File consists of 2 indivudually packaged rolls of 400 ISO 12 exposure, and 1 individually packaged 400 ISO 24 exposure Kodak Gold Max Maximum versatility film for coluor prints. Develop before dates are 03/2000 to 11/2000.

Item is an individually packaged roll of Agfa High Definition Color ISO 200 35 mm film with 15 exposures. Develop before date is 09/2002.

Fonds consists of reports, meeting minutes and other CJRT executive records, clippings, moving images, and photographs accumulated or created by Twomey during his tenure at Ryerson.

Fonds consists of posters, books, programmes, and articles authored by Elder or related to his career in film.

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1996-1997 academic year. The Deepa Mehta lecture was recorded in both audio and video formats, the Diana Thorneycroft lecture was recorded in audio only, and the Robin Collyer, Timothy Druckrey, and Perry Hoberman lectures were recorded in video only. The lecture schedule was as follows:

Diana Thorneycroft (American photographer), January 23, 1997
Deepa, Mehta (Canadian filmmaker), February 6, 1997
Robin Collyer (Canadian photographer and sculptor), February 20, 1997
Timothy Druckrey (American writer and curator), March 13, 1997
Perry Hoberman (American installation artist), March 27, 1997

Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1995-1996 academic year. No recordings exist for the Lily Koltun lecture. The lecture schedule was as follows:

Krzystzof Diczko, Polish American experimental artist: September 22, 1995
Michael Mitchell (introduction), Film Screening: Henri Cartier Bresson, by French photographer Sarah Moon: October 13, 1995
Joseph Blasioli and Victor Malafronte, Canadian filmmakers "Paparazzi and the Cut of Celebrity": October 20, 1995
Lily Koltun, Canadian curator "Canadian Photo History" ( Concurrent with exhibits of former Speaker's work at the Stephen Bulger Gallery January 13 - 17): January 12, 1996
Lorraine Monk, Canadian photographer: February 2, 1996
Nancy Burson, American photographer: February 16, 1996
William Eggleston , American photographers: March 22, 1996

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1997-1998 academic year. Lectures were recorded in both audio and video formats, with the exception of the Vincent LaVoie lecture, which is only available in audio. The lecture schedule was as follows:

Jochen Gerz (German conceptual artist), December 12, 1997
Julian Cox (American curator) on Julia Margaret Cameron (UK photographer), January 30, 1998
Vincent LaVoie (French Canadian historian), February 5, 1998
Laurie Simmons (American photographer and filmmaker), March 6, 1998
Ed Burtynsky (Canadian landscape photographer), March 20, 1998
Jeffrey Shaw (Australian media artist), April 3, 1998

Series contains audio recordings of 8 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1998-1999 academic year. Lectures were recorded in both audio and video formats, with the exceptoin of the David Plowden, scheduled for January 29, 1999, whic was cancelled and no audio or video is available. The lecture schedule was as follows:
Adam Fuss October 23, 1998
William Ewing October 23, 1998
Carolee Schneeman November 13, 1998
Larry Fink November 20, 1998
Sophie Ristelhueber January 21, 1999
David Plowden January 29, 1999 (cancelled)
Donigan, Cumming March 5, 1999
Thomas Roma May 5, 1999

Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. A lecture by Jeremy Podeswa, scheduled for February 16, 2001, was cancelled and is not included in the recordings. The lecture schedule was as follows:

Martin Parr (UK photographer), October 13, 2000
Daniel & Geo Fuchs (German photographers), October 27, 2000
Ernie Gehr (American filmmaker), November 11, 2000
Abelardo Morell (American photographer), November 17, 2000
Stan Douglas (Canadian photographer & installation artist), January 18, 2001
Robbert Flick (American photographer), February 9, 2001
Steven Mann (Canadian computational photographer), March 16, 2001

Series contains audio recordings of 4 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2005-2006 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Mariko Mori (Japanese photographer), October 7, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/488.aspx
Fiona Tan (Australian-Dutch film and video installation artist), January 27, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/490.aspx
Chris Buck (Canadian portrait photographer), March 10, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/491.aspx
Steve Schapiro (American documentary photographer), April 7, 2006 Stream online: https://ryecast.ryerson.ca/48/Watch/492.aspx

