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Carte de visite album

Leather bound album with gold trim and the title "ALBUM" printed on spine. Metal clasp. Thick cardstock pages coloured light blue with openings for inserting cartes de visite. Sparsely populated by card photographs from Notman Studios and others in Ontario and Quebec.

Watercolor outfit

Watercolour outfit for hand-colouring photographic prints. The tan cardboard box has a tan label printed with black ink: "VELOX TRANPARENT WATERCOLOR STAMP OUTFIT." Included in the box is a plastic palette and an instruction booklet with colour stamps separated by vellum sheets labeled: "LIGHT YELLOW, FOLIAGE GREEN, DEEP YELLOW, DEEP GREEN, FLESH TINT, LIGHT BLUE, BRILLIANT RED, DARK BLUE, SCARLET, VIOLET, WARM BROWN, STONE GRAY." There is an empty tray for brushes.

Canadian Kodak Co., Limited

No. 1A Gift Kodak

Item consists of a No. 1A Gift Kodak folding camera. This was a special version of the No. 1A Pocket Kodak Junior camera with an early Art Deco design by industrial designer Walter Dorwin Teague to target a female market audience. The camera has a genuine brown leather trim with metal decorations on the door and faceplate on the shutter. It is a fixed focus model that uses type 116 roll film to take 2.50 x 4.25 inch exposures and has a meniscus achromatic lens. The camera can take instantaneous exposures and time exposures depending on the setting. This gift model was originally priced at $15.00.

Autographic No. 1A Kodak Junior

Item consists of an autographic No. 1A Kodak Junior camera. It uses 116 film to make 2.5 x 4.25 inch time or instantaneous exposures. The camera has an achromatic meniscus lens and an aperture scale from f8 to f45.2. The bellows are adjusted to focus an have a pointer on a 6 to 100 feet scale.

No. 3A Autographic Kodak Model C

Item is a black leather-covered folding camera for 3 ¼" x 5 ½" exposures on 122 roll film. The camera has black cloth bellows and brilliant viewfinder. The original sale price of the camera was $50.50 USD.

No. 2C Brownie camera

Item is a fairly large box camera, for 6 7.5 x 12.7 cm (3 x 5") exposures on Kodak 130 film. Simple lens and rotary shutter.

Bullet Camera

Item is a mass produced Bakelite camera for 127 film format, designed for Kodak by Walter Dorwin Teague. Simple lens on helical extension tube, only one shutter speed. Collapsible frame viewfinder on top of camera. Red film counter window on back.

No. 2A Brownie, model C

Item consists of a No. 2A Brownie box roll film Model C camera. Manufactured by the Canadian Kodak Co. Ltd. between 1930 and 1936. Used No. 116 film. Picture size 2 1/2 x 4 1/4. Has a meniscus lens and rotary shutter. Case removed for loading by releasing two pivoted catches and pulling out winding key.

Brownie No. 2A Model B

Item consists of a Kodak No. 2-A Brownie Model B box roll film camera. It used size 116 film and made a picture 6.4x10.8cm. The camera has a leatherette covered card body, a metal film carrier, and two reflecting finders. Case can be removed for loading by releasing 2 pivoted catches and pulling out the winding key. Patented by Eastman Kodak Company in Rochester, New York and manufactured by the Canadian Kodak Company Limited in Toronto, Ontario.

Kodak Duaflex Camera

Item consists of a red Kodak Duaflex camera. It is an example of the first model of Duaflex cameras, made in Canada. Camera is black and silver with a Kodet lens. It uses 620 roll film and is a pseudo twin lens reflex camera.The style of camera became popular during the 1950s and 1960s to imitate the look of professional TLR cameras, such as the Rolleiflex, but as opposed to a reflex finder with a ground glass indicating the focus, the Kodak Duaflex II has an oversized brilliant finder with a fixed focus.

Brownie No. 2 Model F

Item is Brownie No. 2 Model F box camera that used 120 film to make pictures 5.7 x 8.25 cm in size. It has a leatherette covered aluminum body and a simple lens with 3 aperture settings and a rotary shutter.

