Ottawa, National Gallery of Canada
- 2009.002.198
- Dossier
- [June] 1987; [February] 1984; [March] 1984
Fait partie de Canadian Architect magazine fonds
Interior and exterior views, including construction views.
Day, Fraser
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Ottawa, National Gallery of Canada
Fait partie de Canadian Architect magazine fonds
Interior and exterior views, including construction views.
Day, Fraser
Fait partie de Canadian Architect magazine fonds
View of construction.
Fait partie de Canadian Architect magazine fonds
Photographs of the interior of the shop and entranceway. Le Drug was a multipurpose building that also functioned as a popular theatre, dance hall, art museum and caffe in Montreal's art scene.
Fait partie de Canadian Architect magazine fonds
View of the entrance of the building including details of extarior and interior, main lobby, staircase and Henry Moor Gallery. Contains images of models for the façade [196-?]. Images from two exhibitions can be found in the collection: "Contemporary Furnishings" from 1958, showing Walker Court with chairs and items from local stores, and "The Bauhaus: 50 Years" from 1970. With 45,000 square metres (480,000 sq ft) of physical space, the AGO is one of the largest art museums in North America.
Applied Photography Ltd.
Fait partie de Canadian Architect magazine fonds
Exterior view of the main entrance to the gallery which was located on Yonge Street in Toronto, showing glass door and stucco walls.
Reeves, John
Baas studio gallery, 322 King street west, Toronto
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View of entrance lobby, with couch and reception desk. The studio is owned by Barb McLeod, who specializes in 2 and 3 dimensional fibre art. The Gallery space was owned and operated by Barb McLeod and Drew Easterbrook from 1981-1990.
McLeod, Barb
Fait partie de Canadian Architect magazine fonds
Interior and exterior views of the gallery and conservatory, including patron entrance and lobby, and galleries.
Kalen, Henry
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Interior views of exhibition space, library and reception areas located at 401 Richmond Street in Toronto.
Fait partie de Canadian Architect magazine fonds
Images in the exhbition featured the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by confronting the surfaces of the wooden beams, he has photographed the attic in such a way that it becomes a new reality, marked by the corrosive signs of passing time. Photographs of images in the exhibition: No. 3, 5 and 14 from the sequence Bethanien, 1984-91.
Appelt, Dieter