Item is a studio headshot of man with moustache wearing jacket and tie. Recto ink stamp: "Cab Calloway." Verso ink stamp: "This portrait through courtesy of A. Gilbert Studios, Toronto."

Item is a studio headshot with white border. Depicts a man in suit jacket and tie with slicked-back hair. Recto ink stamp: "Art Lund." Verso ink stamp "This portrait through courtesy of A. Gilbert Studios, Toronto."

Item is a cream cabinet card with scalloped edges and red letterpress at bottom edge, "E. R. Owen, RED BUD, ILL." At the centre, printed inside a design of artist's palette and brushes, the text "EXTRA FINISH". Photograph of a drawing of a young man in suit jacket and tartan tie, vignetted so the image is quite small. The photograph has a pink tone.

Item is a piece of photographic jewelry, a pendant with makeshift loop at top for chain. Very detailed gold plated metal pendant with glass image in centre. Image is adhered beneath a rectangular piece of glass, brown colour. Image is a portrait of a man standing, in a top hat and suit and bow tie. The glass is adhered to the centre of the piece.

Item is a photograph of three women in a field looking at a plant at the bottom of a tree. J. W. Lindt's photographer's stamp is on the verso.

Item is an unmounted tintype is a photograph of a photograph of an older couple. Original photograph is in a decorative frame/case (daguerreotype or ambrotype?), and it is a studio portrait of a man and woman, sitting side by side, looking straight out at the camera, hands folded in lap. Woman wears a white bonnet and checked dress. Clothing of sitters suggest that original photograph dates from the 1850s. Handwriting on the back in pencil, not able to decipher.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 31 in the series. Black paper around glass edges. Heavily painted. Image is of the same crowd of people from previous slide 2008.001.1319, but man standing near wheel is now standing with his arm around one of the woman, and another man has his hand on his shoulder.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 30 in the series. Black paper around glass edges. Heavily painted. Image is of a crowd of people watching one man trying to move the wheel of the engien/steam train mentioned in previous slide 2008.001.1318. Not sure what the engine/machine/steam train is.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is not numbered. Black paper around glass edges. Image is an outdoor scene, with barn, bridge, people, machinery and horses.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 54 in the series. Black paper around glass edges. Not as heavily painted as the other slides. Some of the black & white image shows through, like it was never hand painted. Image is a scene of people in carriages, on horses, a barn, a ditch, some sheep.

glossy gsp, white border. Depicts a steam shovel and two two other vehicles at work in a wide trench of rocky rubble with slanted sides. A figure stands watching the steam shovel work. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso, bottom left, pencil inscription, "12"

glossy gsp with white border. Close-up of steam shovel and dump truck in quarry, below grade, with wet road way at the bottom. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, in pencil: "13"

glossy gsp, white border. Image shows quarry, dug below grade, with workers building wooden supports near rock/gravel wall. Pump/engine nearby, as part of the ground is covered in water. Houses, power lines visible on grade level. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, pencil: "3"

glossy gsp with white border. Wide shot of quarry with exposed rock wall, and slanted rock and sand reaching water at the bottom. Along horizon neighbouring houses can be seen. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso top right, in pencil: "8"

glossy gsp with white border. Image shows quarry scene with dump truck driving away from viewer. Sand/gravel slopes down to body of water at the bottom. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, pencil inscription; "4"

Glossy gsp, white border. Depicting hoses, machinery and stakes in a trench, and an explosion occuring further back in the trench. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing."

