Phototeria booth and accessories
- 2015.24.5
- Unidad documental compuesta
- [ca. 1925]
Parte deThe Phototeria
McCowan, David A.
74 resultados con objetos digitales Muestra los resultados con objetos digitales
Phototeria booth and accessories
Parte deThe Phototeria
McCowan, David A.
Group of men with pumping apparatus (?)
Portraits of two men seated at a table.
RADmag (Ryerson Art + Design Magazine) Issue 02
Parte deThe Creative School
File contains 1 copy of issue 02 of RADmag.
RADmag (Ryerson Art + Design Magazine) Issue 07
Parte deThe Creative School
File contains 1 copy of issue 07 of RADmag.
RADmag (Ryerson Art + Design Magazine) Issue 08
Parte deThe Creative School
File contains 1 copy of issue 08 of RADmag.
RADmag (Ryerson Art + Design Magazine) Issue 011
Parte deThe Creative School
File contains 1 copy of issue 11 of RADmag
One cardboard box meant for holding dry plates manufactured by the Stanley Co. Box contained one dozen plates and ranked a No. 50 on the sensitometer. Box bears a logo with a man on a horse saying "On Stanley, On."
F.E. Stanley developed his own dry plate formulation and then eventually began selling plates to other photographers. The venture proved so successful that he and his twin brother, F. O. Stanley, became partners in the Stanley Dry Plate Company in 1884. Their coating machine, patented in 1886, accelerated the dry plate process, coating plates at a speed of one plate per second. The twins ultimately sold the Stanley Dry Plate Company to George Eastman of Eastman Kodak, who used the Stanley innovation to build his photography empire.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.
Stanley Co.
Unidentified archaeological site (wet plate negatives)
Item consists of two wet plate negatives of an archaeological site that has been edited for printing using paper and retouching (particularly in the sky).
"Slot machine makes perfect portraits"
Parte deThe Phototeria
Item is an article published in the Science and Invention magazine, in 1927. The article details the Photomaton, a photo booth similar to the Phototeria, invented by Anatol N. Josepho, and located at 1659 Broadway, in New York City.
Science and invention magazine
Normal School postcards and prints
Parte deTed Brock fonds
A collection of framed and unframed Normal School postcards, however, one postcard is a photograph of a postcard. A few have messages, names, addresses, stamps and postmarks . The framed postcards have been added to the Framed Collection and are numbered FR 123 and FR 125. See Framed Inventory for more detailed descriptions.
Two photographic prints, one b&W and one sepia. The images appear to be the same photographic image
Fonds consists of published materials authored or co-authored by Tremblay.
Tremblay, Pierre
Snow, Rain, Light, Wind : Weathering Architecture
Parte deFiliz Klassen fonds
The book consists of artistic photographs and text, with an accompanying DVD of snow, rain, light, and wind in moving images and still photographs, including those projected on building exteriors. File also contains a news release on the book.
Snow, Rain, Light, Wind : Weathering Architecture is a component of a larger project investigating "material innovations in architecture within the context of local and global climate and its changes...entitled, 'Malleable Matter.' " Filiz Klassen,Weathering Architecture.
Klassen, Filiz
Photographic poster of Lenin and sister Olga as children
Parte deLeniniana Collection
Small card posters printed with a photographic image of a young Lenin and his younger sister Olga. This photograph was taken by photographer E. L. Zhakrzhevskaya in 1874. Beneath the photograph it reads: Volodya Ulyanov with sister Olga. It was produced in Moscow.
The story of Canadian Kodak / Canadian Kodak Co., Ltd.
Parte deKodak Canada Corporate Archives and Heritage Collection
Item is an illustrated colour brochure profiling Kodak's operations and history in Canada. Includes overview of photographic film and paper manufacturing process.
Kodak Canada Inc.
Your colorama photos of man's first steps on the moon / Eastman Kodak Company
Parte deKodak Canada Corporate Archives and Heritage Collection
Item is a leaf of promotional text that originally accompanied a set of reproductions of the July 20, 1969 lunar landing. The text outlines the role of Kodak film in this landing and in space exploration in general. Photographic reproductions are missing.
Kodak Canada Inc.
