Item is a piece of photographic jewelry, a pendant with makeshift loop at top for chain. Very detailed gold plated metal pendant with glass image in centre. Image is adhered beneath a rectangular piece of glass, brown colour. Image is a portrait of a man standing, in a top hat and suit and bow tie. The glass is adhered to the centre of the piece.

Item is an unmounted tintype is a photograph of a photograph of an older couple. Original photograph is in a decorative frame/case (daguerreotype or ambrotype?), and it is a studio portrait of a man and woman, sitting side by side, looking straight out at the camera, hands folded in lap. Woman wears a white bonnet and checked dress. Clothing of sitters suggest that original photograph dates from the 1850s. Handwriting on the back in pencil, not able to decipher.

File consists of four card mounted photographs, 3 of the same man in various poses and 1 of a woman. All mounted on black card by studios in Montreal. The photographs were found inside the Agnes Osberg album (2009.005.023) with a yellow sticky note that read: Came from the same family But Not this album.

Item consists of 23 photographs of family portraits by a house and by the water.

Consists of two group portraits of women in Victorian aprons, white dresses and bows in their hair. One portrait is set indoors and one is an exterior shot. Both prints have the Topley Ottawa stamp at the bottom left corner.

Sub-series consists of photographs of the McKane family and their friends at various events and locations.

Item consists of two black and white photographs of a man and a woman with a baby. In each photograph, they hold the baby individually. They appear to be on the front porch of a brick house. The man is wearing a suit and the woman is wearing a long dark dress.

Item consists of two black and white photographs of a man and a dog. The man is wearing is suit and tie and hat, and is scratching a black and white dog behind its ears. They are in front of a house, and the dog is sitting on the steps. The man is looking at the camera. It appears as though the photograph was developed or fixed incorrectly, as there are marks from developing the image. The two photographs are identical, but different exposures. There is an uneven white border around both images. On the back of each photograph is written in pencil "28" and "50¢"

Item consists of a toned black and white photograph of a man leading two women on camels. The women appear to be tourists. They are both older women in hats, gloves and glasses. They appear to be tourists, sitting atop camels that have ornamental blankets on their backs. The man leading the camels is wearing a long white robe, has a beard and a turban. They appear to be in the desert. There is a 0.5 cm white border surrounding the image. On the back of the photograph is handwritten in pen "Miss Livingstone & H."

Item consists of two black and white photographs of a little girl popping out of a baby carriage. In one photograph, the little girl is looking up, and in the other photograph she is looking out. The carriage is parked in the front or back of a house. There is ivy covering the house. There is a 0.5 cm white border surrounding the image. The back of both photographs are stamped in black ink "532C".

Item is an unmounted, hand-coloured tintype of a man and woman, both sitting and looking directly at the camera. The woman wears a dress buttoned down the front, with a white lace collar. The man wears a dark suit, with jacket and tie.

Item is a cyanotype image featuring a portrait of a man dressed in the Canadian Navy uniform, on his hat is written H.M.C.S. He stands in what looks like the back yard or garden of a house. Paper is very thin.

Item is an unmounted group portrait of four men and one woman sitting in a car. It is believed to be a Ford Model A car dating from 1903 which is how the photograph is dated. All four men are wearing bowlers hats, and suits with jackets and ties. Woman is wearing a large hat with flowers. Man behind wheel and another in backseat both have mustaches. Studio backdrop. Black band across top of image.

Item is an uunmounted studio portrait of three women. One is standing, one is perched on a stool, and one is sitting on the ground. All three have hats, two are wearing them, and one is holding it in her hands. All wear black dresses, two have purses. There's an umbrella leaning on stool. Cheeks are tinted pink. Given their clothing perhaps they are in mourning. All four corners are angled off.

Item is an unmounted group studio portrait of six children set agains a landscape background. Four children in front are seated,and two stand behind. Two seated on the same chair on the right appear to be toddlers. The two standing behind, one girl & one boy, are older than the rest. The girls wear dresses with big white lace collars, very fashionable in children's fashion from the 1870s. All four corners are angled off.

Item is an unmounted group portrait of four women and four men. All four women wear hats and dresses with puffy sleeves in keeping with fashion of the 1890s. Men wear sutis with jackets and vest with chain watches. Two top corners angled off.

Item is an unmounted studio portrait of four women. Two are sitting, and two stand between the seated ones. All cheeks have been tinted pink. They are wearing fitted dresses with skirts looping in front, narrow sleeves and high collars, most wear a brooch at the throat. Style is suggestive of 1880s fashion. Hair is up, with curled bangs. All four corners of tintype are angled off.

