Item is a cardboard boxed filled with 54 stereoscopic images. Item comes with one handheld, compact, metal accordion fold black stereoscope. This object was used to view two nearly identical photographs, or stereographs, as one three dimensional image. The stereograph would be placed in the sliding card holder and adjusted to fit the user's vision until the two images overlap to mimic a three-dimensional effect. Images are vernacular photographs sent to A.P. Manners Ltd. to develop, print, and then return images to photographers. Written by previous owners on a small yellow post-it-note : recoverying from W.W. II English Military Sectary.

Written on box : A.P. Manners Ltd. Finest Quality Developing, Printing, Enlarging and 35 mm Process In Services Photographic and Cine Specialists, 11 Westover Road, Bournemouth.

Consists of a print of the outside of a post office building with four individuals standing outside.

Consists of two group portraits of women in Victorian aprons, white dresses and bows in their hair. One portrait is set indoors and one is an exterior shot. Both prints have the Topley Ottawa stamp at the bottom left corner.

Item consists of a carte-de-visite of a man standing beside a book and desk. He is wearing a jacket and a polka dot tie. The verso of the photograph is stamped with the studio logo for William Notman.

Portrait of King George V, King Edward VII and Prince Edward, Duke of Windsor (King Edward VIII) on board the Royal Yacht 'Victoria and Albert. Print is mounted on 34.5 x 29.5 cm cardboard.

Item consists of a read leather album. The album has the words "Where Rolls the Oregon" etched onto the front cover. Includes several family photographs and group portraits as well as images of locations in the United Kingdom such as Pass of Killiecrankie (Scotland), Queenstown Harbour (Ireland), Balmoral castle (UK). Other subjects of photographs include people on horse-drawn carriages, in military settings, playing sports, on farms, weddings, and chronological baby photos at the end of the album.

White mounts with patterns on them. Two have a golden border

Item consists of two wet plate negatives of an archaeological site that has been edited for printing using paper and retouching (particularly in the sky).

Item consists of 52 black and white transparency copy slides of photo-historical images for teaching. The slides are all in metal housings, made in Switzerland by Perro Color, US Pat. 2919840. They are individually numbered in black ink with a 4 digit number on white sticker labels, but there is no index to go with the slides.

One cardboard box meant for holding dry plates manufactured by the Stanley Co. Box contained one dozen plates and ranked a No. 50 on the sensitometer. Box bears a logo with a man on a horse saying "On Stanley, On."
F.E. Stanley developed his own dry plate formulation and then eventually began selling plates to other photographers. The venture proved so successful that he and his twin brother, F. O. Stanley, became partners in the Stanley Dry Plate Company in 1884. Their coating machine, patented in 1886, accelerated the dry plate process, coating plates at a speed of one plate per second. The twins ultimately sold the Stanley Dry Plate Company to George Eastman of Eastman Kodak, who used the Stanley innovation to build his photography empire.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

One cardboard box meant for holding dry plates manufactured by the Canadian Kodak Co. Originally came with instructions inside the package. Contained one dozen plates measuring 4 x 5 inches.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

Item is a glass negative of a child, who is posing with hands resting in front.

Item is a glass negative of the moon. There is a circle around the moon, along with a line on one side.

Items are dry plate negatives covering a wide variety of focuses, including group pictures, horses, buildings and railways

Item is a dry plate negative depicting a group of 11 men posing with shotguns.

Item is a dry plate negative depicting a man canoeing on a river under a canopy of trees.

Item is a dry plate negative depicting 9 adults and children posing during a tug of war game.

Item is standard dry plate plate negative of a group portrait.

Item consists of 51 exposed dry plate negatives depicting family photographs of women, children, and pets.

Items depict scenes from along the Canadian Pacific Railway, people, locations, animal, the sun, tombs, ships, indigenous Peoples, cities and trails. Wooden box has the word Songs on it.

Item is a wooden frame with a sticker on it. Sticker has two leaves on it and a logo in the middle with the initials "E.P." Sticker also has writing on it"(first words illegible) . . . und Zigenbock."