U.S. apparatus division : equipment manufacturing for Eastman Kodak Company / Eastman Kodak Company
Parte deKodak Canada Corporate Archives and Heritage Collection
Item is a colour illustrated brochure outlining Eastman Kodak Company's equipment manufacturing facilities and capabilities.
Kodak Canada Inc.
Kodak Publication AA: Amateur Photography
Parte deKodak Canada Corporate Archives and Heritage Collection
File contains published instructional booklets on basic photographic subjects. Topics include: making a pinhole camera; early photographic history, caring for your motion picture camera, glossary of photographic terms, using an eye-level viewfinder.
Eastman Kodak Company
Kodak Publication E: Storage and Care of Photographic Materials
Parte deKodak Canada Corporate Archives and Heritage Collection
File part contains instructional information on the use of Kodak densitoemters and how to use density readings for black-and-white and colour printing.
Eastman Kodak Company
Series consists of gelatin silver prints, albumen prints, acetate negatives, and various colour photographic processes produced by amateur photographers, usually in an informal, outdoor setting.
[Portrait of a child in a toy car]
Item consists of a snapshot of a toddler in a coy push car.
[Portrait of a man and woman embracing]
Item consists of 10 unmounted albumen snapshots of a woman sitting in a living room, and images of the living room furniture and decoration, including wallpaper, photographs and hearth.
[Two Young Women Pretending to Fight]
Item consists of a toned black and white photograph of two teenage girls pretending to fight one another. One of the young women is wearing a plaid dress and has a fist raised as though she is going to punch the other. The other woman is wearing a long skirt and a white shirt, and is leaning in toward the first woman. Both are looking toward the camera as though this were a staged act for the photographer. They are standing in front of a house with a large tree. They appear to be in a rural setting. The photograph is surrounded by a 0.5 cm white border. The back of the photograph has a handwritten number in pencil "2174".
[Family on the Rocks and in the Water]
Item consists of seven sepiatoned black and white photographs of what appears to be a family at a beach. Three of the photographs show a man in a swimsuit with a young girl and boy in swimsuits. They are sitting and standing in shallow water. One photograph depicts a woman sitting on a large rock with a young girl. Another shows the woman on the rocks alone. The sixth photograph is of four girls in dresses and hats standing on a large rock. The seventh photograph is of a woman standing on a rocky beach with a hat beside her and a building and trees behind her. There is a small white border surround each image, and on the back of each photograph is written in pencil "998a".
Item consists of a black and white photograph of a woman posing with a dog. The woman is wearing a white dress, stripped stockings, a headband and boots. She is putting her face next to the dog's, who has its tongue out. They are sitting on the front porch of a house. There appears to be a slight light leak coming from the left side of the frame. There is a small white border around the image. On the back of the photograph is handwritten in pencil "633" and in pen "Ted & Buster"
Item consists of photographs of two men and a woman at "Scarboro Heights". On the side of one negative is written "6th June 1925".
Item consists of eight photographs taken at Unionville of a young boy and a young girl. The children are accompanied by adults in two of the photos. In one of them both children are carried by adults with another woman standing by. In the other the young girl is standing in front of a man.
Item consists of photographs of a young girl and man around a neighbourhood and inside a house. Two photos are in front of a tall fence, one is a photo of the young girl with a woman and the other is the young girl surrounded by a group of people.
Item consists of miscellaneous photographs of a family posing by trees, water bodies, fields, fences, and a house. The photographs were most likely taken with an Ansco Camera.
Images are of a gathering on a farm, with one group portrait and four snapshots of children. There is an illegible word inked on the envelope.
Shields, Lorne
Item is a carte de visite portrait of man standing in a photography studio. Made by Notman, Montreal.
Notman, William
Male sitting in chair with book
Item is a carte de visite portrait of man sitting at a table in a photography studio. Made by Notman, Montreal.
Notman, William
Item is a carte de visite portrait of man standing in a studio beside a chair and table. Made by Notman, Montreal.
Notman, William
Item is a professional portrait of young woman. Inscription on verso reads, 'Florence Roe Orr'. Edges of the item have been unevenly cut circularly around the subject's face.
Item is a portrait of man in a suit.
Item is a portrait of man in a suit.
Item is a loose tintype of a man and small child sitting in a photography studio.
