morton." Two Cartes de visites are printed on verso with "J.F. Rowe. A fifth card is identified as a "Gem" photo card, printed on verso with "R.W. Knorr" and an advertisement for the tiny Gem format.

The photograph envelope is printed for the Owl Drug Store, of 336 Bloor St. West, and noted that the customer is "Mrs. Atwood, 23 Spadina." The negatives are of a woman wearing a white ensemble.

Photograph is of a woman sitting in front of a fireplace, with Redbook magazine open on her lap. The support for the image is a neon-red paper. On the lower right of the tan card mount is embossed the studio logo. On the verso is inscribed in green ink: "To Jessie, Wishing you many happy returns of the day. Violet. Jan. 1 1912."

The image is of two men, identified from their name tags as Tony Miller and Bill Hastings, discussing a Suzuki motorcycle.

Photographic image is of a two-horse team standing on a dirt road with cart and driver in front of residential buildings. The card mount is taupe and dark gray.

Of these family photos, one is written in ink on verso "- at Jessie (Wallace) Stanley's wedding."

Three of these photographs are stamped on verso by the photography studio of H. R. Niebel, Orillia, Ont., and four are written on verso: "Peggy Grant and Muray infant", "Muray Grant, July / 26 - 17 mos.", "Florence Grant, Muray Grant, and Chris Wallace in Orilia", and "Cameron Grant and fella."

Portrait of King George V, King Edward VII and Prince Edward, Duke of Windsor (King Edward VIII) on board the Royal Yacht 'Victoria and Albert. Print is mounted on 34.5 x 29.5 cm cardboard.

Portrait of Earl of Strafford holding a top hat and cane.

Copy photograph of a painting of Queen Victoria and family.

Copy photograph of a painting of Alexandra c. 1862 (in her wedding gown). She was married to Edward VII in 1863.

Copy photograph of a painting of Edward VII in his 20's.

Portrait CDV of the Grand Guchess Maria.

Portrait CDV of the Duke of Edinburgh.

Copy photograph of a composite painting created from photographs.

Copy photograph of a composite painting created from photographs.

Copy photograph of a composite photograph, featuring 9 images of President Abraham Lincoln and his cabinet.

Item is a carte de visite portrait of Charles Wood (1856-1945), English flat racing jockey.

Item is a carte de visite portrait of James "Fred" Archer, nicknamed The Tin Man was an English flat race jockey.

Photograph illustrates George IV and Elizabeth, Queen Consort's May 1939 visit to Canada. They are standing on the steps of the Parliament Building in Ottawa.

Item is a cabinet card portrait of Emma Eames, an American soprano.

Lillian Russell, born Nellie Leonard in Clinton, Iowa in 1861, was a famous comic opera actress in New York city. She made her stage debut in "Time Tries All" in Chicago in 1877 before moving to New York in 1879 and continuing her career in musicals, burlesque and dramatic shows. Near the end of her life, she was appointed as a special investigator to study immigration conditions by President Harding. She presented a report to the United States Department of Labor that suggested an "immigration holiday" of 5 years, the sifting of immigrants on the other side, and 21 years residence in the US before naturalization. See "Lillian Russell Dies of Injuries", The New York Times, June 6, 1922, pp. 1-2. Retrieved on December 15, 2010.

Item is a cabinet card portrait featuring an image of Rose Lee.

Item is a cabinet card portrait of Carrie Hapgood, actress.

Item is a cabinet card featuring an image of Emma Hoffman.

American actress, burlesque performer. She is recorded as having performed in "Our Cinderella: A Burlesque" by William Gill in the Colville Company's 1878-9 season, and in "The Magic Slipper" for Haverley's Theater in New York in August 1879, produced by Samuel Colville's Opera Burlesque Company.

Item is a cabinet card portrait of theatre actress Viola Clifton

Item is a cabinet card portrait of Broadway theatre actress Venie Clancy.

Item is a cabinet card featuring a portrait of Maggie Moore, American-Australian actress, sitting on a railing.