Item consists of a black and white photograph of two woman posed with four children sitting in the sand. The image is round, likely taken with a "Kodak", Eastman Kodak's first snapshot camera.

Item consists of a snapshot of a woman reclining in a hammock.

Item consists of two photographs of a baby in a white dress sleeping in a bed. The baby is propped up on some pillows in a single bed. These appear to be the same photograph printed twice at different exposures.

Item consists of two black and white photographs of a little girl popping out of a baby carriage. In one photograph, the little girl is looking up, and in the other photograph she is looking out. The carriage is parked in the front or back of a house. There is ivy covering the house. There is a 0.5 cm white border surrounding the image. The back of both photographs are stamped in black ink "532C".

Item consists of a black and white photograph of a woman sitting beside a baby on some grass. Beside them is a wicker chair with a light coloured pillow and a wicker baby carriage. They appear to be sitting in the back yard of a home. There is an uneven white border surrounding the image. On the back of the photograph is handwritten "August 9th 1914".

Item consists of two black and white photographs of a girl standing in a garden. The girl is wearing a light coloured shirt, skirt, cape and hat. In one photograph, she is wearing the hat, and in the other she is holding it. She is standing in the grass and looking at the camera. A 1 cm white border surrounds the images. On the back of each photograph is handwritten "July 7 / 31".

Item consists of two black and white photographs of a baby in a wicker pram. The baby is bundled in white blankets and pillows and is wearing a hat and hood. The pram is indoors next to a large window. There are houseplants and a fern by the pram.

Item consists of a toned black and white photograph of a group of men and women on a sailboat. Five women dressed in long skirts and three men in turtlenecks or ties stand and sit on one end of the boat, posing for the photographer. In the foreground, a boy is turned away from the camera, looking at the group. He is wearing a hat and has his sleeves rolled up. The boat seems to tilt sharply to the left. On the back of the photograph is handwritten in pen "Une Voyage Commence" which is French, and translates to "a trip / journey begins".

Item consists of photographs taken on a trip to Milwaukee. Subjects include stilt houses, water bodies, parks, and family portraits.

Item consists of photographs of a family at Atherley. Subjects include bodies of water, houses, bridges, and trees.

Item consists of photographs of a young girl and two adults at Withrow Park with a large rabbit toy.

Item consists of 6 photographs of the McKane family, identified as Norman, Ethel, Dorothy and Fred Osborne, posed with a car, thought to be a Ford Model A Tudor Sedan.

Item is a portrait of baby standing on a chair. The mother's arm is subtley draped in the background. Embossed beneath the photograph reads, 'Phillips Square, Montreal, Wm. Notman & Son'. Inscription in black ink on back of mount reads, 'Constance Orr'.

The techniques of the masters videoconference series poster for Jerry Uelsmann's lecture "A Remarkable Blending of Image and Imagination".

Item is a contact sheet featuring portraits of an unknown man, presumably a Kodak employee.

File contains records created in the production and publication of promotional photographs. Documents include: image captions for photographs of individuals, products, and war-related munitions work; picture files for photographs for the 1962 annual report; correspondence with external individuals requesting usage rights; correspondence regarding the Kodak commemorative stamp photographs, product images, and Kodak Ltd.'s coronation photographs; and photography release forms. Most records in file were unfortunately divorced from their accompanying photographs at some point during their life cycle.

File contains press releases and press kits prepared by Eastman Kodak Company communications department between 1976 and 1989. Most press releases pertain to Kodak products and provide tips on various forms of photography and subject matter. However, some releases pertain to events in Kodak's corporate history, such as corporate anniversaries. Eastman Kodak's Corporte Information department changed its name to Corporate Communicatons in 1979 and then to Communications and Public Affairs between 1983 and 1987.

Item is a bi-fold card with grey card and silver embossed key design at top. Inside photograph of a young woman with a short, bobbed hairstyle. In black letterpress at bottom of inside card, "Portrait by Fulton C. Stewart, Lindsay, Ont."

Item consists of a photograph mounted on grey card. Image shows a group of 7 men in suits seated in the back of a car with the roof drawn back. American flags hang from the lantern, door, and in front of the vehicle. There is a barn in the background. On verso, handwritten in pencil at upper left, "WSBCJ" and at upper right, 12.00/ 3c".