Item is a portrait of young girl sitting on chair. Inscription on verso reads, 'Dorothy Orr Jany. 1908'
Item is a portrait of seven men. Stamp on back of card reads, 'F.H. Denison, Photographer, Dealer in Picture Frames, Chromos, Oil paintings, Stereoscopic Views, Albums, Wall Pockets, Brackets, &c. Court St. Fergus Falls, Minn.'
F.H. Denison, Photographer
Item is a cabinet card portrait of woman. Gold imprint below photograph reads, 'Elmer Chickering 21 West St. Boston'. Black text on back of card reads, 'The royal studio, Massachusetts charitable mechanic association founded 1795 inc. 1806. Awarded at the seventeenth exhibition 1890, highest award, Elmer Chickering Proprietor 21 West St. Boston, Duplicates can be had at any time', inscription in pencil on back reads, '86503'
Royal Studio
Item is a portrait of woman. Gold text beneath photograph reads, 'Boissonnas, Geneve' Gold ink on back of card reads, 'Photographie Instantanee Medailles D'argent Zurich 1883, Stuttgart 1887. Boissonnas 4 Quai de la Poste Geneve La Maison N'est Pas a L'Angle. Tous les cliches sont conserves'. Inscription in black ink reads, 'Property of Edith A. Murphy, Geneva Suitz. '89'
Boissonnas Photographie Instantanee
Portrait of young girl with bow in hair, holding umbrella behind her back. Inscription in black ink on back of photograph reads, 'Constance L.C. Orr'
Item is a cabinet card portrait of young man with vignetting. Gold text below photograph reads, 'Summerhayes & Walford Montreal'
Summerhayes & Walford
Item is a portrait of woman standing with hand on a mantle wearing cape and bonnet.
Portrait of woman in hat and furs.
Item is a cabinet card portrait of woman in hat and furs. Gold text below photograph reads, 'Wilkinson Bros. Cookshire, Que.'
Wilkinson Bros.
Brown textured leather cover. Sewn binding. Black pages with photographs mounted with glue along one side of photograph, on one side of page only.
Black leather album, lined with satin, bound with black string. "Photographs" is embossed on the front cover, and "Royal Albums" and "Made in USA" are in gold letterpress inside the back cover. Snapshots are glued to 40 black construction paper pages. Primarily vernacular images of weddings, soldiers, and vacations. Only Dick Gossett, Alan Pride, Bill McMillan, Duncan Wallace, and Minnie (Wallace) Owens are identified. One photograph of young men is entitled "Bolsover Flirts."
Royal Albums
Item consists of a brown album with gold embossing and darker brown detailing. Item has part of a metal clasp on right of cover. Pages are white with gold embossing and sleeves with cutouts to insert the photographs into. Spine is torn and in very poor condition.
Photographs are all carte de visite size, and there are 5 tintypes in paper mats spread throughout the album. Some are hand-coloured. They are all portraits, some are labeled in pencil or black ink on the back of or below the photograph with the subject's name and sometimes a date. The photographs were taken accross Canada in Charlottetown, Montreal, Halifax, Pictou, Ottawa, and others as well as Boston, Washington D.C., New York and Auckland New Zealand. Some of the studios that made the photographs in this album are the Notman Studio, Brady's National Portrait Galleries, James Inglis, and J.W. Black. Photographers include C.S. Lewis and Tanton.
Loose materials include: photographs, tintypes in individual envelopes.
Shields, Lorne
Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom right corner of image in blue ink, "To my good friend 'Alf'/ Martin, with best/ wishes/ T. Dhass(?)" Photograph is portrait of a man in pinstriped suit.
Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom right of image in blue ink, "To my Friend,/ Alf Martin/ W. A. Harrison". Photograph shows a man in light checked suit.
Item is an unmounted tintype is a photograph of a photograph of an older couple. Original photograph is in a decorative frame/case (daguerreotype or ambrotype?), and it is a studio portrait of a man and woman, sitting side by side, looking straight out at the camera, hands folded in lap. Woman wears a white bonnet and checked dress. Clothing of sitters suggest that original photograph dates from the 1850s. Handwriting on the back in pencil, not able to decipher.
Item is an unmounted studio portrait of a young man, seated in a chair. His posture is very casual, his chin resting in his hand, legs crossed. He leans low in the chair. The studio backdrop is of a fireplace and plants. There is carpet underneath him. He is wearing a hat with no brim, vest, bowtie, suit jacket and striped pants. Three corners are cut off at an angle. His cheeks are hand painted.
