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Canadian Centre for Architecture Exhibition Photos: "Dieter Appelt : La catastrophe des choses/ The catastrophe of things"

Images in the exhbition featured the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by confronting the surfaces of the wooden beams, he has photographed the attic in such a way that it becomes a new reality, marked by the corrosive signs of passing time. Photographs of images in the exhibition: No. 3, 5 and 14 from the sequence Bethanien, 1984-91.

Appelt, Dieter

Canadian Centre for Architecture Exhibition Photos: "Surface du Quotidien : La Pelouse en Amérique/ The American Lawn: Surface of Everyday Life"

The American Lawn is the fifth and final exhibition in the series The American Century, which seeks to cast a fresh eye on critical aspects of modern America’s architectural culture – its promises and disappointments, its roots and offshoots, its unparalleled worldwide impact. Other exhibitions include Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960 (1995); Frank Lloyd Wright: Designs for an American Landscape, 1922–1932 (1996); Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James (1996); and The Architecture of Reassurance: Designing the Disney Theme Parks (1997). Among the objects and documents displayed in the exhibition are Space Age lawnmowers, lawn ornaments, stereoscopic photographs of the “border crossings” between lawns, excerpts from the cinema of the lawn (such as Blue Velvet), vintage television footage of protests on the Washington Mall, sports shoes with high-tech cleats and patented grass. Photographs in the file include College Station, Texas; Grounds of Mrs. Harold W. Hacks, Short Hills, New Jersey and Weyerhauser Corporate Headquarters. The exhibition ran from June 16 - November 8, 1998 and was curated by Beatriz Colomina, Elizabeth Diller, Alessandra Ponte, Ricardo Scofidio, Georges Teyssot and Mark Wigley with Mark Wasiuta and Gwynne Keathly.

Stoller, Ezra

Mrs. Roe

Item is a small portrait of woman mounted on a larger grey card. Stamp below photograph reads, 'Phillips Square, Montreal Wm. Notman & Son'. Inscription in blue ink on back of card reads, 'My grandmother Mrs. Roe'. Inscription in pencil reads, '146320'.

William Notman & Son

Composite group portraits

Item is a cabinet card composite portrait of approximately 88 men. Black ink circles eight of these portraits. Inscription to the left of photograph reads, 'Paris - 1895? (illegible)'. Text below photograph reads, Wm. Notman & Son - Montreal'. Text on back of card reads, 'W. Notman Montreal 1876'.

William Notman & Son

My grandmother

Item is a cabinet card portrait of woman. Inscription in blue ink on back of card reads, 'Think this is my grandmother Emily Godard, Mrs. Alfred Roe when young E.V.O.'. Gold text on back of card reads, 'W. Notman, Montreal Branches at Toronto and Halifax'

William Notman & Son

Portrait of a balding man in a suit

Item is a portrait of a man, possibly affiliated with the Stanley Cup. It is mounted on brown card in a folding paper housing. Inscription in black ink below photograph reads, 'From Uncle Curly'. Inscription in pencil below photograph reads, 'Selby'. Embossment below photograph reads, 'Rice Montreal'.

Rice Studio

Cours Mont-Royal (Mont-Royal Hotel)

Illustration of the exterior of the building and interior view, looking up towards the glass ceiling. Originally the site of a 1046 room hotel built by Ross & Macdonald. Renovated in 1989 by Arcop Group into a mixed-use complex with condominiums, office space and retail/restaurant space. The renovation preserved much of the exterior.

Montreal, Le 2000 Peel

Artist's conception of the office complex at the corner of Peel Street and Maisonneuve Boulevard. The building was designed to be the world headquarters of the International Air Transportation Association.

Westmount, Temple Emanu-El-Beth Sholom

Photographs of the interior and exterior of the temple, with details of decoration in sanctuary. The building was completed in 1959 after a fire destroyed the previous building built in 1911. The new building, Temple Emanu-El, and its sanctuary were dedicated on Friday, April 22, 1960. In 1980 Temple Beth Sholom, a sister congregation, was united with Temple Emanu-El to form the present Temple Emanu-El-Beth Sholom congregation.

