Seris contains catalogues, price lists and advertisements for various photographic equipment available for sale from various companies, with a concentration on early 20th century companies, particularly from the Rochester, New York area.

This file contains two copies of the promotional pamphlet for Damude's 2001 photography exhibition "Meditations on the Blue Planet" held at the Alliance Francaise de Toronto.

File contains printed course material for an introductory photography program from the Brooks Institute of Photography, a private school in California.

A letter folded into the album cover, addressed to Mr. Gordon Hamblin at Canadian Kodak, Ltd. describes the content of the album as a weekend at Mr.T. F. Pevear's cottage near Rochester, NY, where Mr. Hamblin visited while attending a meeting at the Eastman Kodak Company.

Item is a cardboard boxed filled with 54 stereoscopic images. Item comes with one handheld, compact, metal accordion fold black stereoscope. This object was used to view two nearly identical photographs, or stereographs, as one three dimensional image. The stereograph would be placed in the sliding card holder and adjusted to fit the user's vision until the two images overlap to mimic a three-dimensional effect. Images are vernacular photographs sent to A.P. Manners Ltd. to develop, print, and then return images to photographers. Written by previous owners on a small yellow post-it-note : recoverying from W.W. II English Military Sectary.

Written on box : A.P. Manners Ltd. Finest Quality Developing, Printing, Enlarging and 35 mm Process In Services Photographic and Cine Specialists, 11 Westover Road, Bournemouth.

White mounts with patterns on them. Two have a golden border

Item consists of two wet plate negatives of an archaeological site that has been edited for printing using paper and retouching (particularly in the sky).

Item consists of 52 black and white transparency copy slides of photo-historical images for teaching. The slides are all in metal housings, made in Switzerland by Perro Color, US Pat. 2919840. They are individually numbered in black ink with a 4 digit number on white sticker labels, but there is no index to go with the slides.

One cardboard box meant for holding dry plates manufactured by the Stanley Co. Box contained one dozen plates and ranked a No. 50 on the sensitometer. Box bears a logo with a man on a horse saying "On Stanley, On."
F.E. Stanley developed his own dry plate formulation and then eventually began selling plates to other photographers. The venture proved so successful that he and his twin brother, F. O. Stanley, became partners in the Stanley Dry Plate Company in 1884. Their coating machine, patented in 1886, accelerated the dry plate process, coating plates at a speed of one plate per second. The twins ultimately sold the Stanley Dry Plate Company to George Eastman of Eastman Kodak, who used the Stanley innovation to build his photography empire.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

One cardboard box meant for holding dry plates manufactured by the Canadian Kodak Co. Originally came with instructions inside the package. Contained one dozen plates measuring 4 x 5 inches.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

Item is a glass negative of a child, who is posing with hands resting in front.

Item is a glass negative of the moon. There is a circle around the moon, along with a line on one side.

Items are dry plate negatives covering a wide variety of focuses, including group pictures, horses, buildings and railways

Item is a dry plate negative depicting a group of 11 men posing with shotguns.

Item is a dry plate negative depicting a man canoeing on a river under a canopy of trees.

Item is a dry plate negative depicting 9 adults and children posing during a tug of war game.

Item is standard dry plate plate negative of a group portrait.

Item consists of 51 exposed dry plate negatives depicting family photographs of women, children, and pets.

Items depict scenes from along the Canadian Pacific Railway, people, locations, animal, the sun, tombs, ships, indigenous Peoples, cities and trails. Wooden box has the word Songs on it.

Item is a wooden frame with a sticker on it. Sticker has two leaves on it and a logo in the middle with the initials "E.P." Sticker also has writing on it"(first words illegible) . . . und Zigenbock."

Item is a magic lantern slide with a depiction of a very large fish on it. There is a bridge nearby and a building. The style is decalomania. Item comes in a wooden frame with a sticker on it. Sticker has two leaves on it.

Item is an automatic coloured magic lantern slide containing several hand painted glass slides that could be rotated against each other with a small attached hand crank. Hand crank appears to be made of wood, as does the mount.