Item is an unmounted portrait of a man seated and a woman standing with her left arm resting on back of his chair. There is a table in front of her, beside him with a book on it. She also holds a book, that is resting on the table. She wears a hat and shirtwaist with buttons, the sleeves are puffy which are in keeping with fashion of the 1890s. She wears a brooch at her neck. He is sitting with his legs crossed, his body rurned away from the camera, but his face looking right at camera. He holds a scroll in his hand, and wears a sash of somesort across his chest. He looks very pleased with himself. Both their cheeks are tinted pink. Top corners angled off, and bottom edge is curved.
Item is an unmounted group portrait of four men and one woman sitting in a car. It is believed to be a Ford Model A car dating from 1903 which is how the photograph is dated. All four men are wearing bowlers hats, and suits with jackets and ties. Woman is wearing a large hat with flowers. Man behind wheel and another in backseat both have mustaches. Studio backdrop. Black band across top of image.
[Portrait of two men facing each other]
Item is an unmounted studio portrait of two men, both seated and turned toward each other, but not looking at each other. Both wearing dark frock coat with white shirts, no ties. One on left has a mustach. Both cheeks are inted pink. Man on right has his arm on armrest, and the other one on his knee. Varnish coating gives tintype a brownish colouring. Studio background looks like a fireplace.
Item is an unmounted studio portrait of a woman in a black dress standing against a plain background. She has a pin at her throat, and a white collar is visible under her black coat. Hair tied back with soft bangs is in keeping with the fashion of the 1880s. Her hands are held together in front, in black gloves. She is shown from the waist up.
[Group portrait of three women]
Item is an uunmounted studio portrait of three women. One is standing, one is perched on a stool, and one is sitting on the ground. All three have hats, two are wearing them, and one is holding it in her hands. All wear black dresses, two have purses. There's an umbrella leaning on stool. Cheeks are tinted pink. Given their clothing perhaps they are in mourning. All four corners are angled off.
Item is an unmounted studio portrait of a man sitting and a woman standing with her hand on his shoulder. The man sitting rests an arm on the table and one in his lap. The woman is wearing a dress with layers in fashion during the 1870s. Her hair is tight curls fringing her head in fashion after 1876. The studio backdrop is of an interior. The man's feet are crossed. A book rests on the table. All four corners are angled off.
[Hand painted portrait of a couple]
Item is an unmounted, hand-coloured tintype of a man and woman, both sitting and looking directly at the camera. The woman wears a dress buttoned down the front, with a white lace collar. The man wears a dark suit, with jacket and tie.
Item is an unmounted portrait of a woman in dark dress with white collar. Brooch and ring painted on in gold. Cheeks painted pink. She is sitting and one hand rests on a table and the other in front of her, on her dress.
[Portrait of a woman in bonnet]
Item is an unmounted portrait of a woman in a dark dress buttoned down the front, with what lace collar and a white bonnet and big bow. Her cheeks are tinted pink.
[Portrait of a man with beard]
Item is an unmounted portrait of a man, in a suite with jacket, double breasted vest, bowtie and watch chain. His shirt has a white collar and is checked. His beard frames his face, with his chin and upperlip are bear.
Item is a daguerreotype framed in brass matt, cover glass and brass preserver, but no case. Image is of a man with a mustache and a hat. He's wearing a dark suit with vest and silk tie tied in a bow. Looks as though the daguerreotype has been removed from its case.
Grandfather Bird in his young days
Item is a hinged union case (plastic case) with scroll design. Die Engraver is Frederick C. Key, Casemaker is S. Peck and Company who began manufacturing in 1852, as per example in Union Cases: A Collector's Guide to the art of America's First Plastics by Clifford and Michele Krainik p. 173. Inside cover has a brown velvet cushion. Image side has brass matt, cover glass and brass preserver over tintype. Image is of a little boy, right hand on armrest. Cheeks tinted pink.
Item is a cyanotype image featuring a portrait of a man dressed in the Canadian Navy uniform, on his hat is written H.M.C.S. He stands in what looks like the back yard or garden of a house. Paper is very thin.