Item is an unmounted studio group portrait of five men, three seated and two standing. All men are wearing suits with jackets, white shirts and ties. They all have mustaches and beards. Background of house and trees.

Item is an unmounted studio group portrait of five men, three seated and two standing. Two of those seated have legs crossed, the other is seated on an armrest. Man standing behind seated man on armrest, has his hand on his shoulder. Two of the faces are blurry from movement during exposure. One man on left and centre man (both seated) have handkerchief in breast pocket. All are wearing suits, with jakets and vest, bowties, hats and chain watches. Top left corner is angled off.

Item consists of two black and white photographs of a girl standing in a garden. The girl is wearing a light coloured shirt, skirt, cape and hat. In one photograph, she is wearing the hat, and in the other she is holding it. She is standing in the grass and looking at the camera. A 1 cm white border surrounds the images. On the back of each photograph is handwritten "July 7 / 31".

Item consists of a black matt with five oval openings and a portrait in each. All five portraits are of the same woman, in different poses. In two of the portraits there is a parasol behind the woman, in one she is holding a top hat, in two others she is looking away from the camera. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw." Same design as 2008.001.1891.

Item consists of a black mat with five oval openings and a portrait in each. All five portraits are of the same young boy, in different hats, but same suit. The last image is one of him, with no hat. He wears a cowboy hat, a military cap or fez hat, a top hat and a boater hat. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw."

File contains three cream-coloured cards embossed with the coat of arms of the University of Guelph and the words "Macdonald Hall/ Guelph" in the upper left corner. On the lower right, the photographer's studio is identified as "The O'Keefe's/ Guelph, Ontario". Two of the portraits are duplicates. The third portrait is identified as "Jennie". Each card has a piece of glassine tissue covering the photo inside.

Item consists of a black and white photograph of two woman posed with four children sitting in the sand. The image is round, likely taken with a "Kodak", Eastman Kodak's first snapshot camera.

Item consists of seven sepiatoned black and white photographs of what appears to be a family at a beach. Three of the photographs show a man in a swimsuit with a young girl and boy in swimsuits. They are sitting and standing in shallow water. One photograph depicts a woman sitting on a large rock with a young girl. Another shows the woman on the rocks alone. The sixth photograph is of four girls in dresses and hats standing on a large rock. The seventh photograph is of a woman standing on a rocky beach with a hat beside her and a building and trees behind her. There is a small white border surround each image, and on the back of each photograph is written in pencil "998a".

Item is a silver gelatin print that has been adhered to centre of a matt board. Matt board is grey. Image is a profile portrait of a bulldog. Inscription on verso "$15/4."

Item consists of a black and white photograph of a boy and young girl sitting on a hammock. The boy is wearing shorts and boots and has his mouth open, laughing. The young girl is wearing a white dress and headband. They are sitting close to one another. Behind the hammock are trees and a ball in the grass, and in the background, there is a lake. The photograph has some motion blur. There is a 0.4 cm white border around the image.

Item consists of two black and white photographs of a baby in a wicker pram. The baby is bundled in white blankets and pillows and is wearing a hat and hood. The pram is indoors next to a large window. There are houseplants and a fern by the pram.

Item consists of two photographs of a baby in a white dress sleeping in a bed. The baby is propped up on some pillows in a single bed. These appear to be the same photograph printed twice at different exposures.

Item is a nitrate 8x10 negative. Inscription on negative "Eastman - Nitrate - Kodak 137." Nitrate film was manufactured between 1887 and 1950, but Notman studios operated until 1936, and this negative was housed in a Notman envelope. Image is a portrait of a man with a mustache, with the background completely blocked out (painted in opaque red paint), and his face has been touched up with pencil. The man's face is closely cropped, to one side. Unidentified man.

Item is a leaf of promotional text that originally accompanied a set of reproductions of the July 20, 1969 lunar landing. The text outlines the role of Kodak film in this landing and in space exploration in general. Photographic reproductions are missing.

Item is a carte de visite of a young man in a jester costume sitting in a photography studio. Text below photograph reads, 'Camille Rensch, Phot' Text on verso of card reads, 'Camille Rensch Photographe 19 Rue Royale St Honore au premier PARIS' Inscription on verso reads, 'Mon ami Alfred Roe, Garcia William, 8 Mars 1866'

Item is a carte de visite portrait of a young man dressed as jester. Text below photograph reads, 'Camille Rensch Phot.'. Text on back of card reads, 'Camille Rensch Photographe 19 Rue Royale St. Honore Au premier PARIS'.