Item is a magic lantern slide done in the Decalcomania or Chromolitho style. Image shows rowboats, powered by 2-3 men, and a couple of bigger ships, as well as a dock.

Item is a hand painted, medium format lantern slide with 8 individual images

Item is a hand painted, medium format lantern slide with 4 images illustrating a boy swatting a man with a net.

Item consists of 2 hand painted Magic Lantern Slides, each depicting a story in 4 circular images. Slides show frogs, cats and dogs swimming, driving cars and riding bicycles. Produced by Gebruder Bing, Nuremberg.

Item is a hand painted, medium format lantern slide with 4 tableaus in one illustration depicting winter scenes in a village. Produced by Ernst Plank, Germany.

Item consists of 2 hand painted, medium format lantern slide with 8 individual images. Illustrations resemble Punch and Judy cartoons.

Items are tintypes portraits of people, 8 are framed but the majority are unframed. Some show families or couples, but most focus on individuals

Item is a tintype in an ornate handmade cardboard and papier mache frame.

Item is a snapshot album produced by Canadian Kodak Co. Ltd. The album includes 34 leaves with paper corners to hold photographs. No photos are included.

Item consists of 25 photographs of Peter McCowan, son of the Phototeria inventor David A. McCowan, with various accessories from the booth. These include a portrait of Peter McCowan taken in the Phototeria, a lens, an instruction plate, and a crate that was used to store unexposed photographic discs used in the booth.

Items contains 13 digital images of the Phototeria with Bruce McCowan and students during a visit to the W.A. Porter Collegiate Institute.

Items contains 88 digital images of the Phototeria taken at the Baldwin, Ontario farm owned by Jim McCowan (a distant cousin of the inventor, David A. McCowan), where the booth was stored until 2015.

Item contains notes taken by George Dunbar in preparation for an article he wrote on the Phototeria in 2006.

Item is a short synopsis of an interview that George Dunbar conducted with Bruce McCowan, , in preparation for a 2006 article on the photobooth.

Item is a short synopsis of an interview that George Dunbar conducted with Peter McCowan, son of Phototeria creator David A. McCowan, in preparation for a 2006 article on the photobooth.

File contains digital reproductions of vintage and current articles featuring the Phototeria.

Collection consists of an automatic photobooth, and material related to its original function. Designed by David McCowan and patented on May 21, 1929. The collection includes vintage articles and advertisements, photographs of the booth and members of the McCowan family, the booth itself, along with related accessories.

Design Archive Inc. was the professional company of photographer Robert Burley, who established it in January 1987 and acted as president until January, 2000. Design Archive Inc. specialized in architectural photography: work is project-based, with project locations including commercial centers, businesses, private residences, and public places of note. Interior and exterior architectural structure is the predominant photographic subject, with landscapes and detailed design highlights, furniture, and machinery filling out the collection. In 2003, Burley accepted a full-time teaching position at Ryerson University’s School of Image Arts and suspended work at Design Archive Inc.

These fonds include photographic materials, including photographic prints, contact sheets, negatives, CDs, and other miscellaneous items that were collected by Design Archive Inc. from 1987 to 2003.

Series contains pamphlets, cards, catalogues and booklest produced by photographers as handouts between 2000 and 2005. Artists include:

Lili Almog
Matthre Barlow
Mette Bersang
Beth Block
Joergen Brandt
Brittain Bright
Andrew Buurman
Catherine Cameron
Christo and Jeanne-Claude
Marcelo Coelho
Lois Conner
Michael Corridore
Vincent Delbrouck
Gair Dunlop
Beth Dow
Sebastian Friedman
Johannes Galert
Moyrah Gall
Edouard Glissant
Jules Greenberg
Myar Greene
Kyna Gourley
Linda Hansen
Mark Edward Harris
Heinrich Heidersberger
German Herrera
April Hickox
Julia Hoerner
Michael Itkoff
Adam Jeppeson
Max Kandhola
Misty Keasler
Karen Keating
Jens Knigge
Michael Kolster
Oliver Krebs
Bob Kubiak
James Lerager
Rania Matar
Heather McMlintock
Beatrice Minda
Rizwan Mirza
Edgar Moreno
Huong Ngo
Christian Nielinger
Dan Nelken
Rachel Papo
Mary Parisi
Patricia Pastore
Gilles Perrin
Liv Carle Mortenesen
Liza Nguyen
Elizabeth Orbutt
Betty Press
Susan Raab
David Ramkalawon
Scully & Osterman
Sole, Magdalena
Kristopher Stallworth
David Star
Amy Stein
Wei Leng Tay
Mogens Ulderup
Jim Vecchi
Carla Williams
Dennis Witmer