Item is an illustrated brochure promoting photographic technology and history and profiling Kodak in Canada and around the world.

Item is an illustrated promotional pamphlet detailing major events in the history of Kodak (Australasia) Pty. Ltd., Eastman Kodak Company's Australian subsidiary.

Item consists of three copies of a commemorative folder with 4 Canadian postage stamps presented on a "Day of Issue" envelope. The Stamps mark the 150th anniversary of Kodak Canada.

File consists of bound and unbound volumes of Kodakery: a magazine for amateur photographers, published monthly by Eastman Kodak Co. File includes: Sept. 1920 to Aug. 1921; June, Aug., Nov. and Dec. 1925; and Jan. 1926.

Item is the September 1992 issue.

File part contains instructional information on the use of Kodak densitoemters and how to use density readings for black-and-white and colour printing.

Item is a cardboard boxed filled with 54 stereoscopic images. Item comes with one handheld, compact, metal accordion fold black stereoscope. This object was used to view two nearly identical photographs, or stereographs, as one three dimensional image. The stereograph would be placed in the sliding card holder and adjusted to fit the user's vision until the two images overlap to mimic a three-dimensional effect. Images are vernacular photographs sent to A.P. Manners Ltd. to develop, print, and then return images to photographers. Written by previous owners on a small yellow post-it-note : recoverying from W.W. II English Military Sectary.

Written on box : A.P. Manners Ltd. Finest Quality Developing, Printing, Enlarging and 35 mm Process In Services Photographic and Cine Specialists, 11 Westover Road, Bournemouth.

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1996-1997 academic year. The Deepa Mehta lecture was recorded in both audio and video formats, the Diana Thorneycroft lecture was recorded in audio only, and the Robin Collyer, Timothy Druckrey, and Perry Hoberman lectures were recorded in video only. The lecture schedule was as follows:

Diana Thorneycroft (American photographer), January 23, 1997
Deepa, Mehta (Canadian filmmaker), February 6, 1997
Robin Collyer (Canadian photographer and sculptor), February 20, 1997
Timothy Druckrey (American writer and curator), March 13, 1997
Perry Hoberman (American installation artist), March 27, 1997

Series contains audio recordings of 4 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2005-2006 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Mariko Mori (Japanese photographer), October 7, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/488.aspx
Fiona Tan (Australian-Dutch film and video installation artist), January 27, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/490.aspx
Chris Buck (Canadian portrait photographer), March 10, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/491.aspx
Steve Schapiro (American documentary photographer), April 7, 2006 Stream online: https://ryecast.ryerson.ca/48/Watch/492.aspx

File contains auction catalogs from various companies featuring photographs, photo-books and photographic technology.

This collection consists of photographic films, papers and chemicals used by various individuals for amateur or professional purposes. The collection also includes camera accessories, flash equipment, various lenses, exposure meters (light meters) and equpiment used for darkroom processing and printing. This is a growing collection, created to help preserve the materials used for analogue photographic developing, printing and enlarging.

Items are dry plate negatives covering a wide variety of focuses, including group pictures, horses, buildings and railways

One cardboard box meant for holding dry plates manufactured by the Canadian Kodak Co. Originally came with instructions inside the package. Contained one dozen plates measuring 4 x 5 inches.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

Item is a dry plate negative depicting 9 adults and children posing during a tug of war game.

Item is an automatic coloured magic lantern slide containing several hand painted glass slides that could be rotated against each other with a small attached hand crank. Hand crank appears to be made of wood, as does the mount.

Collection consists of an automatic photobooth, and material related to its original function. Designed by David McCowan and patented on May 21, 1929. The collection includes vintage articles and advertisements, photographs of the booth and members of the McCowan family, the booth itself, along with related accessories.

File contains digital reproductions of vintage and current articles featuring the Phototeria.

Item consists of 25 photographs of Peter McCowan, son of the Phototeria inventor David A. McCowan, with various accessories from the booth. These include a portrait of Peter McCowan taken in the Phototeria, a lens, an instruction plate, and a crate that was used to store unexposed photographic discs used in the booth.

Item is a tintype in an ornate handmade cardboard and papier mache frame.

Items are tintypes portraits of people, 8 are framed but the majority are unframed. Some show families or couples, but most focus on individuals

Item is a hand painted, medium format lantern slide with 4 images illustrating a boy swatting a man with a net.

