Trimester system

Series includes information on the Applied Arts TV facility.

Series contains examples of various obsolete video formats.

Series contains samples of various film items including a variety of gauges and sizes.

CALPA Technical and Safety Digest, and Headquarters newsletters.

Series consists of sculptures and reliefs of Lenin, as well as a piece of marble from Lenin's mausoleum. Media include metal, wood, bronze, plaster, stone, plastic, glass, porcelain, and clay.

Series consists of camera models, from individually hand-crafted to mass-produced, and camera equipment, including filters, light meters, and timers, and darkroom equipment, including enlargers, chemicals, and printing papers. Several non-photographic optical devices are also found in this series, including two toys, a mono print viewer, and a stereo film viewer.

Series contains simple, snapshot cameras designed for mass public consumption, taking advantage of the new flexible roll film that was developed in 1883. The box camera was a logical follow up from the original simple camera obscuras, often having only one shutter speed, simple lenses with minimal f-stop capabilities and manual winds.

The trend arguably began with George Eastman's in 1888 with the first, amateur, handheld camera, "The Kodak", which came pre-loaded with 100 exposures. After exposure, the entire outfit was returned to the Eastman Kodak company, where the film was developed, prints made and sent back to the customer with the camera, now re-loaded with more film.

Many millions of similar cameras were sold, both high and low end, manufactured by different companies and eventually developing into the modern point-and-shoot camera.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Items in this series are photographic devices designed to be inconspicuous, intended for photographers to make candid exposures without the subject being aware. The first detective cameras appeared with the production of commercially available dry plates and designs were simple box camera style constructions. These were, in fact, very similar to standard cameras of the time, but were smaller, handheld and able to make exposures relatively quickly. As smaller, flexible film materials became available, these cameras began to be produced disguised as objects such as pocket watches, ties, books, hats, pens and walking sticks.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

This series contains cameras designed to take photographs on flexible film sized smaller than 135 format film (24mm x 36mm). The size of the camera also tended to be very small, and often simply designed. While several companies manufactured high quality miniature cameras (including Minox and Rollei), many others were cheaply made and did not produce relatively poor results.

Film formats for miniature cameras were often priority, created by manufactures for their cameras specifically, and included the following sizes: 10mm x 14xx (16mm film), 13mm x 17mm film (110 film cartridges), 14mm x 14mm (used by "Hit" type cameras), 8mm x 11mm cartridge roll film (Minox), 11mm x 8mm disc film (Kodak).

Miniature cameras gained a reputation as "spy" cameras, and while some of the higher quality ones (including the Minox) were used by government agencies, most were simply for surreptitious, amateur use.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Series consists of cameras that combine exposure and development in one step to create photographs instantaneously.
While Polaroid is by far the most well known of these cameras, the first patent for instant photography was for the Dubroni, a French wet plate camera, designed so that the glass plate could be sensitized and developed by pouring the chemicals over the plate through a tube in the camera. Later cameras were developed so small tintypes (1895) and direct paper positives (1913) could be made quickly for tourists on busy streets.
But it was the Polaroid Corporation that made instant photography a household item, beginning in 1937 when Edwin Land's young daughter's desire to see her photograph immediately, inspired him to develop the Polaroid's first instant camera: the Land Camera.

The Heritage Collection also contains Kodak Instant Cameras; produced in the late 1970's, they spawned a patent infringement lawsuit from the Polaroid corporation that resulted in the recall all of instant Kodak models sold and the discontinuation of their production.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Source: <a href="http://www.shutterbug.com/content/it%E2%80%99s-instant%E2%80%94-it%E2%80%99s-not-polaroid-pre-and-post-polaroids-1864-1976">Wade, John. "It's Instant - But It's Not Polaroid: Pre- And-PostPolaroids, From 1864 to 1976." Shutterbug : Published May 1, 2012.</a>