[Photographic portrait pendant]
Item is a piece of photographic jewelry, a pendant with makeshift loop at top for chain. Very detailed gold plated metal pendant with glass image in centre. Image is adhered beneath a rectangular piece of glass, brown colour. Image is a portrait of a man standing, in a top hat and suit and bow tie. The glass is adhered to the centre of the piece.
[Female residents of Macdonald Hall, University of Guelph]
File contains three cream-coloured cards embossed with the coat of arms of the University of Guelph and the words "Macdonald Hall/ Guelph" in the upper left corner. On the lower right, the photographer's studio is identified as "The O'Keefe's/ Guelph, Ontario". Two of the portraits are duplicates. The third portrait is identified as "Jennie". Each card has a piece of glassine tissue covering the photo inside.
O'Keefe's Studio (Lionel C. O'Keefe)
[Portrait of Annie MacDougall as a child]
Item is a cream coloured card with long rectangular photograph of a girl in a photographer's studio, leaning against a cloth-draped side table with an open book. On the back of the card, a handwritten message to Marion Morris, to whom the card was given.
Item is a grey and green mottled-pattern bi-fold card with, art nouveu floral design embossed into the upper left corner of the front flap. On the front of the right flap is embossed the name of the photographer: "Craswell/ Charlottetown, P.E.I." Inside, a photograph of a woman with a short haircut. The image is very dark, causing the rest of her body to be obscured. On the inside of the left flap, a handwritten note gives her name and the date.
Craswell
Portrait proofs of Helen Ballock
5 photographs of the same woman in light-coloured blouse, different poses and backgrounds. Each image is stamped "PROOF ONLY" on the front, and again on the back with more explanatpry text. The studio's name is given as "The Stride Studios". The sitter was identified as "Miss Helen Ballock." on a manilla envelope which contained the images. [Envelope removed]
Stride, Charles Edgar
Photograph is of a woman sitting in front of a fireplace, with Redbook magazine open on her lap. The support for the image is a neon-red paper. On the lower right of the tan card mount is embossed the studio logo. On the verso is inscribed in green ink: "To Jessie, Wishing you many happy returns of the day. Violet. Jan. 1 1912."
Rembrandt's Studio
The photograph envelope is printed for the Owl Drug Store, of 336 Bloor St. West, and noted that the customer is "Mrs. Atwood, 23 Spadina." The negatives are of a woman wearing a white ensemble.
Shields, Lorne
Photographic print of three women is trimmed into a tiny circle and set into a button assembly. The unsmiling women are shown wearing white blouses and darker neck bows. The button is black metal, with a gold metal pin.
Shields, Lorne
Celebrity portraits sub-series
\li720Sub-series identifies portraits of famous persons or identifiable historical figures. Often these portraits were mass produced on a durable card backing for a commercial market.
[Portrait of a man exercising]
Item is a cabinet card portrait of a man exercising.
Lorne Shields Historical Photograph Collection
The collection consists of a large number of studio portrait photographs from the late 19th and early 20th centuries in carte-de-visite or cabinet card formats. There is a large collection of landscape and industrial imagery dating from the Victorian era to the 1960s. The collection also comprises many vernacular photographic albums, good examples of glass and metal photographic processes including cased daguerreotypes, ambrotypes and tintypes. The fonds is comprised of the following 8 series: Portraits (sub-series for Groups and Celebrities), Vernacular Photography (amateur snapshots), Landscapes and Industry (sub-series for Slides), Albums, the A.T. Orr collection and a Miscellaneous group of images which were generally created in mixed media.
Shields, Lorne
Portrait of boy with tennis racket
Item is a cream cabinet card with red letterpress at bottom, "G.A. OLDHAM, COLCHESTER." On verso, graphic design with text, "G.A. OLDHAM/ PHOTOGRAPHER/ AND/ MINIATURE PAINTER/ 11 QUEEN ST./ COLCHESTER/ NEGATIVES KEPT./ COPIES MAY BE HAD BY/ SENDING TO ABOVE ADDRESS./ Marion Imp. Paris, London - Déposé - Copyright." Photograph shows a boy seated on a plush chair with one leg crossed under, holding a tennis racket. Boy is same as pictured in 2005.001.107.
G.A. Oldham Photographer and Miniature Painter
Item is a vignetted photograph, portrait of an old woman in black dress, in oval matt with black letterpress at bottom right, "M.M. Morton/ LINDSAY, ONT." Mat is enclosed in a bi-fold grey card with embossed drawing of sun with face on the right side.