Brownie Holiday flash camera

Item consists of a Brownie Holiday Flash camera. It features a Dakon lens and brown bakelite body. Viewfinder camera for use with 127 film.

Rainbow Hawk-Eye No. 2 Model C

Item is a metal box camera with red leather covering, for 2.25" x 3.25" exposures on roll film. This camera was manufactured by the Eastman Kodak Company in Toronto, Ontario and is No. 120 of the series.

Kodak Ektralite 500

Item consists of a Kodak Ektralite 500 camera. It is a 110 cartridge compact viewfinder camera with automatic flash. Black body with hinged cover that can be used as camera grip. Features a Kodak Reomar 22mm lens. Uses 9-volt alkaline battery.

Kodak Pocket Instamatic 60 Camera

Item is an Instamatic film camera for 13 x 17mm negatives with 110 film cartridges. Features a 26mm, f2.7 Ektar lens and magicube flash shoe. Shutter is an electronic leaf with speeds of 10 seconds to 1/250. This model has a silver body. Original sales price, $28.00.

Pony 135, model C

Item consists of a Kodak Pony 135 Camera, Model C. It has a Kodak Flash 300 Shutter 1/25-1/300, a 44mm f/3.5 Kodak Anaston Lens and uses 135 film format. It features a faster shutter and a shorter focal length to previous models. The body is made of brown Bakelite. Above the lens is an aperture scale for Kodachrome and Ektachrome films.

Canadian Kodak Co., Limited

Ted Bagley and Len King with motion picture film

Item consists of a black and white photograph featuring an image of four men with part of the stock of motion picture film at the Kodak North Vancouver Processing Lab. Description reads: Ted Begley and Len King, Processing Service, With Part of the Stock of Motion Picture Film Kept for Pickup by Local Cinematographers.

Kodak Canada Inc.

Kodak T.S.R. Demonstrating half tone calculator

Item consists of 1 print featuring an image with the description:
Penni Adams (left), president of Penograph Company, and Eddie Eng, production manager of Dayon Lithographing, receive pointers on the use of the Kodak hanftone calculator from David Fleury, a Kodak Canada Technical Sales Representative, during a recent graphic arts seminar in Toronto.

Kodak Canada Inc.

Process C-41 hot air balloon Calgary Winter Olympics balloon festival

File contains photographs of the Kodak hot air balloon at the Kodak Balloon Festival in Calgary Alberta, 1988. Caption with photograph reads: "Kodak Balloon Festival Calgary 88--One hundred and fifty brightly coloured hot air balloons from around the world will dot the Calgary skies from February 14-23 to heighten the festive atmosphere surrounding the Winter Olympics. Randle Taylor, a Kodak dealer from Toledo, Ohio, built the balloon to resemble a giant roll of Kodacolor VR-G film."

Kodak Canada Inc.

Hospital for Sick Children cheque presentation

Toronto, Ontario Mr. Robert C. Kirk (left) Manager of Graphics Imaging Systems, Kodak Canada Inc., presents a cheque in the amount of $5,00 to Ms. Jane Hawtin from Radio Station CKFM who accepts it on behalf of the station's Childrens fund. In turn Ms. Hawtin gives the cheque to Mr. Claus Wirsig, President of the Hospital for Sick Childrens Foundation. The presentation was made in recognition of the Hospital's outstanding work in the health care of young people. Robert Lansdale Photography

Kodak Canada Inc.

Kodak window displays, Christmas 1965

File contains images of Kodak products piled as Christmas presents, such as the Instamatic M4 and the complete Super 8 home movie outfit, beneath a 'Season's Greetings' picture with hand drawn signs that have slogans like 'open me first' or 'gift idea'. One image features flash cubes hung like snow flakes. For colour prints see 2005.001.06.05.050.

Kodak Canada Inc.

Kodak Heights and Kodak Brampton aerial views

File contains many duplicates of two views of Kodak Canada Inc. Brampton location that appear to be from the 1980s. Also, there are a number of views of Kodak Heights that appear to be from the 1960s. Additional prints feature views of the Kodak Processing Laboratory. One print, featuring a painted image by H.H. Angus & Associates Ltd. (engineers) and Allward & Gouinlock (architect) is housed with a caption that reads: Canadian Kodak's new processing laboratory will be the second major building at the company's new 200-acre property near Brampton, Ontario. A final print is a contact sheet featuring images of employees sitting around a computer monitor.