Series contains single lens reflex, or simply reflex, cameras. This deign used a mirror at a 45 degree angle to allow the photographer to look through the lens when composing the photograph, therefore seeing exactly what will appear on the film. Brilliant and sports style viewfinders only alllowed an approximation of the image alignment.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Series contains cameras designed with two identical lenses, mounted one above the other, for composition and the other for exposure. The twin-lens design allows the photographer a continuous view of the subject while photographing, as the 45 degree angled mirror is mounted to the viewing lens only and therefore does not have to list out of the way during exposure, as in single lens reflex designs. Most designs used a waist level viewfinder with a ground glass.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Series contains hand-held, shoulder-mounted, or structurally-attached cameras that use electronic components to record moving images and sound. Most items in this series are for home use. For cameras that record moving images using digital components, see the Digital and Pre-digital cameras series.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Series contains graphic materials related to the operations of Kodak Canada Limited including Blueprints and Plans, Kodak Advertising Materials, and Posters and Signs. Blueprints and plans document the establishment of Kodak facilities in Ontario, including historical blueprints of the Kodak King street plant, as well as early diagrams and cyanotype blueprints of the Kodak Heights property drafted by The Canadian Pacific Railway. Kodak Advertising Materials includes a group of 35 Ad Ledgers containing proofs for Kodak ad campaigns from 1920-1987. Poster and signage include a group of posters publicizing Kodak's The Techniques of the Masters Videoconference Series, early images of Kodak Heights operationas reproduced on large-scale foamcore boards, and Kodak advertising campaigns reprinted on foam-core boards for the Kodak Heritage Museum.

Series contains video, film and sound recordings made as demonstration tapes for in-house meetings or advertising purposes. Some recordings document important visits to the Kodak Heights plant, meetings and product history, or awards acknowledging Kodak Canada's contributions to photography and the community.

Series consists of a theatre program published in Germany by Theater Bremen around the year 1949.

Series contains pamphlets, press releases, invitations, and publications for photographic exhibitions in international museums, galleries, festivals, publishers and universities during 2009. See sub-series records for lists of venues.

Series contains pamphlets, press releases, invitations, and publications for photographic exhibitions in international museums, galleries, festivals, publishers and universities during 2013.

Series contains imags of works of art and architecture that correspond with Jansen's History of Art, 5th edition. An index is included.

Series contains images of photographs from the collestion of the National Gallery of Canada, in 2 binders. No index is included.

Series contains pamphlets, press releases, invitations and publications for photographic exhibitions at museums, galleries, festivals and universities in the United States and some abroad, between 1985 and 1999. Venues include:
621 Gallery, Tallahassee
Akron Art Museum
Amon Carter Museum
Bibliotheque Nationale de France, site Francois-Mitterrand
Bronx Museum of Art
California Museum of Photography
The Corcoran Gallery of Art
Denver Art Museum
Eastern State Penitentiary, Philadelphia
The Flagler Museum
George Eastman House, Rochester <BR>
Grey Art Gallery, New York University
Haas Gallery of Art, Bloomsburg University
Hood Museum of Art, Darmouth College
The International Center of Photography, New York,
James Howe Gallery, New Jersey
Kanagawa Arts Festival, Japan
Klebenov Gallery
Lehigh University Art Galleries
Missoula Art Museum
The Museum of Fine Arts, Boston
The Museum of Contemporary Photography, Chicago
The National Trust, UK
Octagon Galleries, Bath
Photographic Resource Centre Boston
Rose Art Museum, Brandis University
Seattle Art Museum
Smithsonian Institution, Washington
Southeast Museum of Photography
Taft Museum, Cincinnati
Tozzer Library, Harvard University
University Gallery at the University of Massachusetts
University of Southern Main
Wellesley College Museum
Wolfsonian, Miami Beach

Series contains invitatinos, pamphlets, press releases and publications for photographic exhibitions in museums, galleries, festivals and universities in the United States and some abroad, during 2000. Venues include:

621 Gallery, Tallahassee
Akron Art Museum
Art Gallery of New South Wales, Sydney
The Arts Center, St. Petersburg
Boston Public Library
California Museum of Photography, University of California
Canadian Museum of Contemporary Photography
Centrato de ARte Contemporaneo Wifredo Lam, Cuba
Foto Biennale Rotterdam
FotoGaleria, Teatro San Martin, Buenos Aires
Galerie Polaris-Bernard Utudjian, Paris
International Centre of Photography, New York
Julie Saul Gallery, New York
LeMoyne Art Foundation, Tallahassee Florida
Morikami Museum and Japanese Gardens, Palm Beach
Musee de L'Elysee, Lausanne
Museo Maritimo de Ushuaia, Tierra del Fuego
Museum of Modern Art, New York

Museum of Photographic Arts, San Diego
Open Ends Gallery, Chicago
Oxfordshire Visual Arts Festival, England
pARTs Photographic Arts, Minneapolis
Salt INstitute for Documentary Studies, Portland
Sepia International Inc.
Selby Gallery, Ringling School of Art and Design, Sarasota
SF Camerawork, San Francisco
The Tang Teaching Museum and Art Gallery, Skidmore College
Tate Modern, London
University Galleries, Dorothy F, Schmidt College of Arts and Letters
Venezia Immagine, Venice
Whitney Museum of American Art, New York

Series contains pamphlets, press releases, invitations, and publications for photographic exhibitions in museums, galleries, festivals, publishers and universities in the United States and some abroad, during 2004. Venues include:

5004 Feagan Studios, Houston
AIPAD, New YOrk
Anya Tish Gallery, Houston
Aperture, New York
Arthur Meyerson studio/gallery, Houston
Asia Society, Houston
Corcoran Gallery, Washington
Daniel Cooney Fine Art, New York
Fotofest, Houston
George Eastman House, Rochester
Gregory Lind Gallery, San Francisco
Houston Centre for Photography
Internaitonal Centre of Photography, New York
Koelsch Gallery, Houston
Mackey Gallery, Houston
Magnum, New York
Museum of Contemporary Art, Chicago
Museum of Fine Arts, Houston
Museum of the City of New York
Nailya Alexander Gallery, New York
Public Art Fund, New York
Redbud Gallery, Houston
Rizarios Exhibition Centre, Monodendri Greece
San Francisco Museum of Modern Art
Whitney Biennial, New York

194? - 199? 2.67 m textual.
This series includes all of the unpublished textual records in the Robert Hackborn Fonds. Series includes textual records related to the production of Canadian television, the special effects and production techniques pioneered or used by Mr. Hackborn, personal correspondence, screenplays, scripts, notes and clippings. The items in this series have been arranged and physically stored based on how they were ordered and stored by Mr. Hackborn.
2012.005.04

Series contains small informational booklets produced by photographic supplies manufacturers to highlight their products and provide tips and practices for best results.

Series contains published works of fiction, whose subjects and themes are centered around photography.

Series contains various photographic lenses and accessories from many manufactures, for use with a variety of camera models. Items include wide-angle, zoom and specialty lenses, along with lens caps and filters.

Series contains a variety of chemicals used in the development of photographic film and paper and the processing of photographic prints. Items include toning chemicals, developing chemicals and print retouching tools.
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Series contains a variety of objects used in the development of film and the production of photographic prints using chemicals and light sensitive paper. Items include film developing tanks, developing trays, lighting systems, filter kits, paper easels, and enlargers.

This series contains photographs of people associated with and featured in the Canadian Architect Magazine. Many of the photographs appear to have been used or consulted as part of the magazine proofs. The photographs contained within this series range from the 1950s up until 1995 and consist of portraits, candids, and posed group photographs. Additionally, many of the photographs in this series do not contain dates or inscriptions.

At some point, prior to this description, these images appear to have been removed from their original order and separated out due to subject matter. This series was created because it was no longer possible to arrange these materials in their original, working order.

Series contains small projectors for magic lantern slides.

Series consists of 205 instant cameras.
Polaroid cameras were invented in 1948 by Edwin Land, in response to a question by his daughter about why she could not see the picture he had just taken of her. The Kodak company later tried to invent their own version of the instant camera, resulting in a product with several differences from the Polaroid version. However, this was found to be too similar and Koday guilty of patent infringement, leading to the end of production of their instant cameras and the film for them.

Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1995-1996 academic year. No recordings exist for the Lily Koltun lecture. The lecture schedule was as follows:

Krzystzof Diczko, Polish American experimental artist: September 22, 1995
Michael Mitchell (introduction), Film Screening: Henri Cartier Bresson, by French photographer Sarah Moon: October 13, 1995
Joseph Blasioli and Victor Malafronte, Canadian filmmakers "Paparazzi and the Cut of Celebrity": October 20, 1995
Lily Koltun, Canadian curator "Canadian Photo History" ( Concurrent with exhibits of former Speaker's work at the Stephen Bulger Gallery January 13 - 17): January 12, 1996
Lorraine Monk, Canadian photographer: February 2, 1996
Nancy Burson, American photographer: February 16, 1996
William Eggleston , American photographers: March 22, 1996

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1997-1998 academic year. Lectures were recorded in both audio and video formats, with the exception of the Vincent LaVoie lecture, which is only available in audio. The lecture schedule was as follows:

Jochen Gerz (German conceptual artist), December 12, 1997
Julian Cox (American curator) on Julia Margaret Cameron (UK photographer), January 30, 1998
Vincent LaVoie (French Canadian historian), February 5, 1998
Laurie Simmons (American photographer and filmmaker), March 6, 1998
Ed Burtynsky (Canadian landscape photographer), March 20, 1998
Jeffrey Shaw (Australian media artist), April 3, 1998

Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1999-2000 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Sandy Skoglund (American photographer), October 22, 1999
Linda Troeller (American photographer), November 5, 1999
John Gosssage (American photographer ), November 12, 1999
Suzy Lake (American-Canadian photographer, videography and performance artist), January 28, 2000
Jim Goldberg (American photographer), February 11, 2000
Ken Josephson (American photographer), March 3, 2000
Johan Van Der Keuken (Dutch documentary filmmaker & photographer), March 10, 2000
Alain Fleisher (French filmmaker and photographer), March 17, 2000

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Nicolas Baier (French Canadian multidisciplinary artist), October 19, 2001
Tom Hunter (UK photographer), November 2, 2001
Rineke Dijkstra (Dutch photographer), February 8, 2002
Roni Horn (American visual artist), February 15, 2002
(Lorna Simpson (American photographer), February 22, 2002
Janet Cardiff & George Bures Miller (Canadian multi-media and installation artists), March 15, 2002
Joan Fontcuberta (Spanish conceptual artist), March 22, 2002

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2002-2003 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Lynne Cohen (American-Canadian photographer), November 1, 2002
Robert & Shana Parkeharrison (American photographers), November 11, 2002
Zacharias, Kunuk (Canadian Inuk producer and director), November 29, 2002
Luc Courchesne (Canadian artist), February 7, 2003
Jennifer, Baichwal (Canadian documentary filmmaker), February 14, 2003
Angela Grauerholz (German-Canadian photographer), March 7, 2003
Jonas Mekas (Lithuanian-American filmmaker), March 7, 2003

Series contains wet plate collodion negatives, a process usually credited to William Scott Archer , in wide use between 1851 and 1885. The process uses light-sensitive silver halides in collodion on a glass base and the negatives needed to be exposed while still wet. Positive prints of wet plate negatives were usually made using the albumen silver process. The process was superseded by the more convenient dry plate process.

Contains colour prints

Series contains various promotional items carrying the Kodak logo, including pens, key-chains, posters, mugs, and a visor. These were collected by former Kodak employee Mary Bowman during her tenure with the company.

Series contains textual records related to the marketing and sales in the Motion Picture and Audiovisual (M.P.A.V.) department at Kodak Canada.

This series contains a variety of types of magic lantern slides, includes mechanical, oversized, panoramic, stereographic and the standard square glass slides. It also includes some slide carriers that were used to move glass slides in front of large magic lantern projectors.