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2003-2004 academic year. Lectures were recorded in video format and the schedule was as follows:

Sultan, Larry (American photographer), October 24, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/500.aspx
David Cronenberg (Canadian filmmaker), November 7, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/501.aspx
Jemima Stehli (UK photographer), November 14, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/502.aspx
Max Dean (Canadian installation artist), January 30, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/503.aspx
Lauren Greenfield (American documentary photographer and filmmaker), March 5, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/505.aspx
Andres Serrano (American photographer), March 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/506.aspx
Shirin Neshat (Iranian filmmaker), March 19, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/507.aspx

Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2006-2007 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Jeremy Podeswa (Canadian film and television director), January 26, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/482.aspx
Joanna Berzowska & SX Labs (Concordia University), February 23, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/483.aspx
Jamel Shabazz (African-American photographer), March 29, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/484.aspx
Alain Fleischer (French filmmaker), April 27, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/485.aspx
Roger Ballen (American-South African photographer), May 11, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/486.aspx

File consists of 71 rolls of Kodak Gold Bright light film for colour prints, all in original packaging. Of these, 36 rolls are 100 ISO with 12 exposures including 16 rolls which are individually packaged, 10 rolls that are part of 2 5-packs and 10 rolls that form 1 10-pack. 33 rolls are 100 ISO film with 24 exposures including 13 that are individually packaged and 20 rolls that form 2 10-packs. 2 indivudually packaged rolls are 100 ISO with 36 exposures. Develop before dates range from 12/2001 to 01/2003.

File consists of 13 rolls of Kodak Gold General Use film for colour prints, all in original packaging. Of these, 6 are individually packaged 200 ISO with 12 exposures, 1 individually packaged roll with 200 ISO and 24 exposures, and 6 rolls that form 2 3-packs of 200 ISO film with 24 exposures. Develop before dates are from 08/2002 to 11/2004.

File consists of 6 rolls forming 2 3-packs of 200 ISO 24 exposure film for colour prints. Develop before date is 11/2004.

File consists of 20 rolls of Kodak Select Series Royal Gold 24 exposure film. Of these, 4 rolls are indiviudually packaged and 100 ISO, 2 are individually packaged and 200 ISO, 3 rolls are individually packaged with 400 ISO, 1 3-pack with 400 ISO, and 8 individually packed rolls with 1000 ISO. Develop before dates are from 02/2000 to 12/2003.

File consists of 4 individually packaged rolls of Kodak Gold Max Self-Adjusting 800 ISO film for colour prints. 2 rolls with 12 exposures and 2 with 24 exposures. Develop before date is 07/1999.

File consists of 4 rolls of 35 mm film for colour prints. 3 rolls make up a 3-pack of 100 ISO 24 exposures each, and 2 rolls are indivudually packaged with 200 ISO and 24 exposures. Develop before dates are 08/1994 and 09/1994.

File consists of 1 indiviually packaged roll of Kodak Gold Ultra 35 mm film for colour prints with 400 ISO and 12 exposures. Develop before date is illegible.

File consists of 13 rolls of individually packaged 35 mm 400 ISO Kodak Max film for colour prints. 6 rolls have 12 exposures and are individually packaged. 5 rolls have 12 exposures and make up most of 2 3-packs. 2 rolls havce 24 exposures and are individually packaged. Develop before dates are from 11/2001 to 01/2004.

File consists of 1 indiviually packaged roll of Kodak Kodacolor Gold 35 mm film for colour prints with 1600 ISO and 24 exposures. Develop before date is 04/1991.

File consists of 17 rolls of individually packaged 35 mm 800 ISO Kodak Max zoom film for colour prints each with 24 exposures. Develop before dates are from 08/2000 to 05/2002.

File consists of 7 rolls of packed in 2 5-packs of 35 mm 200 ISO Kodak Commercial film for colour prints. 2 rolls have 24 exposures and 5 have 12 exposures. Develop before dates are 09/2000 and 06/2001.

File consists of 2 rolls of individually packaged 35 mm 100 ISO daylight Ektachrome reversal film for colour slides with 36 exposures each. Develop before dates are both 11/2001.