Pawel Zak

Series contains pamphlets, maps, guides and publications for cultural sites and photographic exhibitions between 2000 and 2005. Venues include:

Bath Abbey, England
The Boston Public Library
East Lambrook Manor Garden, England
The Finnish Museum of Photography
Forma International Centre of Photography, Milan
Glastonbury Abbey, England
Harry Ransom Humanities Research Centre, University of Texas at Austin
Harvard University Art Museums
The High Desert Museum, Bent Oregon
Horn Park Gardens, Dorset
International Visual Society Association
Japanese Gardens, Portland
Memorial to the Murdered Jews of Europe
Museum of Contemporary Art, San Diego
Museum fur Photographie, Berlin
National Film Theatre, London
National Museum of Natural History, Washington
National Trust, UK
Oregon History Centre
Peabody Essex Museum
Perth Institute of Contemporary Arts
Pittock Mansion, Portland
Parnham House, England
Portland Art Museum
Salvadore Dali Museum, Florida
San Francisco Museum of Modern Art
Society for the Preservation of New England Antiquities
Suntory Museum of Art, Tokyo
The Tate Modern, London
The Victoria and Albert Museum, London
University of Oxford Botanic Garden

Van Gogh Museum, Amsterdam

Series contains pamphlets, press releases, invitations and publications for photographic exhibitions at museums, galleries, festivals and universities in the United States and some abroad, between 1985 and 1999. Venues include:
621 Gallery, Tallahassee
Akron Art Museum
Amon Carter Museum
Bibliotheque Nationale de France, site Francois-Mitterrand
Bronx Museum of Art
California Museum of Photography
The Corcoran Gallery of Art
Denver Art Museum
Eastern State Penitentiary, Philadelphia
The Flagler Museum
George Eastman House, Rochester <BR>
Grey Art Gallery, New York University
Haas Gallery of Art, Bloomsburg University
Hood Museum of Art, Darmouth College
The International Center of Photography, New York,
James Howe Gallery, New Jersey
Kanagawa Arts Festival, Japan
Klebenov Gallery
Lehigh University Art Galleries
Missoula Art Museum
The Museum of Fine Arts, Boston
The Museum of Contemporary Photography, Chicago
The National Trust, UK
Octagon Galleries, Bath
Photographic Resource Centre Boston
Rose Art Museum, Brandis University
Seattle Art Museum
Smithsonian Institution, Washington
Southeast Museum of Photography
Taft Museum, Cincinnati
Tozzer Library, Harvard University
University Gallery at the University of Massachusetts
University of Southern Main
Wellesley College Museum
Wolfsonian, Miami Beach

Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2006-2007 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Jeremy Podeswa (Canadian film and television director), January 26, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/482.aspx
Joanna Berzowska & SX Labs (Concordia University), February 23, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/483.aspx
Jamel Shabazz (African-American photographer), March 29, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/484.aspx
Alain Fleischer (French filmmaker), April 27, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/485.aspx
Roger Ballen (American-South African photographer), May 11, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/486.aspx

Series contains audio recordings of 4 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2005-2006 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Mariko Mori (Japanese photographer), October 7, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/488.aspx
Fiona Tan (Australian-Dutch film and video installation artist), January 27, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/490.aspx
Chris Buck (Canadian portrait photographer), March 10, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/491.aspx
Steve Schapiro (American documentary photographer), April 7, 2006 Stream online: https://ryecast.ryerson.ca/48/Watch/492.aspx

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2003-2004 academic year. Lectures were recorded in video format and the schedule was as follows:

Sultan, Larry (American photographer), October 24, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/500.aspx
David Cronenberg (Canadian filmmaker), November 7, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/501.aspx
Jemima Stehli (UK photographer), November 14, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/502.aspx
Max Dean (Canadian installation artist), January 30, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/503.aspx
Lauren Greenfield (American documentary photographer and filmmaker), March 5, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/505.aspx
Andres Serrano (American photographer), March 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/506.aspx
Shirin Neshat (Iranian filmmaker), March 19, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/507.aspx

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Nicolas Baier (French Canadian multidisciplinary artist), October 19, 2001
Tom Hunter (UK photographer), November 2, 2001
Rineke Dijkstra (Dutch photographer), February 8, 2002
Roni Horn (American visual artist), February 15, 2002
(Lorna Simpson (American photographer), February 22, 2002
Janet Cardiff & George Bures Miller (Canadian multi-media and installation artists), March 15, 2002
Joan Fontcuberta (Spanish conceptual artist), March 22, 2002

Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. A lecture by Jeremy Podeswa, scheduled for February 16, 2001, was cancelled and is not included in the recordings. The lecture schedule was as follows:

Martin Parr (UK photographer), October 13, 2000
Daniel & Geo Fuchs (German photographers), October 27, 2000
Ernie Gehr (American filmmaker), November 11, 2000
Abelardo Morell (American photographer), November 17, 2000
Stan Douglas (Canadian photographer & installation artist), January 18, 2001
Robbert Flick (American photographer), February 9, 2001
Steven Mann (Canadian computational photographer), March 16, 2001

Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1999-2000 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Sandy Skoglund (American photographer), October 22, 1999
Linda Troeller (American photographer), November 5, 1999
John Gosssage (American photographer ), November 12, 1999
Suzy Lake (American-Canadian photographer, videography and performance artist), January 28, 2000
Jim Goldberg (American photographer), February 11, 2000
Ken Josephson (American photographer), March 3, 2000
Johan Van Der Keuken (Dutch documentary filmmaker & photographer), March 10, 2000
Alain Fleisher (French filmmaker and photographer), March 17, 2000

Series contains audio recordings of 8 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1998-1999 academic year. Lectures were recorded in both audio and video formats, with the exceptoin of the David Plowden, scheduled for January 29, 1999, whic was cancelled and no audio or video is available. The lecture schedule was as follows:
Adam Fuss October 23, 1998
William Ewing October 23, 1998
Carolee Schneeman November 13, 1998
Larry Fink November 20, 1998
Sophie Ristelhueber January 21, 1999
David Plowden January 29, 1999 (cancelled)
Donigan, Cumming March 5, 1999
Thomas Roma May 5, 1999

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1997-1998 academic year. Lectures were recorded in both audio and video formats, with the exception of the Vincent LaVoie lecture, which is only available in audio. The lecture schedule was as follows:

Jochen Gerz (German conceptual artist), December 12, 1997
Julian Cox (American curator) on Julia Margaret Cameron (UK photographer), January 30, 1998
Vincent LaVoie (French Canadian historian), February 5, 1998
Laurie Simmons (American photographer and filmmaker), March 6, 1998
Ed Burtynsky (Canadian landscape photographer), March 20, 1998
Jeffrey Shaw (Australian media artist), April 3, 1998

Item is an audio recording of American photographer Hiro speaking about his work at Ryerson University as part of the Kodak Chair Lecture Series at Ryerson University on November 14, 1986.

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1996-1997 academic year. The Deepa Mehta lecture was recorded in both audio and video formats, the Diana Thorneycroft lecture was recorded in audio only, and the Robin Collyer, Timothy Druckrey, and Perry Hoberman lectures were recorded in video only. The lecture schedule was as follows:

Diana Thorneycroft (American photographer), January 23, 1997
Deepa, Mehta (Canadian filmmaker), February 6, 1997
Robin Collyer (Canadian photographer and sculptor), February 20, 1997
Timothy Druckrey (American writer and curator), March 13, 1997
Perry Hoberman (American installation artist), March 27, 1997