This series consists of early optical toys such as pre-cinematic and early animation devices.

This series consists of materials related to the schedule and outline of events related to the Hot Docs Cinema, Festival and Industry events.

Series consists of 72 documentaries.

DVD's held in the Special Collections Reading Room include:

Call me Kuchu
The Carbon Rush
Blackfish
Upside Down
Shadows of Liberty
Venus and Serena
Army of One
The art star and the sudanese twins
Burma VJ
RIP! A Remix Manifesto
The League of Exotic Dancers

The remaining DVDs are in the Library Circulation Catalogue, and available on the 5th floor:

Land. Produced by Paul Scherzer; directed and co-produced by Julian T. Pinder, 2011: http://catalogue.library.ryerson.ca/record=b2826063

The People vs. George Lucas. Written & directed by Alexandre O. Philippe, 2010: http://catalogue.library.ryerson.ca/record=b2825921

The unforeseen. Produced by Jef Sewell [and others]; directed by Laura Dunn, 2010. http://catalogue.library.ryerson.ca/record=b2826050

The betrayal. A film by Ellen Kuras, 2010. http://catalogue.library.ryerson.ca/record=b2826057

Water on the table. Director, Liz Marshall, 2010. http://catalogue.library.ryerson.ca/record=b2826051

Prom night in Mississippi. Directed & produced by Paul Saltzman, 2010: http://catalogue.library.ryerson.ca/record=b2825908

Unmistaken child. A film by Nati Barat, 2010: http://catalogue.library.ryerson.ca/record=b2826058

If a tree falls : a story of the Earth Liberation Front. A Marshall Curry film, 2011: http://catalogue.library.ryerson.ca/record=b2826062

H2Oil. Written & directed by Shannon Walsh, 2010. http://catalogue.library.ryerson.ca/record=b2825917

Becoming Santa. Directed by Jeff Myers; written by Jack Sanderson, 2011. http://catalogue.library.ryerson.ca/record=b2825918

The bodybuilder and I. A film by Bryan Friedman, 2010. http://catalogue.library.ryerson.ca/record=b2825863

Scott Walker : 30 century man. A film by Stephen Kijak. 2010: http://catalogue.library.ryerson.ca/record=b2826064

Pax Americana and the weaponization of space. Denis Delestrac, 2010. http://catalogue.library.ryerson.ca/record=b2826059

The order of myths. Directed and produced by Margaret Brown, 2010: http://catalogue.library.ryerson.ca/record=b2826053

When we were boys. Produced by Mark Johnston, Amanda Hardy and Sarah Goodman,directed by Sarah Goodman, 2010: http://catalogue.library.ryerson.ca/record=b2826060

Collapse : Can this man predict when your world will crumble? Produced by Kate Noble, directed by Chris Smith, 2010: http://catalogue.library.ryerson.ca/record=b2826067

El Bulli : cooking in progress. In coproduction with Bayerischer Rundfunk and Westdeutcher Rundfunk, 2011. http://catalogue.library.ryerson.ca/record=b2825916

Cat ladies. Director, Christie Callan-Jones, producer, Jeannette Loakman, 2009: http://catalogue.library.ryerson.ca/record=b2826049

Whale. A film by Suzanne Chisholm and Michael Parfit, 2012: http://catalogue.library.ryerson.ca/record=b2826054

The Galapagos affair : Satan came to Eden. A Geller/Goldfine production, 2014. http://catalogue.library.ryerson.ca/record=b2826024

Obit. Directed by Vanessa Gould, produced by Caitlin Mae Burke, Vanessa Gould, 2017. http://catalogue.library.ryerson.ca/record=b2825853

I am breathing. A film by Emma Davie and Morag McKinnon, 2012. http://catalogue.library.ryerson.ca/record=b2825941

How to change the world : the revolution will not be organized, 2015. http://catalogue.library.ryerson.ca/record=b2825922

Évocateur : the Morton Downey Jr. movie. Produced and directed by Seth Kramer, Daniel A. Miller, Jeremy Newberger, 2012. http://catalogue.library.ryerson.ca/record=b2825944