Item is a magic lantern slide with a depiction of a very large fish on it. There is a bridge nearby and a building. The style is decalomania. Item comes in a wooden frame with a sticker on it. Sticker has two leaves on it.

Item is an automatic coloured magic lantern slide containing several hand painted glass slides that could be rotated against each other with a small attached hand crank. Hand crank appears to be made of wood, as does the mount.

Item is a magic lantern slide done in the Decalcomania or Chromolitho style. Image shows rowboats, powered by 2-3 men, and a couple of bigger ships, as well as a dock.

Item is a hand painted, medium format lantern slide with 8 individual images

Item is a hand painted, medium format lantern slide with 4 images illustrating a boy swatting a man with a net.

Item consists of 2 hand painted Magic Lantern Slides, each depicting a story in 4 circular images. Slides show frogs, cats and dogs swimming, driving cars and riding bicycles. Produced by Gebruder Bing, Nuremberg.

Item is a hand painted, medium format lantern slide with 4 tableaus in one illustration depicting winter scenes in a village. Produced by Ernst Plank, Germany.

Item consists of 2 hand painted, medium format lantern slide with 8 individual images. Illustrations resemble Punch and Judy cartoons.

Items are tintypes portraits of people, 8 are framed but the majority are unframed. Some show families or couples, but most focus on individuals

Item is a tintype in an ornate handmade cardboard and papier mache frame.

Item is a snapshot album produced by Canadian Kodak Co. Ltd. The album includes 34 leaves with paper corners to hold photographs. No photos are included.

Item contains notes taken by George Dunbar in preparation for an article he wrote on the Phototeria in 2006.

Item is a short synopsis of an interview that George Dunbar conducted with Bruce McCowan, , in preparation for a 2006 article on the photobooth.

Item is a short synopsis of an interview that George Dunbar conducted with Peter McCowan, son of Phototeria creator David A. McCowan, in preparation for a 2006 article on the photobooth.

File contains digital reproductions of vintage and current articles featuring the Phototeria.

Item consists of 25 photographs of Peter McCowan, son of the Phototeria inventor David A. McCowan, with various accessories from the booth. These include a portrait of Peter McCowan taken in the Phototeria, a lens, an instruction plate, and a crate that was used to store unexposed photographic discs used in the booth.

Items contains 13 digital images of the Phototeria with Bruce McCowan and students during a visit to the W.A. Porter Collegiate Institute.

Items contains 88 digital images of the Phototeria taken at the Baldwin, Ontario farm owned by Jim McCowan (a distant cousin of the inventor, David A. McCowan), where the booth was stored until 2015.

Collection consists of an automatic photobooth, and material related to its original function. Designed by David McCowan and patented on May 21, 1929. The collection includes vintage articles and advertisements, photographs of the booth and members of the McCowan family, the booth itself, along with related accessories.

Design Archive Inc. was the professional company of photographer Robert Burley, who established it in January 1987 and acted as president until January, 2000. Design Archive Inc. specialized in architectural photography: work is project-based, with project locations including commercial centers, businesses, private residences, and public places of note. Interior and exterior architectural structure is the predominant photographic subject, with landscapes and detailed design highlights, furniture, and machinery filling out the collection. In 2003, Burley accepted a full-time teaching position at Ryerson University’s School of Image Arts and suspended work at Design Archive Inc.

These fonds include photographic materials, including photographic prints, contact sheets, negatives, CDs, and other miscellaneous items that were collected by Design Archive Inc. from 1987 to 2003.

Series contains pamphlets, cards, catalogues and booklest produced by photographers as handouts between 2000 and 2005. Artists include:

Lili Almog
Matthre Barlow
Mette Bersang
Beth Block
Joergen Brandt
Brittain Bright
Andrew Buurman
Catherine Cameron
Christo and Jeanne-Claude
Marcelo Coelho
Lois Conner
Michael Corridore
Vincent Delbrouck
Gair Dunlop
Beth Dow
Sebastian Friedman
Johannes Galert
Moyrah Gall
Edouard Glissant
Jules Greenberg
Myar Greene
Kyna Gourley
Linda Hansen
Mark Edward Harris
Heinrich Heidersberger
German Herrera
April Hickox
Julia Hoerner
Michael Itkoff
Adam Jeppeson
Max Kandhola
Misty Keasler
Karen Keating
Jens Knigge
Michael Kolster
Oliver Krebs
Bob Kubiak
James Lerager
Rania Matar
Heather McMlintock
Beatrice Minda
Rizwan Mirza
Edgar Moreno
Huong Ngo
Christian Nielinger
Dan Nelken
Rachel Papo
Mary Parisi
Patricia Pastore
Gilles Perrin
Liv Carle Mortenesen
Liza Nguyen
Elizabeth Orbutt
Betty Press
Susan Raab
David Ramkalawon
Scully & Osterman
Sole, Magdalena
Kristopher Stallworth
David Star
Amy Stein
Wei Leng Tay
Mogens Ulderup
Jim Vecchi
Carla Williams
Dennis Witmer

Pawel Zak

Series contains pamphlets, maps, guides and publications for cultural sites and photographic exhibitions between 2000 and 2005. Venues include:

Bath Abbey, England
The Boston Public Library
East Lambrook Manor Garden, England
The Finnish Museum of Photography
Forma International Centre of Photography, Milan
Glastonbury Abbey, England
Harry Ransom Humanities Research Centre, University of Texas at Austin
Harvard University Art Museums
The High Desert Museum, Bent Oregon
Horn Park Gardens, Dorset
International Visual Society Association
Japanese Gardens, Portland
Memorial to the Murdered Jews of Europe
Museum of Contemporary Art, San Diego
Museum fur Photographie, Berlin
National Film Theatre, London
National Museum of Natural History, Washington
National Trust, UK
Oregon History Centre
Peabody Essex Museum
Perth Institute of Contemporary Arts
Pittock Mansion, Portland
Parnham House, England
Portland Art Museum
Salvadore Dali Museum, Florida
San Francisco Museum of Modern Art
Society for the Preservation of New England Antiquities
Suntory Museum of Art, Tokyo
The Tate Modern, London
The Victoria and Albert Museum, London
University of Oxford Botanic Garden

Van Gogh Museum, Amsterdam

Series contains pamphlets, press releases, invitations and publications for photographic exhibitions at museums, galleries, festivals and universities in the United States and some abroad, between 1985 and 1999. Venues include:
621 Gallery, Tallahassee
Akron Art Museum
Amon Carter Museum
Bibliotheque Nationale de France, site Francois-Mitterrand
Bronx Museum of Art
California Museum of Photography
The Corcoran Gallery of Art
Denver Art Museum
Eastern State Penitentiary, Philadelphia
The Flagler Museum
George Eastman House, Rochester <BR>
Grey Art Gallery, New York University
Haas Gallery of Art, Bloomsburg University
Hood Museum of Art, Darmouth College
The International Center of Photography, New York,
James Howe Gallery, New Jersey
Kanagawa Arts Festival, Japan
Klebenov Gallery
Lehigh University Art Galleries
Missoula Art Museum
The Museum of Fine Arts, Boston
The Museum of Contemporary Photography, Chicago
The National Trust, UK
Octagon Galleries, Bath
Photographic Resource Centre Boston
Rose Art Museum, Brandis University
Seattle Art Museum
Smithsonian Institution, Washington
Southeast Museum of Photography
Taft Museum, Cincinnati
Tozzer Library, Harvard University
University Gallery at the University of Massachusetts
University of Southern Main
Wellesley College Museum
Wolfsonian, Miami Beach

Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2006-2007 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Jeremy Podeswa (Canadian film and television director), January 26, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/482.aspx
Joanna Berzowska & SX Labs (Concordia University), February 23, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/483.aspx
Jamel Shabazz (African-American photographer), March 29, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/484.aspx
Alain Fleischer (French filmmaker), April 27, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/485.aspx
Roger Ballen (American-South African photographer), May 11, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/486.aspx