File consists of 23 rolls of 35 mm 100 ISO daylight Ektachrome reversal film for colour slides with 24 exposures each. 13 rolls are individually packaged and 10 form a 10-pack. Develop before dates are 05/2000 to 10/2001.

File consists of 3 rolls packed in 1 5-pack of 35 mm Kodak Professional Portra vivid color 160vc color negative film with 24 exposures. Develop before date is 06/2004.

File consists of 17 rolls of various Kodak 35 mm film for colour prints. One roll has been previously exposed.

Item consists of a collection of 30 lapel pins with butterfly clutches. Pins are attached to small cards: "We hope that you will wear this special pin with pride, recognizing the collective contribution of worldwide CI Associates to the sale of the 1,000,000,000th roll of Kodak film in 1995. -Dave, Alex, and Charlie"

File consists of 4 rolls of Kodak Professional Portra 120 vivid color color negative film. In original opened package. Unused. Develop before date is 08/2004.

File consists of 6 rolls of Kodak Advantix 25 exposure ISO 400 APS colour print film. 5 rolls are still in original packaging. All are unexposed.

File consists of 9 rolls of Kodak Advantix ISO 200 APS colour print film in original packaging. 3 rolls have 15 exposures, 3 rolls have 15 exposures, 3 with 25 exposures, and 3 with 40 exposures.

File consists of 3 rolls of Kodak Advantix 25 exposure ISO 400 APS colour print film in original packaging.

File consists of 3 rolls of Kodak Advantix Black & White APS 25 exposure ISO 400 film in original packaging.

File consists of 4 demonstration cassettes with film status indicator reset tool of Kodak Advantix Advanced Photo System in original packaging.

File consists of 1 indiviually packaged roll of Kodak Ektachrome 36 mm film for colour slides with 400 ISO and 24 exposures. Develop before date is 08/1993.

File consists of 1 indiviually packaged roll of Kodachrome 64 36 mm film for colour slides with 64 ISO and 36 exposures. Develop before date is 08/1989.

File consists of 2 of Kodak P6-120 Metal Particle 8mm Video Cassettes. 1 in original packaging.

File consists of a 6-pack of Kodak Royal Camcorder P6-120 8mm colour and sound Videotape. In original packaging.

This file contains a poster for an exhibition held at the Art Gallery of Ontario, Fall 1985.

A cardboard sign with a pull-out stand at the back advertising Kodak Kodacolor VR film with a woman in a swimsuit holding a waterski in one hand and a Kodak Disc 3100 camera in the other.

Item consists of a portrait format, white, board poster, featuring a black and white image of two boxes of Kodak Film, with "Kodak Film - the dependable film in the yellow box / The film that gives the same results from roll to roll, so that you can rely on it. / Kodak Film excels on every count - speed, latitude, uniformity - and each is of picture-making importance. / Use Kodak Film, the dependable film in the yellow box. / Canadian Kodak Co., Limited, Toronto" printed beneath.

Item consists of a poster featuring an image of a bear resting on a large box of Kodakcolor VR film 100 in order to take a photograph of a yellow flower, growing out of the box of film.

Consists of a book chapter, published in "Before The Wall Came Down: Soviet and East European Filmmakers Working In The West", edited by Graham Petrie and Ruth Dwyer, University Press of America.

Item is vol. 3, no. 2 of the magazine Take One: Women in Film. Kay Armatage is listed as the Co-Editor and wrote a review on the book "Superstar" and a column called "Overlooked and Underated" in this edition.

This file contains review of the book More than a Woman, by James Sapa. Review authored by Gerald Pratley and published in the Toronto Star, November 27, 1993.

This file contains a photocopy of front page and table of contents of a book authored by R.Bruce Elder. Book was ordered for Library collection

File contains a screenplay for a film called, "Scorpio's People" created by Tony Williams (136 pages).

Consists of an incomplete series of articles by Robert Gardner, published under the title "The Writers," in the magazine Playback.

File contains copy prints featuring images with the caption: "In 1889, George Eastman introduced Flexible Film in rolls, a lightweight, non-breakable substitute for glass. The transparent nitro-cellulose roll film base was cast on theses 200-foot long tables."

File consists of 5 rolls in 1 5-pack of 35 mm Kodak Professional Portra natural color 400NC color negative film with 24 exposures. Develop before date is 09/2003.