Free the mind. A film by Phie Ambo, 2014. http://catalogue.library.ryerson.ca/record=b2826009

Good ol' Fred. A film by Ryan White, 2013. http://catalogue.library.ryerson.ca/record=b2825857

A people uncounted : the untold story of the Roma. Produced by Tom Rasky, Marc Swenker, directed by Aaron Yeger, 2014. http://catalogue.library.ryerson.ca/record=b2826035

Triumph of the wall. Directed & photography by Bill Stone; produced by Frederick Bohbot, Bill Stone, 2012: http://catalogue.library.ryerson.ca/record=b2826036

After Tiller. Directed and produced by Martha Shane and Lana Wilson, written by Greg O'Toole, Martha Shane, and Lana Wilson, 2014. http://catalogue.library.ryerson.ca/record=b2826043

These birds walk. A film by Omar Mullick, and Bassam Tariq. 2014. http://catalogue.library.ryerson.ca/record=b2826039

112 Weddings. A film by Doug Block, 2015. http://catalogue.library.ryerson.ca/record=b2826010

A Place at the Table. Lori Silverbush/Kristi Jacobson film, 2013. http://catalogue.library.ryerson.ca/record=b2825943

Only the Young. Filmmakers, Jason Tippet & Elizabeth Mims AND Tchoupitoulas. A film by Bill Ross IV and Turner Ross. 2012: http://catalogue.library.ryerson.ca/record=b2826041

Teenage. A film by Matt Wolf, 2014. http://catalogue.library.ryerson.ca/record=b2826040

You don't like the truth : 4 days inside Guantánamo. Afilm by Luc Côté & Patrício Henríquez, 2010. http://catalogue.library.ryerson.ca/record=b2826045

Jingle bell rocks! A film by Mitchell Kezin, 2014: http://catalogue.library.ryerson.ca/record=b2825911

Herman's house. A film by Angad Singh Bhalla, 2012: http://catalogue.library.ryerson.ca/record=b2825939

Harry Dean Stanton : partly fiction. Written & directed by Sophie Huber, 2013: http://catalogue.library.ryerson.ca/record=5923

Big boys gone bananas!* A film by Fredrik Gertten, 2011. http://catalogue.library.ryerson.ca/record=b2825940

Armadillo / Fridthjof Film præsenterer ; med støtte fra Det Danske filminstitut, Nordisk Film & TV Fond, Det Svenska film institutet ; instruktor, Janus Metz ; producer, Ronnie Fridthjof ; producer, Sara Stockmann.

Ai Weiwei : the fake case. A film by Andreas Johnsen, 2015: http://catalogue.library.ryerson.ca/record=b2825942

A film unfinished. Written and directed by Yael Hersonski, 2010: http://catalogue.library.ryerson.ca/record=b2826055

Last train home = Gui tu lie che. A film by Lixin Fan, 2010: http://catalogue.library.ryerson.ca/record=b2826046

Joe show : lights, camera, power. Directed by Randy Murray; produced by Ron J. Friedman, Andy Nelson, Andrew James Benson, 2013. http://catalogue.library.ryerson.ca/record=b2826071

Yalom's cure. Written and directed by Sabine Gisiger, 2014. http://catalogue.library.ryerson.ca/record=b2826030

Meet the Fokkens. Producers, Femke Wolting & Bruno Felix, directors, Rob Schröder & Gabrielle Provaas, 2013. http://catalogue.library.ryerson.ca/record=b2825860

Linsanity. Directed by Evan Jackson Leong; produced by Christopher C. Chen, Allen Lu, Brian Yang; narration writer, Aaron Strongoni, 2013. http://catalogue.library.ryerson.ca/record=b2825920

I dream of wires. A film by Robert Fantinatto and Jason Amm, 2014. http://catalogue.library.ryerson.ca/record=b2826031

Kedi. Directed by Ceyda Torun ; produced by Ceyda Torun, Charlie Wuppermann, 2017. http://catalogue.library.ryerson.ca/record=b2826044