Wright, Bruce

Montreal, Expo 67, Habitat 67

Before and after construction views of Habitat. Interior views show examples of dwellings. Views at land and aerial level. Example of living and dining areas of one of ther unit by Francisco Furniture Ltd. Photographs of architect drawings and a shot of a model for Habitat.

Jowett, Henry Roger

Portrait of three girls in matching dresses

Item is a beige card with embossed frame around photograph of three young girls, seated on a bench. The youngest is perched on the edge and wears a large bow in her hair. At bottom right of card, a red stamp with decorative wreath surrounding the initials "A B" is followed by the text "A. Brien/ 640 W. NOTRE DAME/ MONTREAL." On verso, in pencil, "[illeg] gilt(?)" and "6 x 9".

Brien, Anthole

UK and France album

Brown fabric cover with gold embossing. Gold finish on edges of pages. Spine and bindings missing. White pages with notations in pencil. Gold initials "MRTB" on title page. Photographs mounted with glue.

Other items mounted to pages include postcards, newspaper clippings about Stonehenge and other rock monuments,
Loose items include "Bain's Map of the Country of Nairn" (partly torn).

Sites and locations include: Roman Arena; Nice, France; Nairn River; Brodie Castle; Inshoch Castle; Pict and Scot War Stone; Queen's Head in Burley.

Themes include: scenic views and vistas, landscapes, some architecture images of churches and castles, harburfronts.

Stereographs, Complexes (Buildings and Sites)

2 stereoscopic photographs by Keystone View Co.
4 stereoscopic photograph by Underwood & Underwood
1 stereoscopic photographs by Kilburn Brothers, 3 in association with James M. Davis
4 stereoscopic photographs by Strohmeyer & Wyman
1 stereoscopic photograph by AM. Mutoscore & Biograph Co.
1 stereoscopic photograph by W. Tylar
1 stereoscopic photograph by Stereo-Travel Co.
1 stereoscopic photograph by J. F. Jarvis
1 stereoscopic photograph by C. Degoix
29 stereoscopic photographs by unidentified publishers
2 series of stereoscopic photographs (1 on Sears Roebuck & Co.; 1 on T. Eaton Co.)

Universite de Montreal

File contains a certificate and a letter sent by L'Universite de Montreal Rector Guy Breton, Chancellor Louise Roy, and Secretary General Alexandre Chabot to commemorate President Lachemi's installation.

Concordia University

File contains a letter, and a certificate from Chancellor Jacques Menard, Vice-President External Relations and Secretary-General Bram Freedman, and President and Vice-Chancellor Alan Shepard to Ryerson University to commemorate Chancellor Bloomberg's installation.

Universite de Montreal

File contains a letter, and a certificate signed by Rector Luc Vinet and the Secretary General on the occasion of the installation of G. Raymond Chang as Chancellor.

Canadian Centre for Architecture Exhibition Photos: "Cités de l'Archéologie Fictive : Oeuvres de Peter Eisenman, 1978-1988/ Cities of Artificial Excavation: The Works of Peter Eisenman 1978 - 1988"

Photographs of the exhibition installation as well as images of the architectural plans and finished buildings featured in the exhibition. This exhibition focused on Eisnman's drawings and models for four key works: submission to the International Design Seminar in Cannaregio Venice, Italy (1978); the submission to the South Friedrichstadt housing competition of the Intrernationale Bauausstellung, Berlin (1980-81); the project for the University Art Museum for California State University in Long Beach (1986); the submission Choral L. Works for the Parc de La Villette, Paris (1985-86).The exhibition was curated by Jean Francois Bédard and ran from March 2 - June 19, 1994.

Professor with long beard

Item is a cabinet card of a professor with a long beard. Imprint below photograph reads 'Kellie and Co. Portraits', illegible inscription on surface of photograph. Inscription on verso reads, 'From Prof. Duchariue to his pupil Florence L. Roe Dec 26th 1893. 900 Dorchester St Montreal'.