Glossy gsp with white border. Depicts a wide trench below grade where several men are working with a truck and several hoses and pieces of machinery. Tank on truck reads: "King Paving Co. Ltd. Oakville, Ont. No. 3" Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, in pencil, "2"

glossy gsp with white border. Depicts work being done in quarry with several workers, truck, and pipelines. Some areas of water at bottom of quarry. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, pencil inscription: "6"

glossy gsp, white border. Depicts two men standing in an open area with large garages/barns and gas pumps behind them. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, pencil inscription, "11"

glossy gsp with white border. Dump truck dumping pieces of rock in a pile at the edge of a river near a small bridge. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, pencil: "5"

Glossy gsp, white border. Two dump trucks and a steam shovel are depicted working in a trench with water covering the bottom. Dump trucks are marked "60" and "65". Steam shovel is marked "Lorain," "No.10." Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, in pencil, "14"

glosst gsp, white border. Dump truck and other construction vehicles depicted working in rocky trench/quarry. Flat fields, power lines in background. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso, top right, in pencil, "9"

glossy gsp with white border. Depicts steam shovel picking up load of rock from sloping wall of quarry, below grade. Farmers' fields are visible in background at grade level. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, pencil, "7"

Glossy gsp, white border. Depicts an industrian landscape, perhaps gravel pit and production. Crane and processing plant/ factory are in centre of frame. Verso bottom right, black ink stamp: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso top right, in pencil, "10."

Glossy gsp, white border. Depicts machinery and labourers at a construction or mining site. Dump truck marked with number "63." Steam shovel reads: "Lorain," "King Paving Co. Ltd. Oakville, Ont." Verso black ink stamp, bottom right: "C.A. Love Druggist, Jun 8 - 1944, Ingersoll, Ont. Guaranteed Photo Finishing." Verso bottom left, in pencil: "1"

Lantern slide, glass B&W slide in wood frame. Image decoratively framed in black and gold. Sticker of a Y on wood frame. Nothing is printed or handwritten on slide. No information. Image of an obelisk (with Egyptian Hieroglyphs on it) in centre frame, with two men standing in front and beside it. Looks like some houses have been drawn in and some foliage too. Very simple image.

montage of images on cabinet card, depicting winter scenes and portraits. Central image is an ice palace. Many are group/ composite photos. Recto captions: "Wm. Notman & Son. Montreal". Verso inscription in gold, "Wm. Notman Montreal, -oni soit qui mal-, Photographer to her Majesty, also at Toronto, Halifax, Ottawa & St. John. N.B. (etc.)"

semi-gloss gsp with white border, printed on tectured paper. Depicts a navy ship in body of water, with shoreline visible behind it. The ship has a flag flying on the bow and stern, and the number "258" printed on the side. The ship has several antennas atop it, as wel las two cannons. Came along with one other print in a green paper envelope marked "Britannia."

Lantern slide, glass. No wood frame. Black paper covering all four edges. Black with gold lettering. Inscription " Manufacturing Optician, New York. Copyrighted Philadelphia. A.D. 1882." This is how date was decided. There's a red and white sticker on the glass with a number 2 written inside. The image is of a mummified head, with neck. Nothing else.

albumen prints mounted on cabinet card with gold border. Depicts 6 women, 1 man, 4 children in front of small log cabin in dry landscape. Verso has a crest with birds and "H". Verso caption: "G.S. Smith's Gallery, Fanny Hoyt, Artist, Salt Lake City, Negatives Retained." Verso purple ink stamp: "Low Bros. News Agents, Ogden Utah." Verso ink inscription: "Picture of a Mormon family grandfather Kirkpatrick saw on a trip to Utah." Verso pencil inscription: "$100."

albumen prints with white border, glossy surface. Mounted on grey cabinet card. Depicts construction of the Mormon tabernacle arched roof. Two men stand in the foreground of the scene. Caption verso: "Bureau of information and church literature. Souvenir views, albums, photos, etc. always on hand... Full line of church works. for information on Utah, its people, or the docturines of the church of Jesus Christ of Latter Day Saints, address Bureau of Information and Church Literature Office, 214 Templeton Bldg. Salt Lake City."

typewritten document outlining a theory of the Mexican native's links to prophesy in the book of Mormon. Accompanies a group of unmounted prints of Oaxaca city and nearby native ruins.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 53 in the series. Black paper around glass edges. Heavily painted. Image is of men and sheep, outside two barns.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 45 in the series. Black paper around glass edges. Heavily painted. Image is of a man and woman. They are next to a machine, possibly a grain grinder. The man looks to be turning a crank on the machine. The woman is sitting behind him, on a fence, with her arms around his shoulders.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 32 in the series. Black paper around glass edges. Heavily painted. Image is of a man and boy with dog in a field of sheep. Sky is blue and pink.