M.M. Morton
Portrait of a young man with moustache and bowtie
Item is a white cabinet card with gold letterpress and gold border. Text at bottom reads "Lee" followed by a symbol with M, W and L intertwined, and "OCONTO,/ WIS." Image is of a young man in a suit with a striped bowtie and a moustache.
Lee Photography
Item is a portrait of a little girl in tartan skirt and sash, with black coat and black hat (traditional highland dress?). Photograph is mounted on grey card stock with embossed border and text at bottom in bronze letterpress, "J. Walker/ FERGUS, ONT." On verso, in pencil, "2.00".
J. Walker
Portrait of McCallums children
Item is a photograph mounted on card backing, showing 4 children in outdoor setting with studio backdrop. Boy at centre sits on a swing with his sisters on either side, and the youngest seated on a log. On verso, in pencil, "McCallums - Ailsa Craig/ Lived next-door to us -".
Composite photograph of professors in the Faculty of Medicine, University of Michigan
Item is a cream coloured card with gold border and a series of oval-shaped portraits arranged in an oval around two central oval portraits. Names of individuals have been lightly added in pencil, clockwise from top: [illeg.], Palmer, Lusker(?), none given, none given, [illeg.], Douglass." Across bottom, also in pencil, "Med. Faculty Mich. University 1868". On verso, in black letterpress, at centre, "R.D. PALMER,/ PHOTOGRAPHER,/ And Portrait Painter,/ Huron Street, East of Cook's Hotel,/ ANN ARBOR, MICH." And below, "Negatives preserved, Copies enlarged in India Ink or Oil."
R.D. Palmer
Portrait of man with cabinet card
Item is a white cabinet card with image of a man resting his hand on an onrante chair and holding a cabinet card upside down. On verso, elaborate foliate patterns with the text "FROM THE STUDIO/ OF/ C. E. PERRY,/ Artistic Photographer,/ WOODSTOCK,/ ONTARIO." All in gold. Design features a beaver on the Ontario coat of arms in centre. At upper right, in pencil, "2.00".
C.E. Perry, Artistic Photographer
Portrait of girl with jump rope, on balcony
Item is a white cabinet card with gold border and image a young girl, seated on a window ledge with a jump rope and a small (stuffed or stone?) birl to the left. At bottom of card, in gold letterpress, "VANDYKE & BROWN/ PHOTOGRAPHERS" and at right "31 BOLD ST & 34 CASTLE ST/ LIVERPOOL." On verso, royal seal appears at top with large sideways lettering in centre "Vandyke & Brown". At upper left, "ARTISTE(sic) PHOTOGRAPHERS/ MINIATURE & PORTRAIT PAINTERS." Mid right "31, BOLD STREET/ AND/ 34, CASTLE STREET/ LIVERPOOL." At bottom right, "Negatives kept/ Copies may be had." and at centre "CARTES & CABINET PORTRAITS/ COLOURED TO ORDER."
Vandyke & Brown, Photographers
Portrait of baby on high back chair
Item is a grey card with white, textured front and embossed border around photograph of a baby in lace dress seated on a large, carved chair. On verso, in pencil, "To Mr. & Mrs. J Hill/ for/ Carl & Lorne./ 6 months old"
Portrait of three girls in matching dresses
Item is a beige card with embossed frame around photograph of three young girls, seated on a bench. The youngest is perched on the edge and wears a large bow in her hair. At bottom right of card, a red stamp with decorative wreath surrounding the initials "A B" is followed by the text "A. Brien/ 640 W. NOTRE DAME/ MONTREAL." On verso, in pencil, "[illeg] gilt(?)" and "6 x 9".
Brien, Anthole
Item is a beige card with portrait of a woman in dress with translucent sleeves and a large bow around the neck. Shows full view of body, with dramatically cinched waist from corset. At bottom, in brown letterpress, decoration with oval border and crown and the text, "CRAWFORD/ HAMILTON."
Crawford Studio
Portrait of two women and a man
Item is a cream coloured card with single fold and light grey design at top left - a diagonal with 2 squares. Inside, photograph of 2 women with hats and gloves on either side of a young man, soldier(?). Studio setting.