Kellie and Co. Portraits

Man and woman on sled

Item is a cabinet card of a man and woman on a sled. Text below photograph reads, 'Summerhayes & Walford, Montreal'. Text on verso of card reads, 'Summerhayes & Walford Photographers, Montreal'. Illegible inscription on verso.

Summerhayes & Walford

John Doolittle White

Item is a carte de visite portrait of a man. Black type on back reads, 'N.C. Lalonde Photographer, 18 St. Lawrence St. Montreal.' and 'In case of demand the Negative is preserved'. Inscription in pencil on back reads, 'John Doolittle White died 1870 at 89'

N.C. Lalonde

[Notman winter scene]

montage of images on cabinet card, depicting winter scenes and portraits. Central image is an ice palace. Many are group/ composite photos. Recto captions: "Wm. Notman & Son. Montreal". Verso inscription in gold, "Wm. Notman Montreal, -oni soit qui mal-, Photographer to her Majesty, also at Toronto, Halifax, Ottawa & St. John. N.B. (etc.)"

William Notman & Son

Colisée du Québec, Québec

Photograph of the coliseum after renovations in 1982. A sticker on the back of the photograph reads: "Distinction en architecture 1982/ L'agrandissement du Colisée du Québec/ Bégin et Rodrigue/ Photo: Jocelyn Huard"

Huard, Jocelyn

Montreal, Le Drug

Photographs of the interior of the shop and entranceway. Le Drug was a multipurpose building that also functioned as a popular theatre, dance hall, art museum and caffe in Montreal's art scene.

Martinez house, Saint-Bruno

Photograph of the exterior, side-view, in winter. A sticker adhered to the back of the photograph reads: "Distinction en architecture 1982/ La résidence Martinez-Camps/ Jorge Martinez-Camps"

Montreal, Les Terrasses

Views of the exterior of the building and the entrance. Les Terrasses was a shopping mall that operated from 1975-1983. Centre Eaton de Montréal opened on the site in 1991. A stamp on verso gives the project name as "Les Terrasses," the Architectural firm as Webb, Zerafa, Menkès, Housden, and the Proprietors as Rose Quebec Ltd. & First Quebec Corporation, D.W.S. Holdings & Gerald D. Hines & Interests.

Montreal, Monastère du Bon-Pasteur

Aerial view of the buildings. A sticker adhered to verso reads "The Monastère du Bon-Pasteur/ Montreal, QC/ Grand Prize/ The Montreal Trust - Credit Foncier Award". The monastery, the main building on the site, was built to house the Sisters of the Cornmunauté de Notre-Dame du Bon-Pasteur d'Angers, who came from France in 1844 at the behest of Mgr Bourget. Today the Bon Pasteur siteis a multipurpose complex, combining housing, cultural amenities and services, etc.

Westmount Square

Exterior view of office buildings within Westmount Square, Montréal. The four buildings, two of which are residential, were designed by architect Ludwig Mies van der Rohe. The complex opened on December 13, 1967. (www.wikipedia)

Jowett, H.R.

Montreal, Cormier House

The house Cormier built for himself (1930-31) in the Golden Square Mile, an elegant Montréal neighbourhood. Cormier experimented with a variety of styles in the house: Art deco on the facade, monumental on one side and more modernist in the back. Cormier created most of the furniture, with remaining pieces acquired at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris

Merrett, Brian

Portrait of man

Item is a portrait of man. Text below photograph reads, 'Wm. Notman & Son - Montreal'. Text on back of photograph reads, 'W. Notman, also at Toronto, Halifax, Ottawa, & St. John, N.B.'

William Notman & Son

Montreal, Expo 67, Scandinavian Pavilion

Photograph of the mechanized ramps designed to move people within the pavilion. Canadian Architect Magazine published this image in the May 1967 issue. The building was designed by architects representing Denmark, Finland, Iceland, Norway and Sweden.

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