File includes a blank multiple choice "Achievement Test" on the subject of photography and a blank form letter addressed to the Eastman Kodak Company, used to recommend students for enrollment in the Young Photographers League.

Item is a cardboard boxed filled with 54 stereoscopic images. Item comes with one handheld, compact, metal accordion fold black stereoscope. This object was used to view two nearly identical photographs, or stereographs, as one three dimensional image. The stereograph would be placed in the sliding card holder and adjusted to fit the user's vision until the two images overlap to mimic a three-dimensional effect. Images are vernacular photographs sent to A.P. Manners Ltd. to develop, print, and then return images to photographers. Written by previous owners on a small yellow post-it-note : recoverying from W.W. II English Military Sectary.

Written on box : A.P. Manners Ltd. Finest Quality Developing, Printing, Enlarging and 35 mm Process In Services Photographic and Cine Specialists, 11 Westover Road, Bournemouth.

Item is a wooden frame with a sticker on it. Sticker has two leaves on it and a logo in the middle with the initials "E.P." Sticker also has writing on it"(first words illegible) . . . und Zigenbock."

Item is a white cabinet card with thin gold border and a photograph of a woman in an apron holding a large basket with greens balanced on her head in front of a studio backdrop. On verso, handwritten in blue ink, "Mother". In pencil, "L-40.00".

Item is a cabinet card photograph of a character from Wagner's opera Lohengrin. Mostly illegible script written on photograph, except, '1894'. Text below photograph reads, 'Lohengrin, Bayreuther Buhrenfest - Spiel'. Text on verso reads, 'W. Hoffert, Hof Photograph. Breslau, Hamburg, Leipzig, Berlin, Magdeburg, Dresden, Hannover. Photographische Kartenfabrik v. Paul Suss, Dresden.

The photograph envelope is printed for the Owl Drug Store, of 336 Bloor St. West, and noted that the customer is "Mrs. Atwood, 23 Spadina." The negatives are of a woman wearing a white ensemble.

Item is a white cabinet card with thin gold border and a photograph with oval border of a woman in apron and chef's hat. A basket of vegetables is slung under her right arm. On verso, handwritten in blue ink, "Mother". In pencil, "L-30.00".

Item is a cabinet card portrait of baby. Brown text below photograph reads, 'Copyright Barraud 263 Oxford St London A few doors West of The Circus'. Brown text on back of card reads, 'Mr. Barraud 263, Oxford St. W (regent circus) London. Mr. Barraud bestows particular attention on enlargements, miniatures and reproductions which can be made from any photograph. All negatives registered and carefully preserved. Mr. Barraud's studios are approached by a lift constructed on the most approved patents which will be found a great advantage to sitters as no stairs have to be ascended, childrens portraits the same prices as other sitters.' Inscription in ink on back of card reads, Willi a Kiss, from Phyllis Margaret Dickson'.

Item consists of photographs from the wedding of "JE McKane".

Item consists of photographs taken at the wedding of Mr. and Mrs. McClure in 1925. Subjects include various group photos, a large boat, a Ford Model A, horse carriages, a large drum with the Prince of Wales on it, canoes, and dog carriages.

Item consists of photographs taken of Mr. and Mrs. JE McKane at a wedding.

File includes promotional material, VHS tapes, and manuscript notes from 1988 to 1990 related to Visions in View, a series of commercial/industrial photography seminars offered by Kodak.

Series consists of gelatin silver prints, albumen prints, acetate negatives, and various colour photographic processes produced by amateur photographers, usually in an informal, outdoor setting.

Item consists of eight photographs taken at Unionville of a young boy and a young girl. The children are accompanied by adults in two of the photos. In one of them both children are carried by adults with another woman standing by. In the other the young girl is standing in front of a man.

File consists of 10 portraits, originally taken during late 1800s - early 1900s. Reprinted.

Item consists of two wet plate negatives of an archaeological site that has been edited for printing using paper and retouching (particularly in the sky).

Item consists of a toned black and white photograph of a group of men and women on a sailboat. Five women dressed in long skirts and three men in turtlenecks or ties stand and sit on one end of the boat, posing for the photographer. In the foreground, a boy is turned away from the camera, looking at the group. He is wearing a hat and has his sleeves rolled up. The boat seems to tilt sharply to the left. On the back of the photograph is handwritten in pen "Une Voyage Commence" which is French, and translates to "a trip / journey begins".