Portrait of a man in suit with polka dot bowtie
Item is a cabinet card with black fabric lining on card with oval photograph showing a man with curled moustache and a polka dot bowtie and striped shirt. At lower right, embossed in gold, "Maxwell/ WALLA WALLA,/ WASH." A few pen marks added to enhance moustache.
The Maxwell Studio
Portrait of a woman in a fur coat
Item is a green bi-fold card with a design in silver letterpress at the top left of an artist's palette and brushes with the text "The/ Gainsboro". Inside, a portrait of a woman with a wavy bobbed haircut and a fur coat with thick fur collar. At the bottom centre, in black letterpress, "THE/ GAINSBORO/ STUDIOS/ TORONTO/ HAMILTON/ ST. CATHERINES".
Gainsboro Studios
Item is a black card with oval photograph surrounded by an embossed ivy border, showing a young man in suit with tie and waistcoat. At the bottom right, in white letterpress, "Keenan/ BARRIE."
Keenan
Portrait of a man and woman with pocket watch
Item consists of a beige coloured card with scrolled edging and a full body photograph of a man and woman against a studio backcrop depicting a latticed window and romantic stormy sky. The man is seated on a wicker chair and the woman stands next to him, a pocket watch attached to her blouse.
Item is a cream coloured cabinet card with red border and red letterpress at bottom, "BRIGHAM/ SCARBORO". Full body photograph of a woman standing in front of a wooden fence against a pained backdrop depicting trees and a large house at the right. Woman wears a full hoop skirt and holds a hat. On verso, in black letterpress, "W.D. Brigham./ Photographer./ HUNTRISS ROW./ & New Queen St./ SCARBORO,/ & Pocklington." In handwritten ink, "Cousin/ Hannah Mayman."
W.D. Brigham, Photographer
Mrs. Kingdom and daughter Mary K
Item is a beige cabinet card with gold letterpress at bottom, "REES" and "223 FEDERAL ST.,/ YOUNGSTOWN, OHIO." Photograph shows a seated woman with wide, popularly termed "leg o' mutton" sleeves, and a young girl standing beside her in a lightly-patterned dress with wide frilled collar. On verso, in blue ink, "Mrs. Kingdom(?) &/ daughter Mary K".
Rees
Item is a grey cabinet card with beige border and a photograph of a young girl, probably around 6 or 7 years old, in a a dark coloured dress with light coloured stiching and ribbons. She holds a bouquet of flowers in her right hand and stands next to a chair on which is seated a baby in a white dress. A studio backdrop of curtains and faux mantlepiece are behind them.
Item is a light grey cabinet card with photograph of two women in matching dark dresses with large, leg o' mutton sleeves and wide lapels. The image is vignetted, and printed on very white paper.
Item is a white cabinet card with gold letterpress border and text at the bottom, "W. Farmer 35 KING STREET/ HAMILTON, ONT." Photograph shows a baby in white dress seated on some fabric. On verso, printed sideways, an elaborate lithograph with a camera, woman and cherubs admiring a pictures with a city scene in the distance and the text "W. Farmer/ 35, King Street,/ Hamilton, Ont./ ENLARGEMENTS IN INDIA INK, WATER COLOR, CRAYON AND OIL./ SPECIAL DEPARTMENT FOR PICTURE/ FRAMES AND MOULDING./ DUPLICATES/ CAN BE HAD/ AT ANY TIME./ Manufacturer/ of Dry Plates./ NEG. C. E. & C."
W. Farmer
Portrait of a young woman with tennis racket
Item is a black cabinet card with embossed gold text at the bottom, "Robert Smith/ 100 COWCADDENS ST./ GLASGOW." Photograph shows a young woman in light coloured dress in front of a painted rocky backdrop and lighthouse holding a tennis racket at her right side.
Robert Smith
Portrait of woman and two children
Item is a beige cabinet card with brown letterpress at bottom, "W. Crooke/ 103 PRINCES STREET/ EDINBURGH." Photograph is of a mother and two daughters. The woman sits on the left, wears a tight jacket with lace sleeves and a narrow bonnet with crushed fabric decoration at brim and large silk bow tied under her neck. The older girl on the right wears a dark fabric, probably velvet, dress with lace collar and lace trimming on short sleeves. The infant on the mother's lap wears a lace dress and bonnet. Only the infant looks toward the camera.
Crooke, William, 1849-1928