Item is a group of negatives and prints, examples of various photographic media.

1 wet collodion plate 16.5 x 21.5 cm
2 glass plate 16.4 x 21.3 cm
3 glass plate 16.5 x 21.5 cm
4 glass plate 16.4 x 21.5 cm
5 polaroid sx 70 10.8 x 9.9 cm
6 polaroid polacolor 2 8.5 x 10.5 cm
7 polaroid polacolor 2 8.5 x 10.5 cm
8 Kodak Handle instant photo 10.2 x 10.2 cm

Series contains pamphlets, maps, guides and publications for cultural sites and photographic exhibitions between 2000 and 2005. Venues include:

Bath Abbey, England
The Boston Public Library
East Lambrook Manor Garden, England
The Finnish Museum of Photography
Forma International Centre of Photography, Milan
Glastonbury Abbey, England
Harry Ransom Humanities Research Centre, University of Texas at Austin
Harvard University Art Museums
The High Desert Museum, Bent Oregon
Horn Park Gardens, Dorset
International Visual Society Association
Japanese Gardens, Portland
Memorial to the Murdered Jews of Europe
Museum of Contemporary Art, San Diego
Museum fur Photographie, Berlin
National Film Theatre, London
National Museum of Natural History, Washington
National Trust, UK
Oregon History Centre
Peabody Essex Museum
Perth Institute of Contemporary Arts
Pittock Mansion, Portland
Parnham House, England
Portland Art Museum
Salvadore Dali Museum, Florida
San Francisco Museum of Modern Art
Society for the Preservation of New England Antiquities
Suntory Museum of Art, Tokyo
The Tate Modern, London
The Victoria and Albert Museum, London
University of Oxford Botanic Garden

Van Gogh Museum, Amsterdam

Two pairs of photographs originally grouped together. Two photographs are of a girl seated on a miniature chaise longue in front of garden wall, and two photographs are of the interior of Canterbury Cathedral. The cathedral photographs have both been written on verso in pencil "Canterbury Cathedral," and individually in ink, "Presbytery and Archbishop Bourchier's Tomb" and "Effigy of the Black Prince from his Tomb."

Consists of a print of the outside of a post office building with four individuals standing outside.

Item is a carte de visite portrait of a young girl in a photography studio. Inscription on verso reads 'Florence Rose Orr - 6 years old - 30th July 1881. Made by Notman & Sandham, Montreal.

Item is a cabinet card featuring a portrait of young female in graduate costume. Made by Wm Notman & Son, Montreal.

Item is a portrait of man in a suit.

Item is a loose tintype of a man and small child sitting in a photography studio.

Item is a loose hand colored tintype depicting a boy with curly hair standing beside a table in a photography studio.

Item is a loose hand-coloured tintype portrait of four men.

Item is a photograph of a boy standing in a studio. Inscription on verso reads, 'W. Roylance Gourt'

Item is a portrait of woman in veil holding flowers. Information [illegible] pressed into tin on top of object.

Item is a carte de visite portrait of a young man dressed as jester. Text below photograph reads, 'Camille Rensch Phot.'. Text on back of card reads, 'Camille Rensch Photographe 19 Rue Royale St. Honore Au premier PARIS'.

Item is a brown cabinet card with text embossed in gold at the bottom edge, "Mad/ Ed./ Gagne/ 211 rue St. Laurent/ MONTREAL." Photograph shows a young woman with a fittend, columnar dark dress with elaborate ruffled flounce a the base and a long fur scarf. She holds a fur muff in her right hand, and rest her gloved left on the top of an elaborate metal gate. The scene appears indoors despite a blanket of grass beneath her feet. She wears a flat, straw hat.

Cream card with embossed text at bottom, "Gillespie" within a decorative artist's palette and brushes design, and "New Castle, Pa." The photograph is a full length portrait of a young boy standing on a chair piled with furs. He wears a dark jacket with high lace cuffs and wide, square collar toward the back (visible on the right shoulder) and an ascot tie. Instead of cropped trousers, he wears a skirt. A muffin-shaped hat is on his head.