Series contains audio recordings of 8 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2004-2005 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Phil Bergerson (Canadian photographer), October 15, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/493.aspx
Janieta Eyre (Canadian photographer), November 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/494.aspx
Walid Ra'ad (Lebanese-American media artist), November 26, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/495.aspx
David Robeky (Canadin video and installation artist), December 2, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/489.aspx
Michael Awad (Canadian photographer and architect), February 11, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/497.aspx
Raphael Lorzano-Hemmer (Mexican-Canadian installation artist), March 11, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/498.aspx
Harmony Korine (American director), April 1, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/499.aspx
Shu Lea Cheang (Taiwanese-American multimedia artist), April 14, 2005 Steam online: https://ryecast.ryerson.ca/6/Watch/496.aspx

Item consists of photographs of the Fulton and McKane families, the dog dot, and a wedding cake.

Item consists of photographs of a family taken at Atherley. Subjects include water bodies, the Samuel de Champlain monument (in present day Orillia and designed by Vernon March), a house, and a car thought to be a Ford Model A.

Item consists of miscellaneous photographs of a family posing by trees, water bodies, fields, fences, and a house. The photographs were most likely taken with an Ansco Camera.

Item consists of photographs taken of Mr. and Mrs. JE McKane at a wedding.

Item consists of photographs of a young girl and man around a neighbourhood and inside a house. Two photos are in front of a tall fence, one is a photo of the young girl with a woman and the other is the young girl surrounded by a group of people.

Item consists of 6 photographs of the McKane family, identified as Norman, Ethel, Dorothy and Fred Osborne, posed with a car, thought to be a Ford Model A Tudor Sedan.

Item consists of photographs of a young girl and two adults at Withrow Park with a large rabbit toy.

Item consists of photographs from the wedding of "JE McKane".

Item consists of members of the McKane family posing with a 1920s push lawn mower in front of a brick house.

Item consists of photographs taken at the wedding of Mr. and Mrs. McClure in 1925. Subjects include various group photos, a large boat, a Ford Model A, horse carriages, a large drum with the Prince of Wales on it, canoes, and dog carriages.

Item consists of photographs of a family at Atherley. Subjects include bodies of water, houses, bridges, and trees.

Item consists of two photographs at Atherley. One is of the McKane family in front of a brick house. The other photograph is of the brick house from a distance with flowers with long stalks in front.

Item consists of photographs of a family at Brechin. Subjects include family portraits and photographs with various farm animals including birds, horses, cats, and goats.

Item consists of photographs taken on Christmas day in the snow by a brick house. People photographed include "Dot [a dog], Joe & Norman, Ethel & James & Etc."

Item consists of photographs taken on a trip to Milwaukee. Subjects include stilt houses, water bodies, parks, and family portraits.

Item consists of eight photographs taken at Unionville of a young boy and a young girl. The children are accompanied by adults in two of the photos. In one of them both children are carried by adults with another woman standing by. In the other the young girl is standing in front of a man.

Item consists of photographs of a trip to Brechin. The photos are taken in a rural farming area with subjects that include men and women, horses, hay, firewood, a log cabin, corn stalks, and cows.

Item consists of photographs of three women and a man around Port Dalhousie.

Item consists of 15 photographs of a man and woman at and around Niagara Falls.

Item consists of photographs of two men and a woman at "Scarboro Heights". On the side of one negative is written "6th June 1925".

Sub-series consists of photographs of the McKane family and their friends at various events and locations.

Item consists of a snapshot of a a man and woman kissing. They are standing by a wooden fence, both holding straw hats.

Item consists of a snapshot of a toddler in a coy push car.

Item consists of a snapshot of a woman reclining in a hammock.

Item consists of a black and white photograph of two woman posed with four children sitting in the sand. The image is round, likely taken with a "Kodak", Eastman Kodak's first snapshot camera.

Item consists of a black and white photograph of two woman posed with two children, one woman and child are in a hammock. The image is round, likely taken with a "Kodak", Eastman Kodak's first snapshot camera.

Item consists of 23 photographs of family portraits by a house and by the water.