File consists of 5 rolls of individually packaged 35 mm 100 ISO Kodak Professional Ektar color negative film each with 36 exposures. Samples, not for resale. Develop before dates are 11/2010.

Item is an individually packaged roll of Kodak Professional process C-41 T400 CN black & white film with 24 exposures. Develop before date is 04/2001.

Item is an individually packaged roll of Kodak Gold Ultra 400 film with 12 exposures.

File consists of 2 rolls of individually packaged 35 mm 400 ISO Kodak Professional T-Max black & white negative film with 24 exposures each. Develop before dates are 08/2005 and 10/2005.

This file contains the book "Vision and Persistence" authored by Jan Uhde. Chapter 3, "The Man Behind the OFI" covers information about Gerald Pratley, who was from the beginning the Ontario Film Institute's scriptwriter, producer, director and star.

File contains a copy of Cinema Canada, no.97 (June 1983), which includes the article " The Photographic Image in Canadian Experimental Film," authored by Bruce Elder.

Consists of the records of a committee investigating the idea of a "National Film School" in Canada. Includes minutes, correspondence, clipping, and reports.

Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1999-2000 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Sandy Skoglund (American photographer), October 22, 1999
Linda Troeller (American photographer), November 5, 1999
John Gosssage (American photographer ), November 12, 1999
Suzy Lake (American-Canadian photographer, videography and performance artist), January 28, 2000
Jim Goldberg (American photographer), February 11, 2000
Ken Josephson (American photographer), March 3, 2000
Johan Van Der Keuken (Dutch documentary filmmaker & photographer), March 10, 2000
Alain Fleisher (French filmmaker and photographer), March 17, 2000

Series contains audio recordings of 8 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2004-2005 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Phil Bergerson (Canadian photographer), October 15, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/493.aspx
Janieta Eyre (Canadian photographer), November 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/494.aspx
Walid Ra'ad (Lebanese-American media artist), November 26, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/495.aspx
David Robeky (Canadin video and installation artist), December 2, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/489.aspx
Michael Awad (Canadian photographer and architect), February 11, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/497.aspx
Raphael Lorzano-Hemmer (Mexican-Canadian installation artist), March 11, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/498.aspx
Harmony Korine (American director), April 1, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/499.aspx
Shu Lea Cheang (Taiwanese-American multimedia artist), April 14, 2005 Steam online: https://ryecast.ryerson.ca/6/Watch/496.aspx

File contains a hand-transcribed, copy of an interview conducted with Polish film director Walerian Borowczyk by Toronto Psychiatrist Dr. Frank Sommers, for Sommers' project "The Mind of the Film Director. Also included is a French language promotional booklet for the 1974 film Contes Immoraux (Immoral Tales) that includes film stills, synopsis, and and interview with the director.

File contains a transcribed and audio copy of an interview conducted with French Canadian actor and film director Claude Jutra by Toronto Psychiatrist Dr. Frank Sommers, for Sommers' project "The Mind of the Film Director.

File contains a transcribed copy of an interview conducted with Italian film director Ettore Scola by Toronto Psychiatrist Dr. Frank Sommers, for Sommers' project "The Mind of the Film Director. The file also contains 2 photographs of the director on set, a description of Sommers' book project, a list of interview questions, a hand-written letter from Scola to Sommers (in italian), a type-written letter from Sommers to Scola, and a printed French language promotional publication for the 1974 Italian film Nous Nous Sommes Tant Aimés (C'eravamo Tanto Amati / We all Loved Each Other so Much), which includes an interview with Scola and Agenore Incrocci (screen play writer) about the film.

File contains a short, transcribed, copy of an interview conducted with Dutch film director Bert Haanstra by Toronto Psychiatrist Dr. Frank Sommers, for Sommers' project "The Mind of the Film Director. Also included are a filmography and list of Haanstra's awards, photographic stills from Haanstra's films, and a one page description of Dr. Sommers' book project.

File contains a transcribed copy of an interview conducted in Geneva, with Swiss film director Alain Tanner by Toronto Psychiatrist Dr. Frank Sommers, for Sommers' project "The Mind of the Film Director".