Bikes vs. cars. A film by Fredrik Gertten, 2016. http://catalogue.library.ryerson.ca/record=b2825867

Design is one : Lella & Massimo Vignelli. A film by Kathy Brew & Roberto Guerra, 2013. http://catalogue.library.ryerson.ca/record=b2825865

Girl model, 2012. http://catalogue.library.ryerson.ca/record=b2825925

Cave of forgotten dreams. Written, directed and narrated by Werner Herzog, 2011. http://catalogue.library.ryerson.ca/record=b2825937

The fruit hunters. A film by Yung Chang, 2013. http://catalogue.library.ryerson.ca/record=b2825854

Series contains books and book chapters authored and co-authored by Ken Jones.

Collection includes : Programs, invitations, notices, news releases, notices, correspondence, posters, etc. See RG 26.13 for material for the period 1986 - 1994 and RG 395.07 for material for 1995 to the present. Series is arranged into 14 files.

File contains materials relating to the Women and Politics conference which was co-sponsered by Ryerson's Continuing Education division. Materials include conference preparation materials including program drafts, correspondence, grant applications, meeting minutes, and newspaper clippings. Also included is correspondence, financials, and supporting materials from other conferences. Also included are sets of video and audio cassettes. Series consists of four files:

RG 27.01.041.01 1991-029 donation
RG 27.01.041.02 1995-068 donation
RG 27.01.041.03 Women and Politics conference videocassettes
RG 27.01.041.04 Women and Politics conference audiocassettes

Series contains materials for the first and second conferences.

Series divided into 3 files based on accession and content of folders. They are as follows:

RG 27.01.069.01 Correspondence and general program file, 1975-1995
RG 27.01.069.02 Correspondence - Dean, 1988-1995

Series contains 3 program degree proposals for Public Health Inspection and 1 proposal for a 2 year fast track to degree in Environmental Health - Public Health option.

Series contains records related to committees and councils associated with the Faculty of Business

Portrait photographs of Catherine Lund.

This series contains files regarding posters and other promotional material produced by the Department of English. Topics include lecture series, information nights about the department and the English program, and various workshops.

Included with the poetry book "Modern Love" is an illustrated and signed broadside of a sonnet published in this book.

The files in this series contain correspondence, minutes, and/or other records related to some courses in architectural science.

Series is arranged into the following files:

RG 3.73.1 - Program Evaluation Process: Academic Element - April 1982
RG 3.73.2 - Report of the Program Assessment Committee - May 1982
RG 3.73.3 - Program Evaluation Process: Bachelor of Technology (Architectural Science)
RG 3.73.4 - Assessment of the Financial Viability of the Architectural Science Program (1992)
RG 3.73.5 - Assessment of the Academic Quality of the Architectural Science Program (ca.1992)
RG 3.73.6 - Societal Need element of the Architectural Science Program (1992)

Series contains administrative records for the Faculty of Community Services. The Series is divided into three areas:
RG 186.001.001 Chair/Director meeting minutes and accompanying records
RG 186.001.002 Dean of the Faculty of Community Services documentation files
RG 186.001.003 Job postings

Series containing promotional materials created by/for the Faculty of Community Services. Included are:
RG 186.004.001 Daphne Cockwell Health Sciences Complex brochure
RG 186.004.002 RPI Community Services Division buttons
RG 186.004.003 Faculty of Community Services program brochures

Series contains articles, chapters, and poetry written by George Swede and published in a variety of anthologies, journals, and books.

Series contains books edited by George Swede.

A collection of technological instruments used for study and instruction by the electrical and electronic technology programs of both the Toronto Training and Re-Establishment Institute and Ryerson. The instruments have collectively been registered as a collection of technological instruments used for study and instruction by the electrical/electronics technology programs of both the Toronto Training and Re-Establishment Institute and Ryerson.

Series contains books authored and co-authored by Ingrid Bryan.

Series contains reports authored and co-authored by Anna Stahmer while employed as a Senior Associate at the Ryerson International Development Institute.