Item is a cream cabinet card with gold letterpress at bottom, "Fenner" and at right, "GALLIPOLIS. O." In between, decoration with 3 letters intertwined, "W" "J" "F". Photograph is a full length view of a young girl, probably about 2 years old, seated in a blanketed chair holding a doll in her hands. On verso, elaborate border design surrounding the text "FROM THE/ PHOTOGRAPHIC/ STUDIO/ OF/ W. J. FENNER/ ART/ PHOTOGRAPHER/ GALLIPOLIS. O." The word "art" is contained inside a drawing of an artist's palette and brushes. At the upper right, handwritten in black ink, "5.00/ D42".

Item is a cream cabinet card with gold letterpress, partially obscured by the photograph which is pasted on top, sideways. "Van Aken/ ELMIRA, N.Y." with a decoration with letters "V" and "A" intertwined. Photograph shows two individual circular portraits of a man and a woman. Handwritten in ink at the base of the woman's portrait is "1851" and the man's, "1850". Given the style of dress and hair, this is probably the date of the original picture and not a birth or death date. On verso, an elaborate border and design with griffon and foliage, with the text "E.M. Van Aken/ Photographic/ Art/ Studio./ Practical Photographer,/ 120 West Water Street,/ ELMIRA, N.Y./ COPYRIGHTED 1889."

Item consists of a white card with embossed text at bottom, "Arthur & Philbric Studio". Photograph is a vignetted portrait of a man and infant, very casual. The man wears a dark suit and tie, and holds the infant of about 1 year of age on his right shoulder, laughing. The infant wears a white lace dress and has its left hand to its mouth, also laughing. On verso, elaborate design with spiderweb, sunflowers and rolled parchment in the shape of a shield, with the text "Wilkie G. Coss,/ SUCCESSOR TO/ ARTHUR & PHILBRIC,/ PHOTOGRAPHERS,/ 21 Canal Street,/ GRAND RAPIDS,/ MICH."

Item is a white cabinet card with embossed edging and embossed text at bottom, "Brown" and "STERLING, ILL./ 10 EAST THIRD ST." The name Brown is placed within a decorative artist's palette and brushes design. Photograph is a of an older man with long moustache and simply wool suitcoat and striped tie. On verso, handwritten in blue ink, "Herman Sterling uncle of/ Mazie(?) Shepard".

Item is a brown cabinet card with brown letterpress at bottom, "J. Al. Llyod York, Neb." Photograph is a portrait of a young man in suit and tie, with a handkerchief in his breast pocket. On verso, handwritten in pencil, "1890".

Item is a white cabinet card with gold letterpress at bottom. At the left the text "Brown" is surrounded by a design of artist's palette and brushes. On the right, "STERLING, ILL./ 10 EAST THIRD ST." Photograph is a portrait of a young man in high starched collar pressed back into 'wings' with a striped bowtie. He wears an open jacket and waistcoat. On verso, handwritten in blue ink, "Albert Johnson".

Item consists of a cream coloured cabinet card with gold letterpress at bottom. At the left the text "Brown" is surrounded by a design of artist's palette and brushes. On the right, "STERLING, ILL./ 10 EAST THIRD ST." Photograph is a portrait of a young man in high starched collar with a vertical stripe and a floral embroidered ascot. He wears an open jacket and waistcoat. On verso, handwritten in blue ink, "Roy Hoak".

Item consists of a white cabinet card with embossed gold text at bottom "Carlsou/ SYCAMORE, / ILLS." A design with the letters "F" "M" and "C" intertwined is at the bottom centre. Photograph is a portrait taken from the side of a man with beard and moustache, white starched collar pressed into "wings" and a white tie. On verso, design printed in blue of croxx and flowers with scroll at centre. Design features the text "Carlsou/ PHOTOGRAPHER/ SYCAMORE,/ Ills./ Duplicates/ can be had/ at any/ Time./ COPYING AND ENLARGING/ A SPECIALTY./ 1893." Handwritten in pencil at the top edge, "Everett Gould" and in brown ink at the right side, "Property of/ Dorothy E. Higby."

Item consists of a white cabinet card with embossed silver text at bottom, "Lee" and "YORK/ NEB." with the design of an artist's palette and brushes at the centre surrounding the text "SUPERIOR/ FINISH". Photograph is a portrait of a man with high collared white shirt and patterened tie with open jacket. On verso, handwritten in pencil, "John Montgomery" and in brown ink, at right, "This picture/ belongs to/ Dorothy Higby".