Lantern slide, glass slide. Handpainted over B&W image. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 1. No wood frame. Image is handpainted, but looks like a B&W photograph underneath. It is of a man standing alone in the middle of nature, on the side of a mountain on a cliff, looking up at the sky. There's mountains around him, trees towering over him. The sky is blue with some clouds. Date based on research that shows Edward Van Altena's studio was active during 1890s-1910s. This series part of Life Model Slides. "The most popular slides in Victorian times were 'life model slides', which depicted popular sentimental stories of the day.The slides were produced by arranging actors in costume in front of a painted back drop. Stage props were placed in front of the actors and the scenes from the story were photographed. The slides were often hand tinted with colour and sold in boxes, along with a text to be used as a reading.In particular the temperance movement and political speakers used slides to convert a mass audience." (http://www.driffieldtoday.co.uk/wally-simpkins-look-at-east-riding-history/Shadow-shows-and-magic-lanterns.2696708.jp)

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 68 in the series. Black paper around glass edges. Heavily painted. Image is of a man standing in a field with a dog by his side, and sheep in the field behind him.

Glass slide, handpainted over B&W image. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 4. No wood frame. Black paper around glass edges. Image of a man standing in a field looking up at the sky. He's in a field with a wood fence, housing sheep, and there's buildings in the background. The sky is painted blue and pink.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 22 in the series.Black paper around glass edges. Heavily painted. Image is of a man sitting at an easel, that's been set up outdoors, and he's painting a woman standing in nature. The colours are very vivid.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 38 in the series. Black paper around glass edges. Heavily painted. Image is of a man sitting at the reins of a horse drawn carriage.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 51 in the series. Black paper around glass edges. Heavily painted. Image is of a man holding a young boy in his arms. The boy's eyes are closed and the man is looking up to the sky.

Cyanotype image of a man feeding three chickens. Man wears a suit and hat. Inscription handwritten in pencil on verso "Breakfast time." Paper is very thin.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 55 in the series. The number 99-90 is scratched into slide in BRC. Black paper around glass edges. Heavily painted. Image is of an older man with a younger woman, holding onto his arm. The man looks up at the sky.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 24 in the series. Black paper around glass edges.Heavily painted. Image is of a man and young boy standing in a field, surrounded by a dog, deer, bear and sheep.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 44 in the series. Black paper around glass edges. Heavily painted. Image is of a man and woman speaking, flowers behind the woman.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 43 in the series. Black paper around glass edges. Heavily painted. Image is of a woman and man talking while a crowd watches, at Halloween dance.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 11 in the series. Black paper around glass edges. Heavily painted. Image is of a man and woman standing together underneath an arbour, that seems to be covering machinery of some sort. Perhaps woodworking machines?

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Slide is numbered 19 in the series. Slide is in a cardboard mount. Heavily painted. Image is of a woman and man standing together at a fence outside a house.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Made by Joseph Hawkes New York City." Slide is numbered 21 in the series. Black paper around glass edges. Heavily painted. Image is of an older man with white hair sitting at a table, with a dog standing on its hind legs, its front paws on the man's lap. In the BRC there's the numbers 99-218 printed on slide itself. More research shows that Joseph Hawkes worked in New York City and Brooklyn in the late 19th century, and he hand coloured slides. "He worked with the Brooklyn Museum's curator of fine arts, William Henry Goodyear, to reproduce images of archaeological and architectural sites in Europe as well as images of the Paris Exposition." (http://www.brooklynmuseum.org/research/digital-collections/lantern.php)

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 50 in the series. Black paper around glass edges. Heavily painted. Image is of a man standing in front of a big tree with no leaves, and a young boy laying on the ground with his head on a sheep's back.

Item is a carte de visite photograph of women dressed as witches stirring a cauldron from Shakespeare's MacBeth. Photographer's stamp on verso reads: "Wm. REEVIE / PHOTOGRAPHER, / BALLATER."