Series contains pamphlets, maps, guides and publications for cultural sites and photographic exhibitions between 2000 and 2005. Venues include:

Bath Abbey, England
The Boston Public Library
East Lambrook Manor Garden, England
The Finnish Museum of Photography
Forma International Centre of Photography, Milan
Glastonbury Abbey, England
Harry Ransom Humanities Research Centre, University of Texas at Austin
Harvard University Art Museums
The High Desert Museum, Bent Oregon
Horn Park Gardens, Dorset
International Visual Society Association
Japanese Gardens, Portland
Memorial to the Murdered Jews of Europe
Museum of Contemporary Art, San Diego
Museum fur Photographie, Berlin
National Film Theatre, London
National Museum of Natural History, Washington
National Trust, UK
Oregon History Centre
Peabody Essex Museum
Perth Institute of Contemporary Arts
Pittock Mansion, Portland
Parnham House, England
Portland Art Museum
Salvadore Dali Museum, Florida
San Francisco Museum of Modern Art
Society for the Preservation of New England Antiquities
Suntory Museum of Art, Tokyo
The Tate Modern, London
The Victoria and Albert Museum, London
University of Oxford Botanic Garden

Van Gogh Museum, Amsterdam

Item is a colour illustrated brochure outlining Eastman Kodak Company's equipment manufacturing facilities and capabilities.

Item is a photograph of two girls in traditional dress. Text beneath photograph reads, 'Delintraz Phot. Rue Duphot, 9.' Text on back of card reads, '9, Rue Duphot, 9 Cidevant No 15, en face l'Eg de la Madeleine a l'Entree du Boulevart. Delintraz Photographe Specialite de reproductions et tous genres. PARIS'

Item is a dry plate negative depicting 9 adults and children posing during a tug of war game.

Item consists of photographs taken on a trip to Milwaukee. Subjects include stilt houses, water bodies, parks, and family portraits.

The image is of two men, identified from their name tags as Tony Miller and Bill Hastings, discussing a Suzuki motorcycle.

Item is a leather-bound locking family album containing 48 Tintypes from the late 1800s beginning with 1873.

Item is a tintype in an ornate handmade cardboard and papier mache frame.

Portrait of King George V, King Edward VII and Prince Edward, Duke of Windsor (King Edward VIII) on board the Royal Yacht 'Victoria and Albert. Print is mounted on 34.5 x 29.5 cm cardboard.

The techniques of the masters videoconference series poster for Sheila Metzner's lecture "Images to Stir the Soul"

The techniques of the masters videoconference series poster for Sebastiao Salgado's lecture "A Salute to Black-and-White".

The techniques of the masters videoconference series poster for Rudy Muller's lecture "Staging the Set, Telling a Story".

The techniques of the masters videoconference series poster for Moneta Sleet's lecture "Cross Cultural Experiences".

The techniques of the masters videoconference series poster for Marilyn Bridges' lecture "Seeing the World from Different Perspectives".

The techniques of the masters videoconference series poster for Jerry Uelsmann's lecture "A Remarkable Blending of Image and Imagination".

The techniques of the masters videoconference series poster for Jane Evelyn Atwood's lecture "Cross Cultural Experiences".

The techniques of the masters videoconference series poster for Denis Reggie's lecture "Staging the Set, Telling a Story".

The techniques of the masters videoconference series poster for David Ziser's lecture "Staging the Set, Telling a Story".

The techniques of the masters videoconference series poster for Annie Leibovitz's lecture "Two Decades".

Item is an illustrated colour brochure profiling Kodak's operations and history in Canada. Includes overview of photographic film and paper manufacturing process.

Item is an illustrated brochure promoting photographic technology and history and profiling Kodak in Canada and around the world.

Collection includes vol. XXVI, no. 9 (Sept. 1922).

Collection consists of an automatic photobooth, and material related to its original function. Designed by David McCowan and patented on May 21, 1929. The collection includes vintage articles and advertisements, photographs of the booth and members of the McCowan family, the booth itself, along with related accessories.

The technicques of the masters videoconference series poster for William S. McIntosh's lecture "Learn How Unsusual Settings Have Created The Portrait of Success".

Series consists of unpublished textual records produced as a result of the day-to-day operations of Kodak Canada from 1896 to 2005. Records pertain to the company's corporate operations, financials, plant, equipment, and supplies, communications, human resources and industrial relations activities, employee activities, and Heritage Collection and Museum. Series includes notes, correspondence, ledger and account books, financial statements, reports, recipes and instructions, contracts and agreements, publication drafts and mock-ups, lists and inventories, and other manuscript, typescript, and computer-created textual materials produced by Kodak Canada employees, contractors, and correspondents.