Series contains audio recordings of 4 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2005-2006 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Mariko Mori (Japanese photographer), October 7, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/488.aspx
Fiona Tan (Australian-Dutch film and video installation artist), January 27, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/490.aspx
Chris Buck (Canadian portrait photographer), March 10, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/491.aspx
Steve Schapiro (American documentary photographer), April 7, 2006 Stream online: https://ryecast.ryerson.ca/48/Watch/492.aspx

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2003-2004 academic year. Lectures were recorded in video format and the schedule was as follows:

Sultan, Larry (American photographer), October 24, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/500.aspx
David Cronenberg (Canadian filmmaker), November 7, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/501.aspx
Jemima Stehli (UK photographer), November 14, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/502.aspx
Max Dean (Canadian installation artist), January 30, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/503.aspx
Lauren Greenfield (American documentary photographer and filmmaker), March 5, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/505.aspx
Andres Serrano (American photographer), March 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/506.aspx
Shirin Neshat (Iranian filmmaker), March 19, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/507.aspx

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Nicolas Baier (French Canadian multidisciplinary artist), October 19, 2001
Tom Hunter (UK photographer), November 2, 2001
Rineke Dijkstra (Dutch photographer), February 8, 2002
Roni Horn (American visual artist), February 15, 2002
(Lorna Simpson (American photographer), February 22, 2002
Janet Cardiff & George Bures Miller (Canadian multi-media and installation artists), March 15, 2002
Joan Fontcuberta (Spanish conceptual artist), March 22, 2002

Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. A lecture by Jeremy Podeswa, scheduled for February 16, 2001, was cancelled and is not included in the recordings. The lecture schedule was as follows:

Martin Parr (UK photographer), October 13, 2000
Daniel & Geo Fuchs (German photographers), October 27, 2000
Ernie Gehr (American filmmaker), November 11, 2000
Abelardo Morell (American photographer), November 17, 2000
Stan Douglas (Canadian photographer & installation artist), January 18, 2001
Robbert Flick (American photographer), February 9, 2001
Steven Mann (Canadian computational photographer), March 16, 2001

Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1999-2000 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Sandy Skoglund (American photographer), October 22, 1999
Linda Troeller (American photographer), November 5, 1999
John Gosssage (American photographer ), November 12, 1999
Suzy Lake (American-Canadian photographer, videography and performance artist), January 28, 2000
Jim Goldberg (American photographer), February 11, 2000
Ken Josephson (American photographer), March 3, 2000
Johan Van Der Keuken (Dutch documentary filmmaker & photographer), March 10, 2000
Alain Fleisher (French filmmaker and photographer), March 17, 2000

Series contains audio recordings of 8 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1998-1999 academic year. Lectures were recorded in both audio and video formats, with the exceptoin of the David Plowden, scheduled for January 29, 1999, whic was cancelled and no audio or video is available. The lecture schedule was as follows:
Adam Fuss October 23, 1998
William Ewing October 23, 1998
Carolee Schneeman November 13, 1998
Larry Fink November 20, 1998
Sophie Ristelhueber January 21, 1999
David Plowden January 29, 1999 (cancelled)
Donigan, Cumming March 5, 1999
Thomas Roma May 5, 1999

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1997-1998 academic year. Lectures were recorded in both audio and video formats, with the exception of the Vincent LaVoie lecture, which is only available in audio. The lecture schedule was as follows:

Jochen Gerz (German conceptual artist), December 12, 1997
Julian Cox (American curator) on Julia Margaret Cameron (UK photographer), January 30, 1998
Vincent LaVoie (French Canadian historian), February 5, 1998
Laurie Simmons (American photographer and filmmaker), March 6, 1998
Ed Burtynsky (Canadian landscape photographer), March 20, 1998
Jeffrey Shaw (Australian media artist), April 3, 1998

Item is an audio recording of American photographer Hiro speaking about his work at Ryerson University as part of the Kodak Chair Lecture Series at Ryerson University on November 14, 1986.