Item is a photograph of four young women mounted on a postcard backing. The image is a full-length portrait, wiht three women in white blouses and dark, plain wrap-style skirts (the one at the far right has buttons decorating the seam) and the youngest in a sailor style dress. On verso, in black ink, "POST CARD/ BRITISH MADE" and a line dividing two sections for "Correspondence" and "Address". At the far left, printed sideways, "Kestin Photographer Skipton".

Item is a cream coloured carte-de-visite featuring a full-length portrait of a man and woman, seated in front of a studio backdrop with window frame and painted scene including trees and an acquaduct. Woman wears a dress belted at the waist with a ribbon in her hair. Man wears a suit and tie and thick beard. On verso, stamped in blue ink, "Wills & Bryant,/ PHOTOGRAPHERS,/ WOODSTOCK,/ ONTARIO."

Item is a pink card with photograph of a woman in striped blouse and white scarf. The image has an oval shape, visible at the corners of the photograph, but the photograph has been cropped in. It was probably meant for a larger, possibly cabinet card mount, but the woman's style of dress is still close in date to the mount style, about mid-1880s.

Item is a grey card with embossed oval border around a photograph of a black woman with white polka dotted blouse and tartan scarf. On verso, handwritten in pencil at the top right, "7.00".

Item is a white card with full length portrait photograph of a woman in a long black dress with high collar and skirt train. She stands behind an upholstered chair, holding a book loose in her right hand. The backdrop is a painted scene with large window. On verso, lithographed in gold, "P. DOEBEREINER/ Photographer." A design with a cornucopia surrounded by an artist's palette and brushes, a camera and a scroll with the image of two people is at the centre. Drawings of cartes de visites fall out of the upturned cornucopia. At the bottom, also lithographed in cold, "CALEDONIA/ ONTARIO." At the top right corner, there is the faint impression of lettering reading "L Fox"?

Item is a pale yellow cabinet card with portrait of a woman in a flower patterened coat and high collar, gloves and feathered hat, leaning against a stone wall with potted plants. On verso, the motto and arms for the city of Aberdeen (showing three castles, two leapords and the motto "Bon Accord") followed by the photographer's stamp in black, "ARTIST/ &/ PHOTOGRAPHER/ W. Carey,/ 35 & 37 BACK WYND,/ ABERDEEN./ Pictures of every description,/ Copied, enlarged and finished in Oil,/ Water, or Crayon./ George Mason & Co."

Item is a white carte de visite with photograph of a young girl in dres with short lace sleeves and a dark sash around the waist. She is seated on fur. At the bottom of the card, in black letterpress, "Grimmett, INSTANTANEOUS PORTRAIT/ PARSONS ST BANBURY." On verso, a form is laid out sideways on the card. "IN ORDERING COPIES IS NOT NECESSARY/ TO SEND THIS PHOTOGRAPH SIMPLY QUOTE/ THIS NO". In black ink, no is given as "1136". "GRIMMETT,/ Art Photographer/ ALL PORTRAITS TAKEN BY AN INSTANTAEOUS PROCESS/ Parsons Street,/ Banbury./ THE NEGATIVE OF THIS PORTRAIT WILL BE PRESERVED SO THAT COPIES MAY BE HAD AT ANY TIME IT CAN BE ENLARGED OR/ REDUCED AND FINISHED IN OIL OR WATER COLOURS".

Item is a cream card with light pink backing. Vignetted portrait of a woman in a high collared dress with vertical ribbon decoration. At bottom of front of card, in brown letterpress, "G. W. Secretan 210a TUFNELL PARK Rd". On verso, also in brown, "210a TUFNELL PART Rd/ LONDON N./ G. W. Secretan/ FROM Mora NEW YORK/ GROUNDS ATTACHED TO THE STUDIO/ FOR PHOTOGRAPHING CYCLISTS GROUPS/ & EQUESTRIAN PICTURES./ NEGATIVES ARE NEVER DESTROYED./ COPIES CAN BE HAD AT ANY TIME./ NO...../ ALEX:LINDNER, BERLIN".