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 14 in the series. Black paper around glass edges.Heavily painted. Image is of a young boy sitting on a log with a baby sheep on his lap, a dog at his feet and a squirrel on his shoulder.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 13 in the series. Heavily painted. Image is of a young boy kneeling next to a deer, with a dog next to him, outside the house. He's next to three tree stumps. There are two other unidentified animals in the scene.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 64 in the series. The number 99-14 is scratched into slide. Black paper around glass edges. Heavily painted. Image is of a landscape view of a field with sheep in it, and lots of sky with clouds.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 62 in the series. The number 99-183 is scratched into slide, BRC. Black paper around glass edges. Heavily painted with pinks and blues. Image is of a landscape view of a canyon or pit.

Glass slide in wood frame. The glass slide is exposed, no protective covering. Missing the moveable part of the slide to make the illustration change. The black paint around the illustration is exposed. The illustration is a handpainted joker with a jester hat and costume, his tongue is sticking out and it looks like he's holding a big blank book that covers his body.

Brown-toned print mounted on brown mat with embosed border and striped pattern. Depicts interior of jewelry store, display cases, tin ceiling, three male clerks. Embossed Recto caption, bottom right: "Eagle Photo Co. Fall River Mass."

albumen print of painting. Mounted on card. Depicts mary and young jesus, Elizabeth and young John the baptist. God is looking down on the scene from cloud. Verso caption: "177 Madonna a von Sevilla v. Murillo."

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 7 in the series. Black paper around glass edges. Heavily painted. Seven people are standing inside a house, the room has a fireplace, bed, table with a staircase leading up. An older woman sits on the stairs, and the rest are standing. The man holding the suitcase, from earlier slides, is now inside with the others.

Brown card with thin gold border and a photograph of a drawing of two infants playing with an oversized paper fan with floral motif. At the bottom left of the image, an artist's signature reading "f. Dvorak 1887". At the bottom right of the image, an overturned bottle with decorative stopper.

This glass lantern slide is representative of personas from Imperial Militaria Germany (1871-1918). It has four portraits of men, they have been identified as Pope Leo XIII (1878-1903), Frederick III (Emperor in 1888 for 99 days, successor to William I and predecessor of William II), Helmuth von Meltke the Elder (Chief of Staff of the Prussian Army from 1822-1888) and Otto von Bismarck (Chancellor from 1871-1890). In the portrait of Frederick III, he is wearing the Order of the Black Eagle, which means he was Emperor in this picture. Since Frederick III only ruled in 1888, and the other three were either still in power or just retiring, we have tentatively dated the piece for after 1888. This year refers to the Year of Three Emperors, because it was the year that William I died, the year Frederick III ruled and died, and that William II took over as Emperor. The images are in colour, potentially colour halftone process on a glass slide. Just one pane of glass, printed on verso.

Item is a tintype of brick house with white front door, and trees out front. Tintype is brownish in colour.

Item is a tintype of a white clapboard house with a front porch on which three women are standing, posing for the camera. A tree hides the front of the house, and a road separates the camera from the subjects.

Photographic print on grey mat board. Depicts horse-drawn parade float, decorated with crest, watermelons, grasses, and children riders. Embossed recto caption, bottom left: "Dinkler, Chapman St. Greenfield, Mass." Verso inscription, pencil: "August #29." Image transfer from another platinum print.

border on print. Image depicts convertible on road in front of stone structure. Car marked "Hillman 1600." liscence plate reads "179-949 Ontario 1961." Verso inscriptions include cropping markings, "Hillman 1600 Deluxe." Verso caption, red ink stamp, "Ron Viskers, ARPS photography 168 Davenport Road WA 2-1227 Toronto 5, Ont, ref. no. ___"

albumen print of painting mounted on card. Depicts group of men drinking wine. Recto caption, bottom right: "J.P. Hasenclever, 1843." Verso caption: "Hasenclever: Die Wein Probe

albumen print mounted on dark brown shiny cabinet card. Depicts ornate flower arrangement with letters spelled out in berries ("EMMA?") It is shaped like a harp and contains one large calla lily. Recto caption: "Edy Bros. 214 Dundas St. London Ont." Verso inscription "4.00"