File consists of 2 photographs featuring studio portraits of women and children.

Item is a tintype portrait of Teddy Orr as a boy with a friend. Housed in a black embossed mat. Inscription in pencil on back reads, 'Teddy Orr & Friend, April 1912'

Item consists of a black and white photograph of a woman posing with a dog. The woman is wearing a white dress, stripped stockings, a headband and boots. She is putting her face next to the dog's, who has its tongue out. They are sitting on the front porch of a house. There appears to be a slight light leak coming from the left side of the frame. There is a small white border around the image. On the back of the photograph is handwritten in pencil "633" and in pen "Ted & Buster"

A letter folded into the album cover, addressed to Mr. Gordon Hamblin at Canadian Kodak, Ltd. describes the content of the album as a weekend at Mr.T. F. Pevear's cottage near Rochester, NY, where Mr. Hamblin visited while attending a meeting at the Eastman Kodak Company.

Item is the inaugural issue of Studio Light/Commercial Camera, published by Eastman Kodak Company in 1969. A continuation of the company's Studio Light publication, the magazine was designed as a resource for professional photographers.

File contains issues of the Canadian Edition of Studio Light, published by Eastman Kodak Company, from 1909 to 1929. The publication was launched in 1909 and was targeted toward professional photographers. File includes vol. 1, no. 1 (Mar. 1909) to vol. 21, no. 10 (Dec. 1929). The original name of the publication was Studio Light and the Aristo Eagle. The name was changed to Studio Light in February, 1910.

File consists of bound volumes containing both the American and Canadian editions of Studio Light, published by Eastman Kodak Company, from 1934 to 1940. The publication was targeted toward professional photographers.

File consists of bound and unbound issues of Studio Light, published by Eastman Kodak Company, from 1914 at 1932 and from 1975 to 1988. The publication was targeted toward professional photographers. Some issues missing.

One cardboard box meant for holding dry plates manufactured by the Stanley Co. Box contained one dozen plates and ranked a No. 50 on the sensitometer. Box bears a logo with a man on a horse saying "On Stanley, On."
F.E. Stanley developed his own dry plate formulation and then eventually began selling plates to other photographers. The venture proved so successful that he and his twin brother, F. O. Stanley, became partners in the Stanley Dry Plate Company in 1884. Their coating machine, patented in 1886, accelerated the dry plate process, coating plates at a speed of one plate per second. The twins ultimately sold the Stanley Dry Plate Company to George Eastman of Eastman Kodak, who used the Stanley innovation to build his photography empire.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

Folder contains published material by the RULA Special Collections including posters, pamphlets, brochures etc.

Brown/maroon bound cover labeled "6". Notations in pencil. Photographs are mounted behind window-cutouts on the pages. Some photographs quite faded.

Locations include: Granada, Alhambra, Algeciras, Spain; Scheveningen, Netherlands; Southamphton, England.
Sites include: Rio Genil, Puerta de Elvira, Rio Frio, S.S. Olympic.

Themes include: portraits, scenic views, bullfighting, ships, sailing.

The book consists of artistic photographs and text, with an accompanying DVD of snow, rain, light, and wind in moving images and still photographs, including those projected on building exteriors. File also contains a news release on the book.

Snow, Rain, Light, Wind : Weathering Architecture is a component of a larger project investigating "material innovations in architecture within the context of local and global climate and its changes...entitled, 'Malleable Matter.' " Filiz Klassen,Weathering Architecture.

Item consists of photographs taken on Christmas day in the snow by a brick house. People photographed include "Dot [a dog], Joe & Norman, Ethel & James & Etc."

Item is a snapshot album produced by Canadian Kodak Co. Ltd. The album includes 34 leaves with paper corners to hold photographs. No photos are included.

Item is a pamphlet designed to accompany a Sinar course on large-format photography. The pamphlet provides an overview of the course syllabus, illustrations of common problems with large-format photography, and space for participants to write notes.

Item is a portrait of seven men. Stamp on back of card reads, 'F.H. Denison, Photographer, Dealer in Picture Frames, Chromos, Oil paintings, Stereoscopic Views, Albums, Wall Pockets, Brackets, &c. Court St. Fergus Falls, Minn.'

Item consists of photographs of two men and a woman at "Scarboro Heights". On the side of one negative is written "6th June 1925".