Item consists of twelve snapshots taken with the Kodak No. 1, the first rollfilm camera under the name "Kodak". Subjects include a house in a forest, a group of women posing in front of the house, a man walking by the house, cows, and men playing cricket or baseball. The images are round on a white background with a black border and gold gilded edges. On the back of one photograph is handwritten in pen "Set 2.00" on a piece of masking tape.

Item consists of a toned black and white photograph of a group of men and women on a sailboat. Five women dressed in long skirts and three men in turtlenecks or ties stand and sit on one end of the boat, posing for the photographer. In the foreground, a boy is turned away from the camera, looking at the group. He is wearing a hat and has his sleeves rolled up. The boat seems to tilt sharply to the left. On the back of the photograph is handwritten in pen "Une Voyage Commence" which is French, and translates to "a trip / journey begins".

Item consists of a toned black and white photograph of a man leading two women on camels. The women appear to be tourists. They are both older women in hats, gloves and glasses. They appear to be tourists, sitting atop camels that have ornamental blankets on their backs. The man leading the camels is wearing a long white robe, has a beard and a turban. They appear to be in the desert. There is a 0.5 cm white border surrounding the image. On the back of the photograph is handwritten in pen "Miss Livingstone & H."

Item consists of a black and white photograph of a woman posing with a dog. The woman is wearing a white dress, stripped stockings, a headband and boots. She is putting her face next to the dog's, who has its tongue out. They are sitting on the front porch of a house. There appears to be a slight light leak coming from the left side of the frame. There is a small white border around the image. On the back of the photograph is handwritten in pencil "633" and in pen "Ted & Buster"

Item consists of two black and white photographs of a baby in a wicker pram. The baby is bundled in white blankets and pillows and is wearing a hat and hood. The pram is indoors next to a large window. There are houseplants and a fern by the pram.

Item consists of two black and white photographs of a man and a dog. The man is wearing is suit and tie and hat, and is scratching a black and white dog behind its ears. They are in front of a house, and the dog is sitting on the steps. The man is looking at the camera. It appears as though the photograph was developed or fixed incorrectly, as there are marks from developing the image. The two photographs are identical, but different exposures. There is an uneven white border around both images. On the back of each photograph is written in pencil "28" and "50¢"

Item consists of two black and white photographs of a girl standing in a garden. The girl is wearing a light coloured shirt, skirt, cape and hat. In one photograph, she is wearing the hat, and in the other she is holding it. She is standing in the grass and looking at the camera. A 1 cm white border surrounds the images. On the back of each photograph is handwritten "July 7 / 31".

Item consists of two black and white photographs of a man and a woman with a baby. In each photograph, they hold the baby individually. They appear to be on the front porch of a brick house. The man is wearing a suit and the woman is wearing a long dark dress.

Item consists of a black and white photograph of a man and a woman walking a dog. The man is wearing a white shirt tucked into his pants, and the woman is wearing a dark coloured sweater and skirt, a necklace and white high-heeled shoes. They are standing in the grass in the front yard of a house. There is an awning, a porch, and flowers behind them. They are both looking at the dog, which is on a leash held by the man. The dog is small and black and shaggy. There is a 0.5 cm white border that surrounds the image. On the back of the photograph is handwritten in pen "Harry & Dodie Summer 1937."

Item consists of seven sepiatoned black and white photographs of what appears to be a family at a beach. Three of the photographs show a man in a swimsuit with a young girl and boy in swimsuits. They are sitting and standing in shallow water. One photograph depicts a woman sitting on a large rock with a young girl. Another shows the woman on the rocks alone. The sixth photograph is of four girls in dresses and hats standing on a large rock. The seventh photograph is of a woman standing on a rocky beach with a hat beside her and a building and trees behind her. There is a small white border surround each image, and on the back of each photograph is written in pencil "998a".

Item consists of two black and white photographs of a woman lifting a baby out of a wicker baby carriage. The woman and carriage are on a walkway to the front of a house. There are some flowers in the background. The carriage is posed diagonally, baby and woman are looking at each other. The photos appear to be developed and fixed improperly, as there are liquid markings and fingerprints on the prints. The two images are identical but flipped and cropped differently. One is lighter than the other. On the back of each photograph is handwritten in black pen "Baby Rer. 6 wks."