Item is an unmounted, hand-coloured tintype of a man and woman, both sitting and looking directly at the camera. The woman wears a dress buttoned down the front, with a white lace collar. The man wears a dark suit, with jacket and tie.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 39 in the series. Black paper around glass edges. Heavily painted. Image is of people dancing at a halloween party. The room is decorated with jack-o-lanterns hanging from the ceiling.

Item is a cyanotype image featuring a portrait of a man dressed in the Canadian Navy uniform, on his hat is written H.M.C.S. He stands in what looks like the back yard or garden of a house. Paper is very thin.

Item is an unmounted group portrait of four men and one woman sitting in a car. It is believed to be a Ford Model A car dating from 1903 which is how the photograph is dated. All four men are wearing bowlers hats, and suits with jackets and ties. Woman is wearing a large hat with flowers. Man behind wheel and another in backseat both have mustaches. Studio backdrop. Black band across top of image.

Item is an uunmounted studio portrait of three women. One is standing, one is perched on a stool, and one is sitting on the ground. All three have hats, two are wearing them, and one is holding it in her hands. All wear black dresses, two have purses. There's an umbrella leaning on stool. Cheeks are tinted pink. Given their clothing perhaps they are in mourning. All four corners are angled off.

Item is an unmounted group studio portrait of six children set agains a landscape background. Four children in front are seated,and two stand behind. Two seated on the same chair on the right appear to be toddlers. The two standing behind, one girl & one boy, are older than the rest. The girls wear dresses with big white lace collars, very fashionable in children's fashion from the 1870s. All four corners are angled off.

Cream card-frame with red vignetting and details. Backing is pink cardboard that folds out, and looks like it is the page of an album. Tintype is a group portrait of seven young women, four sitting and three standing. All the women have white bow in their hair and white lace collars that date this photograph from the 1880s. Studio backdrop used, and you can see where it ends up top. Perhaps this is a class photograph, as they are similarly dressed. Or possibly housemaids?

Item is an unmounted group portrait of four women and four men. All four women wear hats and dresses with puffy sleeves in keeping with fashion of the 1890s. Men wear sutis with jackets and vest with chain watches. Two top corners angled off.

Item is an unmounted studio portrait of four women. Two are sitting, and two stand between the seated ones. All cheeks have been tinted pink. They are wearing fitted dresses with skirts looping in front, narrow sleeves and high collars, most wear a brooch at the throat. Style is suggestive of 1880s fashion. Hair is up, with curled bangs. All four corners of tintype are angled off.

Item is an unmounted group portrait, outdoors but with studio backdrop set up, two men sitting on the grass and two in chairs. In front of the men, is an 'x' made of wood used to hold up a rifle. All men wear vests, hats and sport mustaches. Man on right, on grass, is holding a pipe. Man on right, sitting on backwards chair, has a chain watch. Top and bottom left corners are cut at an angle.

Item is an unmounted studio group portrait of five men, three seated and two standing. All men are wearing suits with jackets, white shirts and ties. They all have mustaches and beards. Background of house and trees.

Item is an unmounted studio group portrait of five men, three seated and two standing. Two of those seated have legs crossed, the other is seated on an armrest. Man standing behind seated man on armrest, has his hand on his shoulder. Two of the faces are blurry from movement during exposure. One man on left and centre man (both seated) have handkerchief in breast pocket. All are wearing suits, with jakets and vest, bowties, hats and chain watches. Top left corner is angled off.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 37 in the series. Black paper around glass edges. Heavily painted. Image is of a group of people standing together outside the house, with the young boy still kneeling and sheep at his feet.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 59 in the series. Black paper around glass edges. Heavily painted. Image is of an outdoor barn scene, people in carriages and on horses, standing around looking at one man talking on a bridge. The group has their fists raised in the air.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 29 in the series. Black paper around glass edges. Heavily painted. Image is of a crowd of people watching one man load a bag of something, slung over his shoulder, onto a carriage. Looks like there's a steam train or engine behind him.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 61 in the series. Black paper around glass edges. Heavily painted. Image is of an outdoor barn scene, people in carriages and on horses, standing around one man who is laying on the ground, his head resting in a woman's lap.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 66 in the series. Black paper around glass edges. Heavily painted. Image is of a group of people outside a barn, some in horse drawn carriages, others are just standing, but all are looking very happy. One man standing on bridge, with both arms raised to the sky.