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1996-1997 academic year. The Deepa Mehta lecture was recorded in both audio and video formats, the Diana Thorneycroft lecture was recorded in audio only, and the Robin Collyer, Timothy Druckrey, and Perry Hoberman lectures were recorded in video only. The lecture schedule was as follows:

Diana Thorneycroft (American photographer), January 23, 1997
Deepa, Mehta (Canadian filmmaker), February 6, 1997
Robin Collyer (Canadian photographer and sculptor), February 20, 1997
Timothy Druckrey (American writer and curator), March 13, 1997
Perry Hoberman (American installation artist), March 27, 1997

Series contains audio recordings of 8 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2004-2005 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Phil Bergerson (Canadian photographer), October 15, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/493.aspx
Janieta Eyre (Canadian photographer), November 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/494.aspx
Walid Ra'ad (Lebanese-American media artist), November 26, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/495.aspx
David Robeky (Canadin video and installation artist), December 2, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/489.aspx
Michael Awad (Canadian photographer and architect), February 11, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/497.aspx
Raphael Lorzano-Hemmer (Mexican-Canadian installation artist), March 11, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/498.aspx
Harmony Korine (American director), April 1, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/499.aspx
Shu Lea Cheang (Taiwanese-American multimedia artist), April 14, 2005 Steam online: https://ryecast.ryerson.ca/6/Watch/496.aspx

File contains printed course material for an introductory photography program from the Brooks Institute of Photography, a private school in California.

A letter folded into the album cover, addressed to Mr. Gordon Hamblin at Canadian Kodak, Ltd. describes the content of the album as a weekend at Mr.T. F. Pevear's cottage near Rochester, NY, where Mr. Hamblin visited while attending a meeting at the Eastman Kodak Company.

Octagonal-shaped cardboard, hand-cut, with combination print of a young girl and a floral wreath.

Bi-fold card, inside a photograph of a young woman by the name of "Nellie Mac". The photographer's stamp appears embossed at the bottom right of the mat around the image: "McKenzie/ Kingston".

Photograph of a group of 7 passengers in an early automobile, stopped along Stanley Park drive in front of the "Hollow Tree". This old cedar was a popular spot for group photographs in both cars and horse-drawn carriages. The stamp on the back of the card mount indicates this was taken by an official park photographer: "The Stanley Park Photographers, Head Office, 162 Cordova Street, Vancouver, B.C.". The negative number for ordering more prints is given as 4869a.

File consists of four card mounted photographs, 3 of the same man in various poses and 1 of a woman. All mounted on black card by studios in Montreal. The photographs were found inside the Agnes Osberg album (2009.005.023) with a yellow sticky note that read: Came from the same family But Not this album.

Photograph of a child dressed in a winter coat and hat, holding an oar and standing next to a winter sled. Snowy hills are painted on the studio backdrop. At the lower right of the card is a design with the photographer's initials intertwined: "A" "G" and "P", and the words "Pittaway/ OTTAWA,/ ONT." On the verso, and handwritten note identifying the recipient of the card.

5 photographs of the same woman in light-coloured blouse, different poses and backgrounds. Each image is stamped "PROOF ONLY" on the front, and again on the back with more explanatpry text. The studio's name is given as "The Stride Studios". The sitter was identified as "Miss Helen Ballock." on a manilla envelope which contained the images. [Envelope removed]

Item is a white card with vignetted portrait of a young woman. On verso, an elaborate printed design featuring celtic-style scrollwork, cherubs with paint and canvas or a cornucopia. The photographer's name is given as "TOPLEY" with an address at "104 SPARKS ST/ OTTAWA". In the centre, text identifies the photographer as "PHOTOGRAPHER BY APPOINTMENT TO/ HIS EXCELLENCY/ THE MARQUIS OF LOFANE(Sic)/ AND/ HER ROYAL HIGHNESS/ THE PRINCES LOUISE."

Item is a grey and green mottled-pattern bi-fold card with, art nouveu floral design embossed into the upper left corner of the front flap. On the front of the right flap is embossed the name of the photographer: "Craswell/ Charlottetown, P.E.I." Inside, a photograph of a woman with a short haircut. The image is very dark, causing the rest of her body to be obscured. On the inside of the left flap, a handwritten note gives her name and the date.