Item is a white card with textured surface and a portrait of a young boy in a sailor style suit and hat, seated on the edge of a wicker chair and holding a shovel. At the bottom of the card, embossed in gold, with a geometric design, "A. G. PITTAWAY/ 58 SPARKS ST./ OTTAWA." Following the text, a design with three gold medals is embossed into the bottom right corner, reading "WORLDS/ COLUMBIAN/ EXHIBITION/ CHICAGO/ 1893" and "EXHIBITION JAMAICA 1891" and "-RDED/ -RPIZE/ -ARIS/ -889".

Item is a light grey cabinet card with full length portrait of a young boy, about 5 or 6 years old, wearing a frilled white dress shirt and dark shorts with dark knee socks. He has curls down to his shoulders in the Fauntleroy fashion. He leans against a diamond-patterened fence made of tree branches and there is the trunk of a tree to the left of the image. Fence is in front of an interior wall, implying a studio setting. At bottom of card in black letterpress, "P. BOGRAND, Wausakee, Wis." On verso, handwritten in pencil, "5-".

Item is a white card with raised oval photograph of a man with a thick beard seated profile. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Item is a white card with raised oval photograph of a man with a thick beard. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ &/ HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten in black ink at bottom, "Taken 2/72". Handwritten very lightly at the top of the card, "70710".

Item is a white card with raised oval photograph of a woman with a lace collar and a dark ribbon tied around her neck. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ &/ HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten lightly at top edge, "70782".

Item is a beige cabinet card with black letterpress at bottom edge, "Turner & Drinkwater/ 8, Regents Terrace/ Hull." Photograph is a portrait of a man leaning against a chair with his right hand in his pocket. He wears a checked suitjacket and matching waistcoat with plain trousers. There is a thin piece of glassine tissue attached at the top of the card that folds over the front of the card. The tissue has a design lithographed on it with the heraldic badge of the Prince of Wales above the text "TURNER & DRINKWATER/ THE STUDIO ROYAL, HULL./ NO. 8/ REGENT'S TERRACE." On verso, black text printed sideways, "Photographers to Their Royal Highnesses/ The Prince & Princess of Wales,/ Duke of Edinburgh and/ Duke of Cambridge". Handwritten in pencil at the lower left corner, "43825".

Managed by William Hebb until 1876, when Oliver M. Hill took over the position.grey card which fades from light to dark from left to right, with round portrait of a woman with a ruffle-collared dress. At bottom right, embossed in white on a diagonal, "F. W. Wood Ltd. 347 & 349 EDGEWARE RD. ,W./ 8, 22 BISHOPS RD., W." On verso, handwritten in pencil, "112330".

Item is a beige cabinet card with scalloped edges and brown letterpress at bottom. On the right, "Phipps" and on the left "NEW CASTLE,/ PA." In the centre, a design with artist's palette and brushes and the text "PHIPPS'/ EXTRA/ FINISH". Photograph is a portrait of an infant in a dress with wide lace collar, seated on a chair draped in fabric. On verso, elaborate border design with vases and the text "A. W. PHIPPS/ PHOTOGRAPHIC/ Art Studio./ 61 1/2 Washington Street/ New Castle, Pa."

Item is a white card with gold letterpress at bottom edge. On the left, a design with a green shield and the letters "L" and "S" intertwined. On the right, "Leavy's Art Gallery/ NEW CASTLE, PA." Photograph is a portrait of a woman with large puffed sleeves seated in a wicker chair, with an older man with beard standing on either side of her. On verso, handwritten in blue ink, "Seth Stoughton/ Jane Stoughton Cobble/ William Stoughton/ Grandfather of Jean Ellis Douglass".

Item is a portrait printed on textured art paper of a man seated in a window with his arm around a woman standing beside him, looking out the window. Posed artistic portrait. Embossed at bottom right, "Baker Art Gallery/ COLUMBUS, O." Embossed at top left, a coat of arms with lion. In grey bi-fold mount.

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom of image on card in black ink, "To my friend/ Alf Martin, with all regards/ T. A. Brown." Photographer's stamp to the right, "J. Alex Castonguay". Photograph is portrait of a man in suit and tie, blurred, against dark background.

Item is in a cream coloured card-frame embossed opening, with embossed letters "Potter's Patent March 7 1865." Which is how we dated the tintype. Photograph is a studio portrait of two women, both seated, arms resting on the one armrest with fringes. Woman on right is dressed all in black, with black hat and veil - perhaps mourning wear. The woman on the left is in full skirt with black trim and black top, white collar and black hat. Both have pink tinted cheeks.