Item consists of a school portrait of a teacher with 9 children, female, approximately 6-8 years old. At side of the card, embossed, "Charles Ottomann Jr./ WELLESLEY, ONT." On verso, handwritten in pencil, "RARE - SPECIAL GOD'S CHILDREN/ $10.00 C 1898".

albumen print of painting mounted on cabinet card. Depicts town harbour. Recto captions: "Griefswald, Verlag von Kruger; S Komoranek, Griefswald Langefuhr Str 25. Griefswald Un Fahr 1552". Verso inscription "100 #3".

glossy gsp with white border depicting golden gate bridge during construction. Signage on the bridge reads: "Bethlehem Stell Company"; "Barrett & Hi…"; "Golden Gate Bridge."

photograph of painting, mounted on card. Depicts numerous people in interior palace setting. Main two figures are giving and receiving a book. Verso caption: "364. Gluck uberreicht Maria Antonette eine neue Oper."

Lantern slide, wood frame with glass positive B & W slide. Sticker on wood frame with the letter Y written on it. Handwritten in ink on a sticker on the slide "4123..." the rest of inscription is impossible to decipher. Image is of a mountain and glacier.

matte gsp mounted on thin white paper, mounted on larger green mottled card. Depicts a brick-paved street in a town. The street is lined with stores with German signs, and a church steeple can be seen over the roofs. Signs read: "farberei," Ludwig Brummer," Gasthaus Goldemen Lowen Hermann Puls." No inscriptions.

matte gsp with white border, mounted on mottled green card. Depicts a narrow street with steeple/clock tower in background.

Matte print with white border, mounted on green mottled card. Depicts a line of stores/houses along a street in what looks like Germany. No inscriptions.

Matte print with white border, mounted on green mottled card. Depicts a line of stores/houses along a street in what looks like Germany. Several overlapping rooflines with tile roofs. No inscriptions.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 27 in the series. Black paper around glass edges. Heavily painted. Image is of four women sitting on a bench, outside a house. One woman is smoking a pipe. They are all looking the same way, as though watching something "off screen."

Item consists of a black matt with five oval openings and a portrait in each. All five portraits are of the same woman, in different poses. In two of the portraits there is a parasol behind the woman, in one she is holding a top hat, in two others she is looking away from the camera. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw." Same design as 2008.001.1891.

Item consists of a black mat with five oval openings and a portrait in each. All five portraits are of the same young boy, in different hats, but same suit. The last image is one of him, with no hat. He wears a cowboy hat, a military cap or fez hat, a top hat and a boater hat. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw."

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 47 in the series. Black paper around glass edges. Heavily painted. Image is of five men standing outside, four looking at the fifth one. Looks like it is the two men from the fight in previous slide 2008.001.1333

Lantern slide, glass B&W slide in wood frame. Image framed in black. Sticker on wood frame with a Y. Black with gold lettering "C.T. Milligan, Magic Lantern Manuf'r No. 728 Chestnut Street, Philadelphia, Pa." Image of a field with a stone wall, and ruins of walls, with arched doorways or openings.

CDV size card with albumen image. Image is an illustration of a horse jockey - man is dressed in riding gear, with the whip. He wears a bowler hat.

Lantern slide, glass B&W slide in wood frame. Image framed in black and gold. Printed on slide "C.T. Milligan, Magic Lantern Manuf'r." Sticker with Y on it. Image of a white building with dome and pillars, with large lawn.