Item is a brown bi-fold card with text at the bottom edge of the front left flap in black letterpress: "Portrait by Bayer, Charlottetown, P.E.I." Inside, a photograph of a boy in a sailor-style suit holding a small toy ship in his left hand. A piece of knotted rope hangs from his shirt pocket.

Item is a brown bi-fold card with an embossed design with shield and helmet on the front left flap, beneath which is the photographer's name in letterpress: "A.E. Lyon/ Photo./ Charlottetown, P.E.I." Inside, a photograph is adhered to the card showing three women in a studio, one holding a baby. All 4 are identified by a handwritten note on the inside of the right flap.

Item is a cream coloured card with photograph of a boy seated in a studio setting. At the bottom of the card, in gold letterpress: "H. D. Wallis, Photographer, 61 SPARKS STREET OTTAWA". On verso, elaborate design in gold ink repeating the photographer's name and studio address, along with a handwritten note and negative number. A cartoon of two Chinese (?) men appear in the lower left of the design. The card design was provided by Free Press Print, Ottawa.

Item is a cream coloured card with photograph of a man wearing a suit with hand-coloured purple tie. On verso, design in gold ink for the Notman Studio: "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Item is a light brown card with photograph of a man from the shoulders up, on a plain background. Embossed into the card at the base is the studio mark for William Notman and Son at 14 Phillips Square, Montreal. On verso, the name Guy Bulloch with the date 1900s is handwritten in blue ink.

Item is a cream coloured card with long rectangular photograph of a girl in a photographer's studio, leaning against a cloth-draped side table with an open book. On the back of the card, a handwritten message to Marion Morris, to whom the card was given.

Cream coloured card with grey border and oval photograph, showing a woman wearing an off-the-shoulder dress and heart necklace. The studio stamp at the bottom right is illustrated with a stylized version of the Prince of Wales coat of arms. The text reads: "The Carbon Studio./ Fraser Bryce,/ MANAGER/ PHOTOGRAPHER BY APPOINTMENT/ TO THEIR ROYAL HIGHNESSES/ THE PRINCE AND PRINCESS OF WALES". Handwritten note on verso indicates the woman's name was Margaret and she delivered this card photograph to the Macgowan family for Christmas.

Item is a cream coloured bi-fold card (3 flaps) with an embossed ribbon on the front flap at lower right. Inside, a vignetted photograph of a man in Canadian army uniform, with a badge on his right shoulder labeled "Toronto". The back of the photograph is stamped "HALKSWORTH WHEELER/ 109A SANDGATE ROAD./ FOLKESTONE". This is handwritten on the front of the photograph, and the date August 1917 is written on the card.

Item is a portrait photograph of a woman in studio setting, seated in a chair with a blanket draped over the side. She wears a loose, gathered vest over her dress in a style popular in the 1910s.

File contains three cream-coloured cards embossed with the coat of arms of the University of Guelph and the words "Macdonald Hall/ Guelph" in the upper left corner. On the lower right, the photographer's studio is identified as "The O'Keefe's/ Guelph, Ontario". Two of the portraits are duplicates. The third portrait is identified as "Jennie". Each card has a piece of glassine tissue covering the photo inside.

Item is an ambrotype photograph in a velvet-lined thermoplastic union case, showing a male sitter. A stamp on the inside back cover beneath the ambrotype plate gives the manufacturer of the case: "Littlefield, Parsons & Co.,/ Sole Manufacturers of / UNION CASES,/ with/ Embracing Riveted Hinge./ PATENTED/ October 14, 1856, & April 21, 1857."

Item is an example of an ambrotype with broken glass and worn coloured backing. Ambrotype is in a velvet-lined thermoplastic union case, showing a male sitter in front of a studio backdrop. The case was intended for use with 1/6 plate daguerreotypes, as indicated by the manufacturer's stamp on the inside back cover beneath the ambrotype plate: "Littlefield, Parsons & Co.,/ MANUFACTURERS OF/ Daguerrotype Cases./ L., P. & Co., are the sole/ Proprietors and only legal Manu-/ facturers of UNION CASES, with the/ Embracing Riveted Hinge./ Patented October 14, 1856,/ and April 21, 1857."