Kodak Canada Inc.

Vancouver, 131 Water Street / Gaslight Square

Project 200 was an initiative to restore Vancouver's most rundown areas. This project complete by 1975, is a 3 building complex that maintains the continuity of the street's facades. Shops are located on the ground level with offices above. The 6 oriel windows are a unique addition to the brick facade.

Canadian Architect

Vancouver, 4001 Mt. Seymour Pkwy

Winner of 1974 CHDC. Jury comments: "Sensitivity to form, exellent siting with good circulation combine to create both unit and community scale very appropriate to the setting. Neighbourhoods are visually identified by use of colour changes. Although these houses are attached, there isa walkway from front to back for each unit plus a separate basement entry.

Roaf, John

Vancouver, 7235 Arbutus Place

Winner of Award for Residential Design 1971. Owner: Mr. & Mrs. HP Brasso. Extract from jury report: "A large house on a magnificent site... the planning, materials and form are well used to support the grand nature of the interior spaces and vistas to the sea".

Fulker, John

Vancouver, Bank of Canada

The building is 58.9 m.high with 15 stories. The exterior of the building is clad with precast finished with concrete panels and
columns. Bronze was used for all building metals. The Greek cross floor design allows for six corner offices per floor.

Fulker, John

Vancouver, 550 W Hastings st.

This large scale model built by Stephan Dye of Grafotto Studios Inc, is the proposal for the 550 W Hastings renewal of the original Toronto Dominion temple bank. The project includes a 400 room hotel and shopping complex. Alternative name is bank charrette. A proposal drawing of the interior and exterior view of 550 W Hastings st., Vancouver BC. This heritage building is originally the Toronto Dominion bank. It was originally to be demolished however the Heritage Committee of Vancouver sought to rescue the facade of this bank and incorporate it into a project that would include a shopping complex and a 400 room hotel.

Spectva Colour

Vancouver, Bayles house

Credit photograph to Fred S. Schiffer, Fellow of the Royal Photographic Society.
The architect was inspired by the Japanese style SUKIYA, which means to bring harmony to a composition of disparate materials found in the rough.

Schiffer, Fred S.

Victoria, BC Legislature

1893 Legislative Buildings, Victoria, B.C
British High Victorian Gothic, mid-nineteenth century Italianate and American Richardsonian Romanesque styles.
Three photographs depicts the House of commons before renovation.

Fulker, John & Barnard

Bowen Island, residence

This folder consists of photographs of the Bowen Island residence. Situated on two acres of a rocky island near Vancouver, the house consists of four connecting pavilions, design to give privacy to the owners while accommodating servants, guests and grandchildren. The design is Massey Medal winner of 1965. The review article was published in Canadian Architect in February 1965, p. 55. There are some B&W photos and a drawing plan of the residence.

Pullan, Selwyn

Whistler, Chateau Whistler Resort

Folder contains three photographic prints of the Chateau Whistler Resort. CAPTION verso:
An artist's impression of what the Chateau Whistler Resort will look like when it opens in late 1989 at Whistler, BC. Canadian Pacific Hotels Corporation is investing $50 million in construction of the 400 room luxury resort facility. It features a year round resort hotel. Chateau Whistler Resort's facilities inclde four outdoor and two covered tennis courts, indoor and outdoor swimming pools and other recreational facilities, including plans for an 18 hole golf course.

Canadian Architect

Vancouver, East Asiatic Centre

The East Asiatic House, built in 1963 at 1201 West Pender Street in Vancouver was architect Gerald Hamilton's first largescale exercise in New Formalism. Hamilton broke away from the typical single slab tower, instead framing a low banking pavilion with two adjoining office blocks. Sculptural wall panels of white marble create a richly textured effect and seem to float above the emerald green arched columns of the ground floor. The building's raised podium allowed an intimate front courtyard several feet above street level, the sense of calm repose accentuated by extensive plantings, fountains, and the requisite abstract sculpture.

Fulker, John

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