2 containers of pack film, which were part of the second generation of film by Kodamatic, with a 320 ISO. Kodak first planned to release this film with 600 ISO sensibility, but then decided to go to 320 ISO for greater compatibility. It was developed for use in Kodomatic and Trimprint cameras.

Items are packs of instant pocket film, capable of making 12 prints each and are supposed to stored between 13 degrees Celsius and 24 degrees Celsius

1 container of pack film, which was part of the first generation of Kodak film, with a 160 ISO. It was called PR10 first and then was later renamed PR144-10 later. It was developed for use in =all Kodak instant cameras except Kodamatic and Trimprint cameras.

Item is a pack of instant film, capable of making 10 prints

Items are packs of film and are compatible with Polaroid Captiva cameras.

Item is a pack of film, capable of making ten prints. Film is able to be drawn on and has "radical" borders. It is compatible with Polaroid 600 cameras.

Item is a pack of film and comes with five slide mounts. It is to be used with the Polaroid McDonald's Camera

Items are boxes of Polaroid land film, with three rolls of film in each box. Manufactured for the Polaroid Swinger and was originally sold for $1.99. Film specifications: speed is ASA 3000, panchromatic, B&W, with 15 second development.

Items are boxes of Polaroid land film, that runs at a speed of ASA 3000, and originally retailed for $1.79. Film has a 15 sec. development time, is panchromatic, Black & White, and is compatible with the Polaroid Model 80 series and the J33 Polaroid Land Cameras.

Items are boxes of Polaroid land film, that runs at a speed of ASA 3000, and originally retailed for $2.29. Film is panchromatic, makes 8 prints and is Black & White. Breakthrough product at the time due to speed and continuous tone photographic film. Compatible with all Polaroid land roll film cameras, except Model 80 series, J33 and the swinger.

Items are boxes of Polaroid land film, that runs at a speed of ASA 400, and originally retailed for $1.56. Film is panchromatic, makes 8 prints and is Black & White. Compatible with Model 80 series land cameras only and comes with instructions

Items are boxes of Polaroid land film, that runs at a speed of ASA 200, and originally retailed for $1.98. Film is panchromatic and makes 8 black & white prints. It was Polaroid's first panchromatic film and was to be stored between 21-27 degrees Celsius.

Item is a roll of slide film. There are 12 exposures in the role and it has an ISO of 40. Requires a Polaroid autoprocessor to be developed, rather than sending it off to the developers.

Item is a roll of slide film. There are 12 exposures in the role and it has an ISO of 40. Requires a Polaroid autoprocessor to be developed, rather than sending it off to the developers.

Item is Polaroid land film, that runs at a speed of ASA75, and originally retailed for $3.55. Film makes 6 color prints. Another breakthrough product at the time as it did not require a print coater.

Fonds consists of articles authored by Gardner, as well as photographs from his student days at Ryerson.

Item consists of 8 reel-to-reel tapes of Ryerson instructor Ben Caza giving a film seminar in the Image Arts department.

Fonds consists of books, committee documents, and curriculum records authored or co-authored by Lewis, as well as one photograph and one exhibition poster.

This fonds contains textual records and promotional material.

File contains recorded and transcribed copies of an interview conducted with Swedish film director Marianne Ahrne and Toronto Psychiatrist Dr. Frank Sommers, for Sommers' project "The Mind of the Film Director. Also included are 2 letters from Marianne Ahrne to Frank Sommers, including photographic stills from her films, promotional publications for the 1976 film Near and Far Away and the 1976 film Roots of Grief, and news clippings from the Globe and Mail related to Ahrne's films.

This file contains the report "China Trip - report of the three week visit to the Beijing FIlm Academy by representatives of Ryerson Polytechnical Institute's Film and Photography Department, Elvino Sauro and Brian Damude', and related correspondence between Damude and Professor Zhou Chuang-ji - Editor of the Foreign Film Resource Center Beijing Film Academy.

Fonds contains the text and audio records of interviews conducted by Dr. Frank Sommers with European and Canadian film directors Marianne Ahrne, walerian Browczyk, Bert Haanstra, Claude Jutra, Ettore Scola, and Alain Tanner between 1978 and 1979. Photographs, press clippings, and promotional texts related to films directed by the interviewees are also included.